A stunning biography of the long-neglected, firebrand author of the "bible of lesbian literature," Jeannette Howard Foster

"Fascinating in its account of famous Lesbians throughout the years, analyzing the books they wrote, their efforts to achieve publication and their lives with other Lesbians. Ranging from the Biblical Ruth and Sappho through creative works in all languages of Western Europe (Italian, French, German, Spanish, English, and Portuguese), Jeanette Howard Foster analyzes poetry, drama and fiction for all reference to Lesbians and Lesbianism. A lengthy section discusses such famous women as the Ladies of Llangollen, Emily Dickinson, Louise Labe, Margaret Fuller, George Sand, Emily and Charlotte Bronte, George Eliot, Adah Isaacs Menken, and "Michael Field." Another section includes analysis of the vital works of the renaissance of Lesbian literature from 1900 through mid-twentieth century that laid the groundwork for today's burgeoning Lesbian literary world including Kay Boyle, Djuna Barnes, Renee Vivien, Natalie Clifford Barney, Virginia Woolf, Isak Dinesen, Colette, Vita Sackville-West, Radclyffe Hall, Dorothy Richardson, Henry Handel Richardson, Christa Winsloe, Frances Brett Young, Lillian Hellman, Dorothy Baker, Helen R. Hull, Rosamond Lehmann, Shirley Jackson, Katherine Mansfield and others too numerous to mention."--Publisher's description.

Jeannette Howard Foster was to lesbianism in the mid-twentieth century what out authors such as Gore Vidal and James Baldwin were to gay men. She unapologetically blew the lid off Cold War sexual repression in 1956 with her Sex Variant Women in Literature-the first-ever study of homosexual, bisexual, and cross-dressing characters appearing in more than 300 works, from ancient times to the present. Joanne Passet's Sex Variant Woman is a fascinating portrait of Foster, who served as the first librarian at the Kinsey Institute before leaving to publish her controversial book. It is also a riveting look into the pre-Stonewall past, the intense sexual repression and persecution endured by homosexuals, the groundbreaking advances put forth by a cadre of activists, and the rise of feminism and gay and lesbian liberation decades later.

This book analyses twentieth-century writers who traffic in queer, non-normative, and/or fluid gender and sexual identities and subversive practices, revealing how gender and sexually variant women create, revise, redefine, and play with language, desires, roles, the body, and identity. Through the model of the "switch" —someone who shifts between roles, desires, or ways of being in the realms of gender or sexual identity – Gender and Sexual Fluidity in 20th Century Women Writers: Switching Desire and Identity examines the intersecting locations of gender and sexual identity switching that six prolific, experimental authors and their narratives play with: Gertrude Stein, Jeanette Winterson, Kathy Acker, Eileen Myles, Anne Carson, and Anne Carson’s translations of Sappho. The theory and identities revealed create and give space to—by their playful, exploratory, and destabilizing nature—diverse openings and possibilities for a great expansion and freedom in gender, sexuality, desires, roles, practices, and identity. This is a provocative and innovative intervention in gender and sexuality in modern literature and gives us a new vocabulary and conversation by which to expand women’s and gender studies, LGBTQ and sexuality studies, identity studies, literature, feminist theory, and queer theory.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"This Historical Dictionary of Lesbian Literature serves two primary functions: to provide further information to those already familiar with the field and to explain it to those discovering it for the first time. A chronology provides a historical perspective, an introduction gives a general yet detailed overview, and the dictionary contains several hundred cross-referenced entries on important writers such as Sappho, Colette, and Mary Wollstonecraft, styles, themes, literary movement, publishers, and outstanding works of the genre. Completed by an extensive bibliography, this book examines the factors influencing the development of the lesbian identity as an interaction between readers and writers of all kinds of literature."--BOOK JACKET.

Moby-Dick's Ishmael and Queequeg share a bed, Janie in Zora Neale Hurston's Their Eyes Were Watching God imagines her tongue in another woman's mouth. And yet for too long there has not been a volume that provides an account of the breadth and depth of queer American literature. This landmark volume provides the first expansive history of this literature from its inception to the present day, offering a narrative of how American literary studies and sexuality studies became deeply entwined and what they can teach each other. It examines how American literature produces and is in turn woven out of sexualities, gender pluralities, trans-ness, erotic subjectivities, and alternative ways of inhabiting bodily morphology. In so doing, the volume aims to do nothing less than revise the ways in which we understand the whole of American literature. It will be an indispensable resource for scholars, graduate students, and undergraduates.

Winner of the Lambda Literary Award: “A page-turner that brings to life turn-of-the-century New York’s Lower East Side.” —Library Journal Born in a Russian-Jewish settlement, Gutke Gurvich is a midwife who immigrates to New York’s Lower East Side with her partner, a woman passing as a man. Their story crosses with that of Chava Meyer, a girl who was attended by Gutke at her birth and was later orphaned during the Kishinev pogrom of 1903. Chava has come to America with the family of her cousin Rose, and the two girls begin working at fourteen. As they live through the oppression and tragedies of their time, Chava and Rose grow to become lovers—and search for a community they can truly call their own. Set in Russia and New York during the early twentieth century and touching on the hallmarks of the Progressive Era—the Women’s Trade Union League, the Triangle Shirtwaist Factory Fire of 1911, anarchist and socialist movements, women’s suffrage, anti-Semitism—Elana Dykewomon’s Beyond the Pale is a richly detailed and moving story, offering a glimpse into a world that is often overlooked. “A wonderful novel.” —Sarah Waters

This ninth volume in The Cambridge History of Literary Criticism presents a wide-ranging survey of developments in literary criticism and theory during the last century. Drawing on the combined expertise of a large team of specialist scholars, it offers an authoritative account of the various movements of thought that have made the late twentieth century such a richly productive period in the history of criticism. The aim has been to cover developments which have had greatest impact on the academic study of literature, along with background chapters that place those movements in a broader, intellectual, national and socio-cultural perspective. In comparison with Volumes Seven and Eight, also devoted to twentieth-century developments, there is marked emphasis on the rethinking of historical and philosophical approaches, which have emerged, especially during the past two decades, as among the most challenging areas of debate.