In Sex, Drugs, and Creativity: The Search for Magic in a Disenchanted World, Kahoud and Knafo take a close look at omnipotent fantasies in three domains: sex, drugs, and creativity. They demonstrate how these fantasies emerge and how artists draw on them both to create and destroy—sometimes simultaneously – and how understanding this can help psychoanalysts work more effectively with these individuals. Using the personal statements of influential artists and entertainers, in addition to clinical material, the authors examine the omnipotence of self-destruction as it contends with that of creative artists. The authors argue that creative artists use omnipotent fantasies to imagine the world differently - this enables them to produce their art, but also leaves these artists vulnerable to addiction. Chapters devoted to Stephen King and Anne Sexton demonstrate the ways these authors used drugs and alcohol to fuel imagination and inspire creative output while simultaneously doing harm to themselves. A detailed case study also demonstrates successful clinical work with a creative substance user. Sex, Drugs, and Creativity will appeal to anyone interested in the links between creativity and substance use, and will be of great use to psychoanalysts and mental health practitioners working with these challenging clients.

Honest, intimate conversations with some of Australia's best musicians, including Paul Kelly, Gotye, Tina Arena, Phil Jamieson, Steve Kilbey, Mick Harvey and Holly Throsby. Of all the creative industries, the starkest and most distinct link between drug use and creativity lies within music. The two elements seem to be intertwined, inseparable; that mythical phrase 'sex, drugs and rock and roll' has been bandied about with a wink and a grin for decades. But is it all smoke and mirrors, or does that cliché ring true for some of our best - known artists? In this fascinating new book, journalist Andrew McMillen talks with Australian musicians about their thoughts on - and experiences with - illicit, prescription and legal drugs. Through a series of in - depth and intimate interviews, he tells the stories of musicians who, like Paul Kelly, bit into the forbidden fruit and avoided choking. This isn't to say that stories of ruin and redemption are avoided - they're not. But, by having conversations about a subject that's rarely discussed in public, and much less often dealt with honestly, McMillen explores the truths of a contentious topic that isn't going away. Talking Smack is a timely and thought - provoking must - read, and includes interviews with some of our most successful and creative musicians: Paul Kelly Wally de Backer (Gotye) Steve Kilbey (The Church) Phil Jamieson (Grinspoon) Tina Arena Spencer P. Jones (Beasts of Bourbon) Mick Harvey (ex Nick Cave and the Bad Seeds) Lindy Morrison (The Go - Betweens) Ian Haug (Powderfinger) Bertie Blackman Tim Levinson (Urthboy) Holly Throsby Jon Toogood (Shihad) Jake Stone (Bluejuice)

From the acclaimed author of over 20 popular books, "Sex, Drugs, Einstein, and Elves serves up a smorgasbord of subjects designed to bend reality and stretch the reader's mind. Musing over everything from humanity's place in the universe to movie closing credits, Clifford A. Pickover contemplates such topics as fugu sushi, zombies, French writer Marcel Proust (not to mention cartoon guides to Proust), parallel universes, hallucinogenic worms, religious states, uncommon psychiatric disorders, Albert Einstein, shamanist Terence McKenna, Burning Man, the business of book publishing (including famous rejected books), quantum theory, and the humming toadfish, whose incessant underwater droning at a perfect A-flat was a mystery for years. Complete with illustrations, Pickover's book entertains, informs, and invites his readers -- old and new -- to test their powers of lateral thinking and to see the world in a fresh way.

Enter a whimsical realm of gender-fluid deities, leprechauns in distress, shape-shifting cyber insects, scorpions that hatch out of broken human hearts, and sea monsters that make entire planets spin backwards. Fast paced and irreverently funny, the eclectic story cycle spans multiple genres, from fantasy to horror and science fiction. Inspired by the classic narrative styles of One Thousand and One Nights and medieval travelogues, bestselling author Yanko Tsvetkov reinvents the fairy tale and builds an imaginary world full of wonder, mystery and humor. The text is accompanied by unique, eye-catching illustrations created by Alphadesigner, Tsvetkov’s equally creative alter ego.

Does the habit of taking drugs make authors write better, or worse, or differently? Does it alter the quality of their consciousness, shape their imagery, influence their technique? For the Romantic writers of the nineteenth century, many of whom experimented with opium and some of whom were addicted to it, this was an important question, but it has never been fully answered. In this study Alethea Hayter examines the work of five writers - Crabbe, Coleridge, De Quincey, Wilkie Collins and Francis Thompson - who were opium addicts for many years, and of several other writers - notably Keats, Edgar Allan Poe and Baudelaire, but also Walter Scott, Dickens, Mrs Browning, James Thomson and others - who are known to have taken opium at times. The work of these writers is discussed in the context of nineteenth-century opinion about the uses and dangers of opium, and of Romantic ideas on the creative imagination, on dreams and hypnagogic visions, and on imagery, so that the idiosyncrasies of opium-influenced writing can be isolated from their general literary background. The examination reveals a strange and miserable region of the mind in which some of the greatest poetic imaginations of the nineteenth century were imprisoned.

