"As you all know, Grimstone Hall is thought to be the most haunted house in England. But there's something more important than that. I think we are the only haunted house where all the ghosts are children. It's rather special, don't you think?" Jake and the other finalists in a ghost-story writing competition for children have been invited to tour Grimstone Hall where they'll learn about the seven ghosts who haunt the grounds! As their guide leads them through grand rooms, hidden nooks, and magnificent grounds, they hear all about the ghosts. But strange shapes and shadows follow Jake as they move through the house, and the tour guide starts behaving very suspiciously. With each tale told, Jake grows more anxious. Soon he'll discover something is very, very wrong . . . Union Square & Co.'s EVERYONE CAN BE A READER books are expertly written, thoughtfully designed with dyslexia-friendly fonts and paper tones, and carefully formatted to meet readers where they are with engaging stories that encourage reading success across a wide range of age and interest levels.

Serial killer Joe White made the mistake of his life when he killed and buried psychic Dixie Jackson with other victims at an isolated and ruined old house. Temporarily Dixie is unable to function as she learns the new rules and how to function in her new situation, but she refuses to sink into apathy or give up. She wants justice and is marshalling the energies of the other women to achieve it. Somehow they have to stop the killer from killing again. Joe White and the Seven Ghosts is the thrilling and suspenseful story of a deranged killer and his victims' supernatural revenge emanating from beyond the grave.

This award-winning novel about a woman facing her past introduces Terranova to English-speaking audiences. Translated by Ann Goldstein, translator of Elena Ferrante's Neapolitan quartet. Finalist, Premio Strega, 2019 | Winner, Premio Alassio Centolibri | Selected among the 10 Best Italian Books of 2018 by Corriere della Sera Ida is a married woman in her late thirties, who lives in Rome and works at a radio station. Her mother wants to renovate the family apartment in Messina, to put it up for sale and asks her daughter to sort through her things--to decide what to keep and what to throw away. Surrounded by the objects of her past, Ida is forced to deal with the trauma she experienced as a girl, twenty-three years earlier, when her father left one morning, never to return. The fierce silences between mother and daughter, the unbalanced friendships that leave her emotionally drained, the sense of an identity based on anomaly, even the relationship with her husband, everything revolves around the figure of her absent father. Mirroring herself in that absence, Ida has grown up into a woman dominated by fear, suspicious of any form of desire. However, as her childhood home besieges her with its ghosts, Ida will have to find a way to break the spiral and let go of her father finally. Beautifully translated by Ann Goldstein, who also translated Elena Ferrante's Neapolitan quartet, Farewell, Ghosts is a poetic and intimate novel about what it means to build one's own identity.

Named one of the best books of 2017 by The Guardian, NPR, GQ, The Economist, Bookforum, and Lit Hub The definitive account of what happened, why, and above all how it felt, when catastrophe hit Japan—by the Japan correspondent of The Times (London) and author of People Who Eat Darkness On March 11, 2011, a powerful earthquake sent a 120-foot-high tsunami smashing into the coast of northeast Japan. By the time the sea retreated, more than eighteen thousand people had been crushed, burned to death, or drowned. It was Japan’s greatest single loss of life since the atomic bombing of Nagasaki. It set off a national crisis and the meltdown of a nuclear power plant. And even after the immediate emergency had abated, the trauma of the disaster continued to express itself in bizarre and mysterious ways. Richard Lloyd Parry, an award-winning foreign correspondent, lived through the earthquake in Tokyo and spent six years reporting from the disaster zone. There he encountered stories of ghosts and hauntings, and met a priest who exorcised the spirits of the dead. And he found himself drawn back again and again to a village that had suffered the greatest loss of all, a community tormented by unbearable mysteries of its own. What really happened to the local children as they waited in the schoolyard in the moments before the tsunami? Why did their teachers not evacuate them to safety? And why was the unbearable truth being so stubbornly covered up? Ghosts of the Tsunami is a soon-to-be classic intimate account of an epic tragedy, told through the accounts of those who lived through it. It tells the story of how a nation faced a catastrophe, and the struggle to find consolation in the ruins.

