A rich tale of power and forbidden love revolving around a young medieval queen In 1002, fifteen­-year-old Emma of Normandy crosses the Narrow Sea to wed the much older King Athelred of England, whom she meets for the first time at the church door. Thrust into an unfamiliar and treacherous court, with a husband who mistrusts her, stepsons who resent her and a bewitching rival who covets her crown, Emma must defend herself against her enemies and secure her status as queen by bearing a son. Determined to outmaneuver her adversaries, Emma forges alliances with influential men at court and wins the affection of the English people. But her growing love for a man who is not her husband and the imminent threat of a Viking invasion jeopardize both her crown and her life. Based on real events recorded in the Anglo-Saxon Chronicle, Shadow on the Crown introduces readers to a fascinating, overlooked period of history and an unforgettable heroine whose quest to find her place in the world will resonate with modern readers.

#1 New York Times bestselling author Sherrilyn Kenyon returns with Shadow Fallen, a brand-new entry in her Dream-Hunter series. For centuries, Ariel has fought the forces of evil. Her task was to protect the souls of innocent mortals when they die. Captured by a powerful sorceress, she is transformed into a human who has no memory of her real life or calling. And is plunked into the middle of the Norman invasion of England. Cursed the moment he was born with a "demonic deformity," Valteri wants nothing of this earth except to depart it and will do his duty to his king until then. When a strange noblewoman is brought before him, Valteri realizes he has met her before...in his dreams. When others come for her, bringing with them preternatural predators, he is faced with a destiny he had no idea was waiting. One he wants no part of. The truth is that Valteri isn’t just a knight of William the Conqueror. He is the son of one of the deadliest powers in existence, and if he doesn’t restore Ariel to her place, she is not the only one who will be in peril. The world itself hangs in the balance, and he is the necessary key to hold back the powers of evil. But only if he can find a way to work with the woman who stands for everything in the universe he hates. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

An epic saga of love and war, Shadow of the Swords tells the story of the Crusades—from the Muslim perspective. Saladin, a Muslim sultan, finds himself pitted against King Richard the Lionheart as Islam and Christianity clash against each other, launching a conflict that still echoes today. In the midst of a brutal and unforgiving war, Saladin finds forbidden love in the arms of Miriam, a beautiful Jewish girl with a tragic past. But when King Richard captures Miriam, the two most powerful men on Earth must face each other in a personal battle that will determine the future of the woman they both love—and of all civilization. Richly imagined, deftly plotted, and highly entertaining, Shadow of the Swords is a remarkable story that will stay with readers long after the final page has been turned.

They called him the Terror of the East. His past shrouded in mystery, his identity hidden behind a suit of enchanted black armour and a skull-like helm, Corvis Rebaine carved a bloody path through Imphallion, aided by Davro, a savage ogre, and Seilloah, a witch with a taste for human flesh. No shield or weapon could stop his demon-forged axe. And no magic could match the spells of his demon slave, Khanda. Yet just when ultimate victory was in his grasp, Rebaine faltered. His plans of conquest, born from a desire to see Imphallion governed with firmness and honesty, shattered. Amid the chaos of a collapsing army, Rebaine vanished, taking only a single hostage - the young noblewoman Tyannon - to guarantee his escape. Seventeen years later, Rebaine and Tyannon are married, living in obscurity and raising their children, a daughter and a son. Rebaine has put his past behind him, given up his dreams of conquest. Not even news of Audriss - an upstart warlord following Rebaine's old path of conquest - can stir the retired warrior to action. Until his daughter is assaulted by Audriss' goons. Now, to rescue the country he once tried to conquer, Rebain once more dons the armour of the Terror of the East and seeks out his former allies. But Davro has become a peaceful farmer. Seilloah has no wish to leave her haunted forest home. And Khanda ... well, to describe his feelings for his former master as undying hatred would be an understatement. But even if Rebaine can convince his onetime comrades to join him, he faces a greater challenge: does he dare to reawaken the part of him that glories in cruelty, blood and destruction? With the safety of his family at stake, can he dare not to?

"A work that is as disturbing as it is empathetic, as beautiful as it is riveting." —Eimear McBride, New Statesman In the aftermath of the Norman Invasion of 1066, William the Conqueror was uncompromising and brutal. English society was broken apart, its systems turned on their head. What is little known is that a fractured network of guerrilla fighters took up arms against the French occupiers. In The Wake, a postapocalyptic novel set a thousand years in the past, Paul Kingsnorth brings this dire scenario back to us through the eyes of the unforgettable Buccmaster, a proud landowner bearing witness to the end of his world. Accompanied by a band of like-minded men, Buccmaster is determined to seek revenge on the invaders. But as the men travel across the scorched English landscape, Buccmaster becomes increasingly unhinged by the immensity of his loss, and their path forward becomes increasingly unclear. Written in what the author describes as "a shadow tongue"—a version of Old English updated so as to be understandable to the modern reader—The Wake renders the inner life of an Anglo-Saxon man with an accuracy and immediacy rare in historical fiction. To enter Buccmaster's world is to feel powerfully the sheer strangeness of the past. A tale of lost gods and haunted visions, The Wake is both a sensational, gripping story and a major literary achievement.

This in-depth study on the realm of death presents a message of hope held by the first generation of Christians and the early church. Using Scripture, patristic tradition, early Christian poetry, and liturgical texts, Archbishop Hilarion explores the mysterious and enigmatic event of Christ⿿s descent into Hades and its consequences for the human race. Insisting that Christ entered Sheol as Conqueror and not as victim, the author depicts the Lord⿿s descent as an event of cosmic significance opening the path to universal salvation. He also reveals Hades as a place of divine presence, a place where the spiritual fate of a person may still change. Reminding readers that self-will remains the only hindrance to life in Christ, he presents the gospel message anew, even in the shadow of death.

William the Bastard, base-born son of the Duke of Normandy, must fight the King of France to regain his Duchy. Spurned in love by the Princess Matilda, the fighting Duke dares to take a whip to her in her own father's palace, before making her his bride. William the Conqueror sails to England to claim the Saxon King's crown and sceptre for his own.

With Volume I selling over 35,000 copies, On Writing and Worldbuilding: Volume II brings a host of new specific and practical writing discussions to the table.

Isaiah Bishop knows the sound of war, the smell of violence, the colour of fear, and the taste of blood. He knows the horror of killing and the tragedy of young men dying. These were the tough lessons impressed upon this inner city high school teacher as he served out his tour of duty in the Vietnam War. Now, more than twenty years after surviving the jungles of Southeast Asia, Bishop finds that the lessons of the bloody and nightmarish conflict on foreign soil are being revisited upon him once again. Yet this time, the battle lines are clearer and closer to home. He is caught in the throes of America's urban war; the streets of his neighbourhood now are where the contest is being played out.