Sexual Politics in the Enlightenment constitutes the first book-length feminist study of Rousseau's sexual politics and the reception of his works by women readers. By today's standards, Rousseau's sexual politics appear reactionary, paternalistic, even blatantly misogynist; yet, among his female contemporaries, his works often met with enthusiastic approval and had tremendous impact on their values and behavior. To probe Rousseau's paradoxical appeal to eighteenth-century readers, Mary Trouille examines how seven women authors responded to his writings and sexual politics and traces his influence on their lives and works. The writers include six Frenchwomen (Roland, d'Epinay, Stael, Genlis, Gouges, and an anonymous woman correspondent who called herself Henriette) and the English feminist Mary Wollstonecraft. The book constitutes an important contribution to French literature, women's studies, and eighteenth-century cultural studies. While a great deal has already been written on the individual women whom Trouille treats, what distinguishes this book is that it places multiple female subjects directly opposite Rousseau, and succeeds in showing that the relationship between mentor and student(s) is both multi-layered and fascinatingly complex.

Explores the way seven women writers of the eighteenth century responded to Rousseau, and traces his crucial influence on their literary careers.

This 1988 volume addresses sexual phenomena in eighteenth-century Europe that were outside the legal or sanctified systems of acceptability.

De onderkant van Verlichting en tolerantie: (homo)sexualiteit, pornografie e.d. (o.a. over Fanny Hill) in de sociaal-politieke context van de Britse 18e eeuw. - De relevante artikelen zijn afzonderlijk ontsloten.

Taking the Enlightenment and the feminist tradition to which it gave rise as its historical and philosophical coordinates, Feminism and the Politics of Travel After the Enlightenment explores the coincidence of feminist vindications and travel in the late eighteenth and nineteenth centuries, the way travel's utopian dimension and feminism's utopian ideals have intermittently fed off each other in productive ways. Travel's gender politics is analyzed in the works of J.-J. Rousseau, Mary Wollstonecraft, Stéphanie-Félicité de Genlis, Germaine de Staël, Frances Burney, Flora Tristan, Suzanne Voilquin, Gustave Flaubert George Sand, Robyn Davidson, and Sara Wheeler.

What would happen if pleasure were made the organizing principle for social relations and sexual pleasure ruled over all? Radical French libertines experimented clandestinely with this idea during the Enlightenment. In explicit novels, dialogues, poems, and engravings, they wrenched pleasure free from religion and morality, from politics, aesthetics, anatomy, and finally reason itself, and imagined how such a world would be desirable, legitimate, rapturous—and potentially horrific. Laying out the logic and willful illogic of radical libertinage, this book ties the Enlightenment engagement with sexual license to the expansion of print, empiricism, the revival of skepticism, the fashionable arts and lifestyles of the Ancien Régime, and the rise and decline of absolutism. It examines the consequences of imagining sexual pleasure as sovereign power and a law unto itself across a range of topics, including sodomy, the science of sexual difference, political philosophy, aesthetics, and race. It also analyzes the roots of radical claims for pleasure in earlier licentious satire and their echoes in appeals for sexual liberation in the 1960s and beyond.

Blending biography, gender theory, and political analysis, Gunther-Canada charts Mary Wollstonecraft's transformation from female reader to pioneer feminist author. She shows how Wollstonecraft's pathbreaking A Vindication of the Rights of Woman and other works confronted traditional notions of femininity and authority and provided the first systematic argument for women's political rights. Wollstonecraft's writings represent a rebellion against Jean-Jacques Rousseau's portrayal of women as dangerous coquettes and Edmund Burke's vision of women as beautiful and apolitical weaklings. Her revolutionary political theory challenged the separation of public and private spheres by insisting that women could be rational players in the Enlightenment's script of liberty and individualism. Gunther-Canada gives us a Wollstonecraft who forthrightly confronted the politics of gender and genre and incited revolt against the prevailing view of women as creatures born only to "propagate and rot." Rebel Writer shows how Wollstonecraft's political ideology guided her personal life--she bore a child out of wedlock and later married amid scandal--and how her attempts to unite the personal and the political ended in 1797, with her tragic early death in childbed. For more than two hundred years Wollstonecraft's life has served as a cautionary tale of the dangers of women's participation in revolutionary politics. Now Gunther-Canada shows us how Wollstonecraft subverted the patriarchal plot of political theory and framed an alternative vision of women as citizens, making her truly a "rebel writer."

Weiss (political science, Purdue U.) wades through the tangled prose and ideas of the 18th-century French philosopher to resolve some of his male-female role contradictions. She finds that his gender-based division of labor was designed to make everyone dependent on the whole society, rather than to relegate women to a subordinate role, but that the actual arrangements he suggests are based on a purely antifeminist culture. Annotation copyright by Book News, Inc., Portland, OR

Publisher description

Sexual Antipodes is about how Enlightenment print culture built modern national and racial identity out of images of sexual order and disorder in public life. It examines British and French popular journalism, utopian fiction and travel accounts about South Sea encounter, pamphlet literature, and pornography, as well as more traditional literary sources on the eighteenth century, such as the novel and philosophical essays and tales. The title refers to a premise in utopian and exoticist fiction about the southern portion of the globe: sexual order defines the character of the state. The book begins by examining how the idea of sexual order operated as the principle for explaining national differences in eighteenth-century contestation between Britain and France. It then traces how, following British and French encounters with Tahiti, the comparison of different national sexual orders formed the basis for two theories of race: race as essential character and race as degeneration.