“Seven Years in Servitude Before a Restorer” relates to issues of kidnapping, killing and abuse of communal leadership which have left the masses in terror, fear and desolation. This down-to-earth play is then a political satire through which the playwright uses as a narrative lens to capture the cruelties and brutal acts of the leaders over the led. Prince Nicholas, a leading terrorist, has his men who are depraved and corrupt, subjecting people into unwanted slavery. No one dares to question them because the prince is in power and thinks he can use it to get what he wants until death creeps in laying his icy hand on the king, and then a new king is chosen to restore the lost peace in the land. Fortune Nwaiwu Author of The Devil in the Cathedral (Rivers State, Nigeria)

The Routledge Anthology of Restoration and Eighteenth-Century Performance brings together a selection of particularly memorable performances, beginning with Nell Gwyn in a 1668 staging of Secret Love, and moving chronologically towards the final performance of John Philip Kemble's controversial adaptation of Thomas Otway's Venice Presever'd in October 1795. This volume contains a wealth of contextual materials, including contemporary reviews, portraits, advertisements, and cast lists. By privileging event over publication, this collection aims to encourage an understanding of performance that emphasizes the immediacy - and changeability - of the theatrical repertoire during the long eighteenth century. Offering an invaluable insight into the performance culture of the time, The Routledge Anthology of Restoration and Eighteenth-Century Performance is a unique, much-needed resource for students of theatre.

Written by one of the most noted scholars in the field, this commentary has Hebrew text and the new JPS English translation at the top of the page and a critical line by line commentary at the bottom.