On their 100th anniversary, the story of the extraordinary scientific expeditions that ushered in the era of relativity In 1919, British scientists led extraordinary expeditions to Brazil and Africa to test Albert Einstein's revolutionary new theory of general relativity in what became the century's most celebrated scientific experiment. The result ushered in a new era and made Einstein a global celebrity by confirming his dramatic prediction that the path of light rays would be bent by gravity. Today, Einstein's theory is scientific fact. Yet the effort to weigh light by measuring the gravitational deflection of starlight during the May 29, 1919, solar eclipse has become clouded by myth and skepticism. Could Arthur Eddington and Frank Dyson have gotten the results they claimed? Did the pacifist Eddington falsify evidence to foster peace after a horrific war by validating the theory of a German antiwar campaigner? In No Shadow of a Doubt, Daniel Kennefick provides definitive answers by offering the most comprehensive and authoritative account of how expedition scientists overcame war, bad weather, and equipment problems to make the experiment a triumphant success. The reader follows Eddington on his voyage to Africa through his letters home, and delves with Dyson into how the complex experiment was accomplished, through his notes. Other characters include Howard Grubb, the brilliant Irishman who made the instruments; William Campbell, the American astronomer who confirmed the result; and Erwin Findlay-Freundlich, the German whose attempts to perform the test in Crimea were foiled by clouds and his arrest. By chronicling the expeditions and their enormous impact in greater detail than ever before, No Shadow of a Doubt reveals a story that is even richer and more exciting than previously known.

Detroit attorney and former alcoholic Charley Sloan lost his practice, his wife, and his fortune to booze. A chance at a comeback arrives in his former lover, Robin Harwell. She's now the desperate widow of a multimillionaire--and stepmother of the teenage girl charged with his brutal murder. Damned by forensic evidence, witness testimony, a history of mental problems, and by her own confession, young Angel's defense will be hard coming--and believing in her innocence could come at a price far more personal than he ever feared. As the media descends, Charley finds himself shadowed by rivals determined to destroy him, trapped in the seductive grip of a never-forgotten love affair, and plunged in a dark morass of terrible lies, bitter secrets, and unforgiving family ties...

Shadow's life changed forever when his brother Daniel ran away. What will happen now that Daniel is home again? For fifteen-year-old Shadow Thompson, life ended seven years ago—the night his older brother Daniel ran away from home. That's when Shadow stopped depending on other people and turned inward, relying only on himself. But now Daniel is back and he stands accused of murder. Shadow's anger at his brother, his parents' struggle to cope with the sudden return of their son, and Daniel's own feelings of guilt create an emotional undertow that threatens to consume the family. But as Shadow begins to open up to new friends, he slowly learns to trust and finally, to forgive. Now the Thompsons may get a second chance at being a family. Award-winning author S. L. Rottman once again crafts a powerful story that depicts the complexity of human relationships within the framework of a troubled adolescent's struggle to make sense of the people and the world around him.

Shadows of Doubt reveals how deeply stereotypes distort our interactions, shape crime, and deform the criminal justice system. If you’re a robber, how do you choose your victims? As a police officer, how afraid are you of the young man you’re about to arrest? As a judge, do you think the suspect in front of you will show up in court if released from pretrial detention? As a juror, does the defendant seem guilty to you? Your answers may depend on the stereotypes you hold, and the stereotypes you believe others hold. In this provocative, pioneering book, economists Brendan O’Flaherty and Rajiv Sethi explore how stereotypes can shape the ways crimes unfold and how they contaminate the justice system through far more insidious, pervasive, and surprising paths than we have previously imagined. Crime and punishment occur under extreme uncertainty. Offenders, victims, police officers, judges, and jurors make high-stakes decisions with limited information, under severe time pressure. With compelling stories and extensive data on how people act as they try to commit, prevent, or punish crimes, O’Flaherty and Sethi reveal the extent to which we rely on stereotypes as shortcuts in our decision making. Sometimes it’s simple: Robbers tend to target those they stereotype as being more compliant. Other interactions display a complex and sometimes tragic interplay of assumptions: “If he thinks I’m dangerous, he might shoot. I’ll shoot first.” Shadows of Doubt shows how deeply stereotypes are implicated in the most controversial criminal justice issues of our time, and how a clearer understanding of their effects can guide us toward a more just society.

Robyn's new substitute teacher Ms. Denholm is cool, pretty, and possibly the target of a stalker. When Denholm receives a threatening package, Robyn wonders who's responsible. But Robyn has a mystery of her own to worry about. What's with the muddled phone message she receives from her missing ex-boyfriend Nick? Should she try to forget him—or is the call a sign he still cares?

This new edition of A Hitchcock Reader aims to preserve what has been so satisfying and successful in the first edition: a comprehensive anthology that may be used as a critical text in introductory or advanced film courses, while also satisfying Hitchcock scholars by representing the rich variety of critical responses to the director's films over the years. a total of 20 of Hitchcock's films are discussed in depth - many others are considered in passing section introductions by the editors that contextualize the essays and the films they discuss well-researched bibliographic references, which will allow readers to broaden the scope of their study of Alfred Hitchcock

James presents a heartfelt story about the friendship between a young girl and her ambitious racehorse. Illustrations.

Book two in the Newpointe 911 series in which Celia Shepherd is arrested for the attempted murder of her husband, Stan.

Alfred Hitchcock is arguably the most famous director to have ever made a film. Almost single-handedly he turned the suspense thriller into one of the most popular film genres of all time, while his Psycho updated the horror film and inspired two generations of directors to imitate and adapt this most Hitchcockian of movies. Yet while much scholarly and popular attention has focused on the director's oeuvre, until now there has been no extensive study of how Alfred Hitchcock's films and methods have affected and transformed the history of the film medium. In this book, thirteen original essays by leading film scholars reveal the richness and variety of Alfred Hitchcock's legacy as they trace his shaping influence on particular films, filmmakers, genres, and even on film criticism. Some essays concentrate on films that imitate Hitchcock in diverse ways, including the movies of Brian de Palma and thrillers such as True Lies, The Silence of the Lambs, and Dead Again. Other essays look at genres that have been influenced by Hitchcock's work, including the 1970s paranoid thriller, the Italian giallo film, and the post-Psycho horror film. The remaining essays investigate developments within film culture and academic film study, including the enthusiasm of French New Wave filmmakers for Hitchcock's work, his influence on the filmic representation of violence in the post-studio Hollywood era, and the ways in which his films have become central texts for film theorists.

Shadow of a Doubt (1943) was British-born Alfred Hitchcock’s sixth American film and the one that he at various times identified as his favourite and his best. It seems likely that one of the reasons he liked Shadow so much is that is an extraordinarily well-ordered narrative system, a meticulous cause and effect chain that melds its various scenes and sequences together to form a unified narrative that is highly effective in building suspense and cultivating identification with characters. This scrupulously organized film operates as a masterclass on principles of narrative design while generating resonant commentary on the nature of family life. This book redresses the deficit of sustained critical attention paid to Shadow even in the large corpus of Hitchcock scholarship. Analysing the film’s narrative system, issues of genre, authorship, social history, homesickness and ‘family values’, Diane Negra shows how the film’s impeccable narrative structure is wedded to radical ideological content, linking the film’s terrors to the punishing effects of looking beyond conventional family and gender roles. This book understands Shadow as an unconventionally female-centred Hitchcock text and a milestone film that marks the director’s emergent engagement with the pathologies of violence in American life and opens a window into the placement of femininity in World War II consensus culture and more broadly into the politics of mid-century gender and family life.