This Book Is A Compelling Account Of The 11 Years The Author, A Communist Trade-Unionist, Spent In Jail Waiting To Be Hanged On Charges Of Murder, And His Reflections On Justice, Prisons And The Dark Humanity On Both Sides Of The Bar. Condition Good.

When a boy called Bairn is rescued from his dangerous job as an Edinburgh chimney sweep, he appears to have landed on his feet. But his new job proves just as dangerous and he soon becomes caught up in a plot to kill Queen Victoria. Has he been saved from slavery only to end up swinging from the gallows?

1210 and a black force is sweeping England. For a vengeful King John has seized control of the Church, leaving corpses to lie in unconsecrated ground, babies unbaptized in their cradles and the people terrified of dying in sin. And in the village of Gastmere, the consequences grow darker still when Elena, a servant girl, is dragged into a conspiracy to absolve the sins of the lord of the manor. As the terrors that soon begin to plague Elena's sleep grow darker, in desperation she visits the cunning woman, who has been waiting for just such an opportunity to fulfil an ancient curse conjured at the gallows. Elena, haunted by this curse and threatened with death for a crime she didn't commit, flees the village ... only to find her nightmare has barely begun. For treachery lurks in every shadow as King John's brutal reign makes enemies of brothers, murderers of virgins and sinners of us all.

From Puritan Execution Day rituals to gangsta rap, the black criminal has been an enduring presence in American culture. To understand why, Jeannine Marie DeLombard insists, we must set aside the lenses of pathology and persecution and instead view the African American felon from the far more revealing perspectives of publicity and personhood. When the Supreme Court declared in Dred Scott that African Americans have "no rights which the white man was bound to respect," it overlooked the right to due process, which ensured that black offenders—even slaves—appeared as persons in the eyes of the law. In the familiar account of African Americans' historical shift "from plantation to prison," we have forgotten how, for a century before the Civil War, state punishment affirmed black political membership in the breach, while a thriving popular crime literature provided early America's best-known models of individual black selfhood. Before there was the slave narrative, there was the criminal confession. Placing the black condemned at the forefront of the African American canon allows us to see how a later generation of enslaved activists—most notably, Frederick Douglass—could marshal the public presence and civic authority necessary to fashion themselves as eligible citizens. At the same time, in an era when abolitionists were charging Americans with the national crime of "manstealing," a racialized sense of culpability became equally central to white civic identity. What, for African Americans, is the legacy of a citizenship grounded in culpable personhood? For white Americans, must membership in a nation built on race slavery always betoken guilt? In the Shadow of the Gallows reads classics by J. Hector St. John de Crèvecoeur, Edgar Allan Poe, Frederick Douglass, Herman Melville, George Lippard, and Edward Everett Hale alongside execution sermons, criminal confessions, trial transcripts, philosophical treatises, and political polemics to address fundamental questions about race, responsibility, and American civic belonging.

One's a liar.One's arrested for murder.One's dead.The rest of us? We're struggling to get out of this mess alive.With new secrets emerging and the Shadow Man more determined than ever to claim me, we must all do something we've never done before: embrace our darkness.Our only option is to travel through the Spiritual Realm and Underworld to get to the root of the problem: the Devil himself.But the two realms are dangerous, monstrous places. No human has ever made it through them alive.But me?I'm no ordinary human.With my guys by my side, I'm going to beat the Shadow Man once and for all.Or die trying.This is the final book in the young adult horror reverse harem trioloy. That means, the FMC will not have to choose between her love interests!

The townfolk of Fortune were getting damn tired of the gang of killers that was terrorizing the South Park country of Colorado, and when Scott Wheeler got backshot in a dark alley one night, they wanted blood. Someone had to hang, and the evidence pointed to Civil War veteran Tom Shannon who was homesteading just outside town. But Tom had other plans.

"He who tells the truth is not well liked" -- Bambara of Mali proverb

"A pleasingly original contribution to the paranormal-romance genre.” —Kirkus Reviews A simple but forgotten truth: Where harbingers of death appear, the morgues will soon be full. Angie Dovage can tell there’s more to Reece Fernandez than just the tall, brooding athlete who has her classmates swooning, but she can’t imagine his presence signals a tragedy that will devastate her small town. When something supernatural tries to attack her, Angie is thrown into a battle between good and evil she never saw coming. Right in the center of it is Reece—and he’s not human. What's more, she knows something most don't. That the secrets her town holds could kill them all. But that’s only half as dangerous as falling in love with a harbinger of death. Each book in the Black Bird of the Gallows series is STANDALONE: * Cleaner of Bones (Prequel) * Black Bird of the Gallows * Keeper of the Bees

On 24 April 1942, Czechoslovak journalist and active CPC member Julius Fucik was detained in Pankrác Prison in Prague, where he was subsequently interrogated and tortured, before being sent to Germany to stand trial for high treason. It was during this time that Fucik’s Notes from the Gallows (Czech: Reportáž psaná na oprátce, literally Reports Written Under the Noose) arose—written on pieces of cigarette paper and smuggled out by two sympathetic prison warders named Kolinsky and Hora. The notes were treated as great literary works after his death in 1943 and translated into many languages worldwide, resulting in this book, which was first published in English in 1948. It describes events in the prison since Fucik’s arrest and is filled with hope for a better, Communist future.

Winner of the Saltire Society First Book Award 2016 An Economist Book of the Year 2016 A Spectator Book of the Year 2016 In 2011, Isabel Buchanan, a twenty-three-year-old Scottish lawyer, moved to Pakistan to work in a new legal chambers in Lahore. The chambers was run by a determined thirty-three-year-old Pakistani lawyer, Sarah Belal, who had finally found her calling in defending inmates on Pakistan’s death row. Belal and Buchanan struck up an unlikely friendship, forged through working in a system that was instinctively hostile to newcomers – and doubly so if they were female. At Sarah’s side, and with the help of Nasar, the firm’s legendary clerk, Buchanan plunged into the strange and complex world of Pakistan’s justice system. The work was arduous, underfunded, and dangerous. But for a young Scottish lawyer like Buchanan it was an unparalleled education, offering a window onto a much-misunderstood country and culture. Filled with beautifully drawn characters, she creates a narrative brimming with ideas and bursting with humanity. It is a story of Pakistan, but it is also a universal story of the pursuit of justice in an uncertain world.