"Shadow of a Cloud but No Cloud" is the latest offering from enigmatic prose-poet Killarney Clary. Like her earlier book, "Potential Stranger," this is a book-length sequence of unnumbered, untitled poems. "Shadow of a Cloud but No Cloud," in poem after poem, evokes crystal-clear moments in time in fraught domestic relationships. One can almost hear the speakers inhaling and exhaling worry or gratitude in the spaces between speech, emulating or reflecting the sparkling or bleak landscapes around them. In a poem that begins We watched ravens, ostensibly about two people in a car at a truck-stop on a desert highway, the speaker muses: As long as we were not speaking, I wouldn t hear what I was afraid you d say. I wouldn t say the words I d be sorry for. Doesn t the wind need to rest? A motley sparrow turned his working, calico eye to the sun, heated the mites then dusted them. Tending to himself, he looked bad. In another poem that begins There went my chance to say: "I never said that." We are on the phone. I am wondering, "Could I have said that?" as you speak forward into other news, what might be. I run behind, see what you have missed. I am missing too. Oh but what I let you say. This quietly haunting book, remarkable for its subtlety and delicacy, is Clary s strongest, most engaging book to date, and amply shows her to be the master of this most difficult of lyric genres."

Shadow of a Cloud but No Cloud, the latest collection from enigmatic prose poet Killarney Clary, is a book-length sequence of unnumbered, untitled poems, each evoking a clear moment in time. The details on which Clary chooses to focus suggest a narrative that will not resolve. The unnamed people with whom she interacts offer exchanges she is desperate to prolong, and in attempts to understand her place, she reaches beneath the fragile armor of those loved, especially those who can no longer answer her. This quietly haunting book, remarkable for its subtlety and delicacy, is Clary’s strongest, most engaging work to date and amply shows her to be a master of this lyric genre.

Within a Budding Grove (1919) is the second volume of Marcel Proust’s seven-part novel In Search of Lost Time. Written while Proust was virtually confined to his bedroom from a lifelong respiratory illness, Within a Budding Grove is a story of memory, history, family, and romance from a master of Modernist literature. Praised by Virginia Woolf, Vladimir Nabokov, Michael Chabon, and Graham Greene, In Search of Lost Time explores the nature of memory and time while illuminating the history of homosexuality in nineteenth century Europe. After years of admiring the Swann family from a distance, the narrator befriends the lovely young Gilberte. Through her, he gains access to her parents and their home, where artists and intellectuals gather to discuss their lofty ideals alongside the latest gossip. Despite his attraction to Gilberte, he finds himself enthralled with her mother, a careworn beauty so often ignored by her husband. As he grows and learns, he begins to recognize the reality concealed by convention: the secret liaisons between lovers; the petty competitions of artists; the fleeting nature of affection and lust alike. Written in flowing prose, Within a Budding Grove is a masterpiece of twentieth century fiction that continues to entertain and astound over a century after it appeared in print. With a beautifully designed cover and professionally typeset manuscript, this edition of Marcel Proust’s Within a Budding Grove is a classic work of French literature reimagined for modern readers.

Since its first appearance in 1901, John C. Van Dyke's The Desert has been considered one of the classics of American nature writing. Before its publication, Americans thought of deserts as scorpion-infested wastelands—with names like Devil's Domain and the Lands That God Forgot. All this changed as The Desert drew attention to the extraordinary beauty that existed in the American West: rolling sand dunes, golden vistas, vibrant sunsets, and remarkable plant and animal life. Van Dyke's book captured the nation's imagination at a time when attitudes about the land were changing. It provided a vocabulary that continues to be used as appreciation of deserts increases and ever greater pressures lead to new calls to protect these fragile environments. With a critical introduction by Peter Wild, this edition offers new insights—and reveals some surprising truths—about this legendary author and his best known work. Van Dyke was not, it seems, the "plaster saint of the desert." He was not entirely honest with his readers about the journeys that inspired the book, and his natural history includes serious errors. But in this more informed reading, Wild notes, Van Dyke "emerges as all the more fascinating a writer and his famous book becomes far more intriguing than most readers have imagined through the decades." As the centennial of its publication approaches and the complex story behind its long success is finally told, this new edition of The Desert reveals an equally complex and dramatic narrative: our changing relationship with the American landscape. "Van Dyke came at just the right time... No sooner had Americans conquered the wilderness, cut down the forests, and slaughtered the buffalo than the romantic nation began sentimentalizing the past, longing for what it had just destroyed."—from the Introduction

Monthly magazine devoted to topics of general scientific interest.