'Sexual Pensees' reveals the deepest feelings of a young woman in Manhattan, a young man, a Hollywood starlet, a film producer, and icons ranging from Flaubert to Mario Puzo."

In 1961 at Garabandal, at the height of power of the Soviet Union, Mary told Conchita and the other three girls that “When Communism comes back, these things [marking the end of time] would begin.” The girls asked: “Come back? Where is it going?” Now we’ve seen Communism go, overcome by Pope St. John Paul II and other leaders, and now we’re seeing it come back. At Fatima, Mary said that if the Holy Father in union with the bishops of the world consecrated the world to her Immaculate Heart, “An era of peace would be granted to mankind.” Pope St. John Paul II made this consecration in 1984. But how long is an era of peace? In the Psalms a man’s life is 70 or 80 years, an average of 75. The Soviet Union lasted for 75 years (1917-1991). Perhaps the Chinese CCP will last for 75 years, having begun in 1949. If the era of peace is 75 years long, and if it began with the end of World War II in 1945, the era of peace ended in 2020. Mary also said that “in the end [her] Immaculate Heart would triumph.”

The fiery, provocative, and unparalleled work of feminist art criticism that launched the exceptional career of one of our most important public intellectuals—"a remarkable book, at once outrageous and compelling, fanatical and brilliant.... One must be awed by [Paglia's] vast energy, erudition and wit" (The Washington Post). Is Emily Dickinson “the female Sade”? Is Donatello’s David a bit of pedophile pornography? What is the secret kinship between Byron and Elvis Presley, between Medusa and Madonna? How do liberals and feminists—as well as conservatives—fatally misread human nature? This audacious and omnivorously learned work of guerrilla scholarship offers nothing less than a unified-field theory of Western culture, high and low, since Egyptians invented beauty—making a persuasive case for all art as a pagan battleground between male and female, form and chaos, civilization and daemonic nature. With 47 photographs.

Otto Weininger's controversial book Sex and Character, first published in Vienna in 1903, is a prime example of the conflicting discourses central to its time: antisemitism, scientific racism and biologism, misogyny, the cult and crisis of masculinity, psychological introspection versus empiricism, German idealism, the women's movement and the idea of human emancipation, the quest for sexual liberation, and the debates about homosexuality. Combining rational reasoning with irrational outbursts, in the context of today's scholarship, Sex and Character speaks to issues of gender, race, cultural identity, the roots of Nazism, and the intellectual history of modernism and modern European culture. This new translation presents, for the first time, the entire text, including Weininger's extensive appendix with amplifications of the text and bibliographical references, in a reliable English translation, together with a substantial introduction that places the book in its cultural and historical context.

This eloquent and philosophically astute translation is the first complete English translation based on the Sellier edition of Pascal's manuscript, widely accepted as the manuscript that is closest to the version Pascal left behind on his death in 1662. A brief history of the text, a select bibliography of primary and secondary sources, a chronology of Pascal’s life and works, concordances between the Sellier and Lafuma editions of the original, and an index are provided.

For much of his life Pascal (1623-62) worked on a magnum opus which was never published in its intended form. Instead, he left a mass of fragments, some of them meant as notes for the Apologie. These were to become known as the Pensées, and they occupy a crucial place in Western philosophy and religious writing. Pascal's general intention was to confound scepticism about metaphysical questions. Some of the Pensées are fully developed literary reflections on the human condition,, some contradict others, and some remain jottings whose meaning will never be clear. The most important are among the most powerful aphorisms about human experience and behaviour ever written in any language. This translation is the only one based on the Pensées as Pascal left them. It includes the principal dossiers classified by Pascal, as well as the essential portion of the important Writings on Grace. A detailed thematic index gives access to Pascal's areas of concern, while the selection of texts and the introduction help to show why Pascal changed the plan of his projected work before abandoning the book he might have written. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

DIVThe only dual-language edition available of these works features highlights from Pensées, focusing on their secular aspects and popular epigrams, and Provincial Letters, which showcases the author's satirical wit, righteous indignation, and effervescent style. /div

A precise and precious book on sexuality. It is written in an original style, fresh as the caribbean wind. Illustrated with naif-styled coloured images, this lovingly written book follows two complementary frames of reference: the biological-evolutive and the cultural-historical. The book presents grounding ideas and is written with simple and concise phrases. It is a book that reads pleasantly and can be easily followed by kids, preadolescents, adolescents… In short, it is a book for anyone and everyone.

"Like a Twilight zone with Charlie Chaplin"–Mario Puzo Writer, screenwriter, playwright, editor, actor, teacher: Bruce Jay Friedman has done it all, charming the glitziest industries of American golden-age culture for more than half a century. Lucky Bruce is his long-awaited memoir, and it's everything we'd expect and more: here is Friedman at his best, waltzing from Madison Avenue to Hollywood and back again, and reilluminating with brilliant clarity the dazzle of post-war American life. Self-effacing, wry, sharp, and laugh-out-loud funny, Friedman details with lovable candor his friendships and rivalries with the greatest writers, actors, publishers, directors and personalities of the last fifty years. He stands shoulder-to-shoulder with Steve Martin and Woody Allen. He's a dynamo of comedy and a recognized master of American letters. And in Lucky Bruce, whether he's fist-fighting with Norman Mailer, explaining to Richard Pryor why there are so few Jewish junkies, or writing screenplays in a closet with Natalie Wood as his secretary, Friedman is the king of understated charm. With cameos by Joseph Heller, Philip Roth, Mario Puzo, Lillian Hellman, Warren Beatty, Marlene Dietrich, Brian Grazer, Candida Donadio, Crazy Joe Gallo, Joyce Carol Oates, Jack Richardson, Isaac Bashevis Singer, Kurt Vonnegut, and the irreplaceable Elaine, Lucky Bruce is moving, scandalous, and guaranteed to shed new light on the brightest of American luminaries ... with Bruce Jay Friedman bright among them. Bruce Jay Friedman is a best-selling author, an Academy Award–nominated screenwriter, a magazine editor, a Hollywood actor, and a celebrated playwright. He lives in Manhattan, New York.