What keeps so many of us from doing what we long to do? Why is there a naysayer within? How can we avoid the roadblocks of any creative endeavor—be it starting up a dream business venture, writing a novel, or painting a masterpiece? The War of Art identifies the enemy that every one of us must face, outlines a battle plan to conquer this internal foe, then pinpoints just how to achieve the greatest success. The War of Art emphasizes the resolve needed to recognize and overcome the obstacles of ambition and then effectively shows how to reach the highest level of creative discipline. Think of it as tough love . . . for yourself.

A Dostoevskian psychological novel of ideas, Novel with Cocaine explores the interaction between psychology, philosophy, and ideology in its frank portrayal of an adolescent's cocaine addiction. The story relates the formative experiences of Vadim at school and with women before he turns to drug abuse and the philosophical reflections to which it gives rise. Although Ageyev makes little explicit reference to the Revolution, the novel's obsession with addictive forms of thinking finds resonance in the historical background, in which "our inborn feelings of humanity and justice" provoke "the cruelties and satanic transgressions committed in its name.

"Is it possible... is it possible that Kundalini awakening could look like psychosis?" After ditching university, Kara-Leah Grant spent her twenties traveling the world in search of adventure, creativity and a tribe of like-minded souls. Sex, drugs, yoga and music festivals were simply part of the fun, until they weren't. Diagnosed as bipolar after leaping topless onto a moving logging truck in the wilderness of British Columbia, Kara-Leah returns to New Zealand to heal her soul, face her past, and uncover the deep truths of her innermost being. This is the story of healing, recovery and liberation. "Part punk rock; part enlightening journey: this is a fiercely personal and harrowing story about one woman's quest to seize control of her mental health, her life and ultimately, her future." - Mountain Life Magazine, Whistler, Canada.

From the New York Times bestselling author comes a "hugely entertaining" (NPR.org) look at vice and virtue through cutting-edge science As he did in his award-winning book The Accidental Mind, David J. Linden—highly regarded neuroscientist, professor, and writer—weaves empirical science with entertaining anecdotes to explain how the gamut of behaviors that give us a buzz actually operates. The Compass of Pleasure makes clear why drugs like nicotine and heroin are addictive while LSD is not, how fast food restaurants ensure that diners will eat more, why some people cannot resist the appeal of a new sexual encounter, and much more. Provocative and illuminating, this is a radically new and thorough look at the desires that define us.

Why are we obsessed with the things we want only to be bored when we get them? Why is addiction perfectly logical to an addict? Why does love change so quickly from passion to indifference? Why are some people die-hard liberals and others hardcore conservatives? Why are we always hopeful for solutions even in the darkest times—and so good at figuring them out? The answer is found in a single chemical in your brain: dopamine. Dopamine ensured the survival of early man. Thousands of years later, it is the source of our most basic behaviors and cultural ideas—and progress itself. Dopamine is the chemical of desire that always asks for more—more stuff, more stimulation, and more surprises. In pursuit of these things, it is undeterred by emotion, fear, or morality. Dopamine is the source of our every urge, that little bit of biology that makes an ambitious business professional sacrifice everything in pursuit of success, or that drives a satisfied spouse to risk it all for the thrill of someone new. Simply put, it is why we seek and succeed; it is why we discover and prosper. Yet, at the same time, it's why we gamble and squander. From dopamine's point of view, it's not the having that matters. It's getting something—anything—that's new. From this understanding—the difference between possessing something versus anticipating it—we can understand in a revolutionary new way why we behave as we do in love, business, addiction, politics, religion—and we can even predict those behaviors in ourselves and others. In The Molecule of More: How a Single Chemical in Your Brain Drives Love, Sex, and Creativity—and will Determine the Fate of the Human Race, George Washington University professor and psychiatrist Daniel Z. Lieberman, MD, and Georgetown University lecturer Michael E. Long present a potentially life-changing proposal: Much of human life has an unconsidered component that explains an array of behaviors previously thought to be unrelated, including why winners cheat, why geniuses often suffer with mental illness, why nearly all diets fail, and why the brains of liberals and conservatives really are different.