Demonstrates that gender as a metaphor has had an exceptionally vigorous life in the history of biological and medical sciences.

This groundbreaking feminist classic dismantles the way we view rape in our culture and replaces it with a genuine understanding and respect for female sexual pleasure. In the original edition, feminist, political, and activist writers alike presented their ideas for a paradigm shift from the "No Means No" model--and the result was the groundbreaking shift to today's affirmative consent model ("Yes Means Yes," as coined by this book). With a timely new introduction, refreshed cover, and the timeless contributions of authors from Kate Harding to Jill Filipovic, Yes Means Yes brings to the table a dazzling variety of perspectives and experiences focused on the theory that educating all people to value female sexuality and pleasure leads to viewing women differently, and ending rape. Yes Means Yes has radical and far-reaching effects: from teaching men to treat women as collaborators and not conquests, encouraging men and women that women can enjoy sex instead of being shamed for it, and ultimately, that our children can inherit a world where rape is rare and swiftly punished.

The digital revolution has ushered in a series of sexual revolutions, all contributing to a perfect storm for modern relationships. Online dating, social media, internet pornography, and the phenomenon of the smartphone generation have created an avalanche of change with far-reaching consequences for sexuality today. The church has struggled to address this new moral ecology because it has focused on clarity of belief rather than quality of formation. The real challenge for spiritual formation lies in addressing the underlying moral intuitions we carry subconsciously, which are shaped by the convictions of our age. In this book, a fresh new voice offers a persuasive Christian vision of sex and relationships, calling young adults to faithful discipleship in a hypersexualized world. Drawing from his pastoral experience with young people and from cutting-edge research across multiple disciplines, Jonathan Grant helps Christian leaders understand the cultural forces that make the church's teaching on sex and relationships ineffective in the lives of today's young adults. He also sets forth pastoral strategies for addressing the underlying fault lines in modern sexuality.

A brilliantly original exploration of the interface between feminism, psychoanalysis, semiotics and film theory.

The story of the eventful and controversial life of Margery Kempe - wife, mother, businesswoman, pilgrim and visionary - is the earliest surviving autobiography in English. Here Kempe (c.1373-c.1440) recounts in vivid, unembarrassed detail the madness that followed the birth of the first of her fourteen children, the failure of her brewery business, her dramatic call to the spiritual life, her visions and uncontrollable tears, the struggle to convert her husband to a vow of chastity and her pilgrimages to Europe and the Holy Land. Margery Kempe could not read or write, and dictated her remarkable story late in life. It remains an extraordinary record of human faith and a portrait of a medieval woman of unforgettable character and courage.

In Sex in the Head, Linda Ruth Williams uses psychoanalysis and recent feminist film theory to analyze a network of ideas which link looking with sexuality and difference, in the work of a writer who disavowed, yet covertly enjoyed, the pleasures and power of vision. The book is a departure from the long history of feminist readings of Lawrence, in that it discusses his engagement with theories of the gaze and its cultural forms - cinema, photography, painting and the visual dynamics and metaphors of literary texts - as a way of thinking through gender. It shows him arguing, on the one hand, against the evils of cinema and visual sex, while relishing, through the eyes of women, the moving spectacle of those male bodies which populate the pages of his books. It also questions what it is about the work of such an adamant cinephobe which has made it so thoroughly adaptable for film and television.

IT'S NOT JUST SEX. IT'S NOT JUST LOVE. IT'S SOMETHING MORE.... But what could be better than sex? How about lovemaking that sweeps people into new realities, producing altered states of consciousness a thousand times more powerful than the most earth-shattering orgasm? Lovemaking so spectacular that it truly is a religious experience? Transcendent Sex is not about the "Tantric method." It is about the best-kept secret in human history: that ordinary people, with no special training, can find themselves in different spiritual realms when making love -- an experience so profound that nothing will ever be the same. It is about sex that triggers episodes identical to the highest spiritual states -- as described in the annals of shamanism, yoga, Buddhism, Christianity, Judaism, and Islam -- including visions, channeling, reliving past lives, transcending the laws of physics, and seeing the face of God. This revealing book tells of lovers who engaged in sex as usual and suddenly found the veil between the worlds torn open. Transcendent Sex, like any other spiritual awakening, changes lives. Atheists have become believers; long-standing psychological wounds have been healed; and the sexually abused have become whole. These are the inspiring, incredible true stories of people who experienced an ecstasy and fulfillment beyond the borders of this world.

In Obscene Pedagogies, Carissa M. Harris investigates the relationship between obscenity, gender, and pedagogy in Middle English and Middle Scots literary texts from 1300 to 1580 to show how sexually explicit and defiantly vulgar speech taught readers and listeners about sexual behavior and consent. Through innovative close readings of literary texts including erotic lyrics, single-woman's songs, debate poems between men and women, Scottish insult poetry battles, and The Canterbury Tales, Harris demonstrates how through its transgressive charge and galvanizing shock value, obscenity taught audiences about gender, sex, pleasure, and power in ways both positive and harmful. Harris's own voice, proudly witty and sharply polemical, inspires the reader to address these medieval texts with an eye on contemporary issues of gender, violence, and misogyny.

First in a new back-to- back series from the New York Times bestselling author Hailed as "a star in any genre,"(New York Times bestselling author J. R. Ward) Christina Dodd delivers an exciting new paranormal romance that introduces The Seven, a secret society created to combat evil in all its deadly forms...