At long last, an affordable, soft-cover release of Greg Scarnici's drag-tastic re-imagining of Madonna's infamous SEX book, shot entirely on Fire Island. Featuring Greg as Mandonna, Bob the Drag Queen, Chris Go-Go Harder, Dallas Dubois, Logan Hardcore and more. Photographed by Wilson Models. Edited by Deputy DirtyLegs. Please note, this book is 72 pages long. Greg Scarnici is a comedic writer, director, producer, actor, DJ and musician whose videos have been viewed over 10 million times on YouTube and a host of other sites. His work has also been featured on MTV, VH1, Fox News and CNN. He currently works as an Associate Producer at "Saturday Night Live" as well as in various other capacities in theater, film and nightlife. Books include his debut collection of humorous essays: "I Hope My Mother Doesn't Read This," "SEX IN DRAG," and his latest humorous essay collection about Fire Island, "Dungeons and Drag Queens."

In his second collection of humorous essays, comedian, Greg Scarnici recounts some of his shocking and scandalous experiences over twenty-five seasons on New York's Fire Island. From tea dances in Fire Island Pines to drag competitions in Cherry Grove, Scarnici paints a picture of what a typical summer on the island of misfit boys is like. Highlights include being crowned the Worst Drag Queen in Cherry Grove, getting innocently lured to a "sex dungeon" that was actually a 3X4 garden shed, and riding the ferry as his alter ego, Levonia Jenkins, every Fourth of July with two hundred other drag queens during the annual Invasion of The Pines.Along the way, Scarnici weaves in some of the history of Cherry Grove, and introduces some of its most colorful characters. Find out what it's like to slap on a synthetic wig on a ninety-degree afternoon, hook up in the notorious Meat Rack, and party on the beach until the sun rises during the annual Pines Party. "Greg Scarnici is not only on Fire Island, he's on fire! His breathless tales of drag queens subverting and carrying on in the Pines and the Grove are as revealing and informative as Speedos on a flaccid penis." -Michael Musto, NewNowNext"Greg has given me the greatest gift - hearing his stories is like getting to eavesdrop and spy on my favorite misfit boys until I'm clutching my pearls and gasping."- Cecily Strong, Saturday Night Live"I'm still not sure if I should be flattered or sue over the story of mine Greg shares, but since the rest of his Fire Island tales are painted in equally hilarious and scandalous shades, I'm just gonna keep my attorney on retainer in case this becomes a movie." - Sherry Vine, Drag Diva

The classic manifesto of the liberated woman, this book explores every facet of a woman's life.

Longlisted for the Polari First Book Prize 2020 Life's a drag... Why not be a queen? 'Stories like the one where you shagged a 79-year-old builder and knocked over his sister's ashes while feeding him a Viagra. Or the time you crashed your car because you were giving a hand job in barely moving traffic and took your eye off the car in front. That's the kind of dinner-party ice-breaker I'm talking about.' Northern, working-class and shagging men three times her age, Crystal writes candidly about her search for 'the one'; sleeping with a VIP in an attempt to become a world famous journalist; getting hired and fired by a well-known fashion magazine; being torn between losing weight and gorging on KFC; and her need for constant sexual satisfaction (and where that takes her). Charting her day-to-day adventures over the course of a year, we encounter tucks, twists and sucks, heinous overspending and endless nights spent sprinting from problem to problem in a full face of make-up. This is a place where the previously unspeakable becomes the commendable - a unique portrayal of the queer experience. (c) 2019, Crystal Rasmussen (P) 2019 Penguin Audio

Using detailed studies of stars such as Mae West, Joan Crawford and Madonna, Guilty Pleasures examines the tradition of feminist camp - a female form of aestheticism related to masquerade and rooted in burlesque, parallel but different to gay male camp.

This book examines some of the ways in which sexuality has been described and interpreted in the West. The main models examined are: the Christian view of sex as sinful; the psychoanalytical model, including such notions as the sexual drive, infantile sexuality, the Oedipus complex, and the distinction between male and female sexuality; the 'social construction' model, which proposes that 'sexuality' is a modern concept; and the links between sexuality and spirituality. There is also some consideration of feminist and gay approaches to sexuality, and the complicated subject of male sexuality.

In his debut collection of candid, shocking and just plain hilarious essays, comedic artist and musician, Greg Scarnici recounts the period in his life when he was just starting to understand his sexuality and the city of New York that he calls home. From getting high with the 'midget' from Twin Peaks to giving a trucker a lap dance to the tune of Pebbles' "Mercedes Boy," I HOPE MY MOTHER DOESN'T READ THIS offers a snapshot of an artist coming to grips with his comedic artistry at a time when gay comedians were not as accepted as they are today. There are tales of sordid hook-ups, riotous soirees, narcotic mishaps, and an unforgettable encounter with Gina Gershon at a Saturday Night Live after-party, where Greg currently works as an Associate Producer. No emotional stone is left unturned as Scarnici gives readers an uncensored and uproariously funny look into every step of becoming, as legendary nightlife columnist Michael Musto calls him: "One of the funniest people in NYC - as well as one of its biggest freaks."

Claude has an intuitive faith in something splendid and feels at odds with his contemporaries. The war offers him the opportunity to forget his farm and his marriage of compromise; he enlists and discovers that he has lacked. But while war demands altruism, its essence is destructive

Imperial Leather chronicles the dangerous liaisons between gender, race and class that shaped British imperialism and its bloody dismantling. Spanning the century between Victorian Britain and the current struggle for power in South Africa, the book takes up the complex relationships between race and sexuality, fetishism and money, gender and violence, domesticity and the imperial market, and the gendering of nationalism within the zones of imperial and anti-imperial power.

This monumental novel, divided into four separate books, celebrates the end of an era, the irrevocable destruction of the comfortable, predictable society that vanished during World War I.