A fresh and extensive look at the works of the great Austrian novelist in the context of the German and Austrian culture of his time.

Deft analysis of the fiction, theater, and essays of the author of The Man without Qualities In this critical introduction to the major works of Austrian modernist writer Robert Musil (1880-1942), Allen Thiher offers deft analysis of Musil's short fiction, theater, and essays, and his major novel, The Man without Qualities. Thiher maps Musil's development as a writer, illustrating how his work evolved in response to catastrophic historical events such as World War I, the collapse of the Austro-Hungarian Empire, and Hitler's seizure of power. From this historical context, Thiher traces how Musil began his career by writing a prescient first novel about ideological developments in German culture and, at the same time, a doctoral thesis on scientific epistemology. Following his service in World War I, Musil began to view writing as his vocation and, during this early period in his literary career, he produced short fiction, plays, and some of the most interesting essays on politics, ethics, and literature to be published during the Weimar era. In exploring these writings as well as The Man without Qualities, a work left unfinished upon Musil's death in exile during World War II, Thiher's study plumbs the depths of Musil's ambition and accomplishments and presents a concise interpretation of the lasting significance of the writer's interrogations of the foundations of modern European culture.

Although we usually think of the intellectual legacy of twentieth-century Vienna as synonymous with Sigmund Freud and his psychoanalytic theories, other prominent writers from Vienna were also radically reconceiving sexuality and gender. In this probing new study, David Luft recovers the work of three such writers: Otto Weininger, Robert Musil, and Heimito von Doderer. His account emphasizes the distinctive intellectual world of liberal Vienna, especially the impact of Schopenhauer and Nietzsche in this highly scientific intellectual world. According to Luft, Otto Weininger viewed human beings as bisexual and applied this theme to issues of creativity and morality. Robert Musil developed a creative ethics that was closely related to his open, flexible view of sexuality and gender. And Heimito von Doderer portrayed his own sexual obsessions as a way of understanding the power of total ideologies, including his own attraction to National Socialism. For Luft, the significance of these three writers lies in their understandings of eros and inwardness and in the roles that both play in ethical experience and the formation of meaningful relations to the world-a process that continues to engage artists, writers, and thinkers today. Eros and Inwardness in Vienna will profoundly reshape our understanding of Vienna's intellectual history. It will be important for anyone interested in Austrian or German history, literature, or philosophy.

Set in a boarding school in a remote area of the Habsburg Empire at the turn of the last century, The Confusions of Young Torless is an intense study of an adolescent's psychological development as he struggles to come to terms with his conflicting emotions. Through his relationship with two other boys Torless is led into sadistic and sexual encounters with a third pupil which both repel and fascinate him. Estranged from everyday life, Torless gradually learns to accept his experiences and describe them with analytical precision.

"1910 stands out as a model of interdisciplinary and comparative study. . . . It brilliantly illustrates the complexity of a crucial period in European culture . . . focusing in particular on the intellectual intricacies of Mitteleuropa on the eve of World War I and of the dissolution of the Austro-Hungarian empire."—Lucia Re "Compellingly original. . . . In Harrison's work, Michelstaedter and his confreres (Campana, Slataper, Kokoschke, Rilke, Kandinsky, Lukàcs, Trakl, et al.) turn out to be considerably more fascinating and more emblematic of their time than anyone has been able to perceive before."—Gregory Lucente, University of Michigan

Jonsson analyzes how Musil explains the foundation of modern theories of subjectivity.

Spencer then considers Roth's more negative reaction, showing the post-imperial novel Radetzkymarsch to be a nostalgic response to the collapse of Habsburg Austria and the rise of fascism. The final chapter looks again at the end of empire, not in the work of writers who lived through it, but through that of one who experienced it as a historical and cultural legacy: Ingeborg Bachmann."--BOOK JACKET.

This concise companion explores the history of psychoanalytic theory and its impact on contemporary literary criticism by tracing its movement across disciplinary and cultural boundaries. Contains original essays by leading scholars, using a wide range of cultural and historical approaches Discusses key concepts in psychoanalysis, such as the role of dreaming, psychosexuality, the unconscious, and the figure of the double, while considering questions of gender, race, asylum and international law, queer theory, time, and memory Spans the fields of psychoanalysis, literature, cultural theory, feminist and gender studies, translation studies, and film. Provides a timely and pertinent assessment of current psychoanalytic methods while also sketching out future directions for theory and interpretation

New essays by leading scholars on major aspects of the most significant Austrian writer of the postwar generation.