'It's enthralling stuff, mixing the scholarly with the accessible and placing storytelling right at the heart of the human experience.' - History Revealed 'A fascinating journey' - Yorkshire Post 'Marvellous...Finkel is an expert in Mesopotamian cultures at the British Museum, and is one of the most clever, and nicest, of people it has ever been my pleasure to encounter...A fascinating journey' - The Scotsman There are few things more in common across cultures than the belief in ghosts. Ghosts inhabit something of the very essence of what it is to be human. Whether we personally 'believe' or not, we are all aware of ghosts and the rich mythologies and rituals surrounding them. They have inspired, fascinated and frightened us for centuries - yet most of us are only familiar with the vengeful apparitions of Shakespeare, or the ghastly spectres haunting the pages of 19th century gothic literature. But their origins are much, much older... The First Ghosts: Most Ancient of Legacies takes us back to the very beginning. A world-renowned authority on cuneiform, the form of writing on clay tablets which dates back to 3400BC, Irving Finkel has embarked upon an ancient ghost hunt, scouring these tablets to unlock the secrets of the Sumerians, Babylonians and Assyrians to breathe new life into the first ghost stories ever written. In The First Ghosts, he uncovers an extraordinarily rich seam of ancient spirit wisdom which has remained hidden for nearly 4000 years, covering practical details of how to live with ghosts, how to get rid of them and bring them back, and how to avoid becoming one, as well as exploring more philosophical questions: what are ghosts, why does the idea of them remain so powerful despite the lack of concrete evidence, and what do they tell us about being human?

For witch Deegie Tibbs, toil and trouble come in many forms—including a week’s worth of obnoxious spirits (that aren’t even her fault . . . for a change). A teenage girl steals a magical item from Deegie’s shop and accidentally conjures up seven of the most annoying paranormal entities in Washington. Now Deegie and her friends—a boyfriend, his brother, a witch, and a thief—have to help her capture them all, one by one. At first, they seem harmless and amusing, but these supernatural beings are anything but benign. Lives are being threatened . . . including Deegie’s. It’s a weird round-up of some of the most bizarre creatures the witches of Fiddlehead Creek have ever encountered. As the drama intensifies, so does the pain in Deegie’s heart, when she starts suspecting that the love of her life is making some magic of his own with a mysterious newcomer. A wise old witch named Flower discovers the secret of the marauding ghosts, but can she help end the chaos before it’s too late? Don’t miss the first two books in the series: A Jar of Fingers and The Witch War of Fiddlehead Creek! Praise for A Jar of Fingers “A classic has been born . . . a truly remarkable piece of horror fiction . . . a refreshing new look at magic and witchery . . . It has all the ingredients of a groundbreaking new franchise: gifted writing, lovable characters, interesting back story, breathtaking excitement and adrenaline, and a truly unforgettable tale.” —Horror Novel Reviews

Rooted in place, slipping between worlds - a rich collection of unnerving ghosts and sinister histories. 'An impressive line-up of established and emerging names.' The Sunday Times 'These eerie, unsettling stories are guaranteed to send shivers down your spine.' Daily Express Eight authors were given the freedom of their chosen English Heritage site, from medieval castles to a Cold War nuclear bunker. Immersed in the past and chilled by rumours of hauntings, they channelled their darker imaginings into a series of extraordinary new ghost stories. 'Subtly evocative of human relations loss, grief, or the fear of loneliness.' TLS 'A satisfying and spooky read.' Sun Also includes a gazetteer of English Heritage properties which are said to be haunted.

Strange things are known to happen in the rugged Garfagnana region of Tuscany. A friendly ghost in a monastery. A visit from a soldier from the other side. A village that sleeps for a hundred years. The legend of ghosts in the theater. All these make their appearance in The Ghosts of the Garfagnana: Seven Strange Stories from Haunted Tuscany—a new book by Paul Salsini, the award-winning author of the popular six-volume A Tuscan Series.

This “novel of extraordinary humanity” (Madeleine Thien, author of Do Not Say We Have Nothing) from New York Times bestselling author Vaddey Ratner reveals “the endless ways that families can be forged and broken hearts held” (Chicago Tribune) as a young woman begins an odyssey to discover the truth about her missing father. Leaving the safety of America, Teera returns to Cambodia for the first time since her harrowing escape as a child refugee. She carries a letter from a man who mysteriously signs himself as “the Old Musician” and claims to have known her father in the Khmer Rouge prison where he disappeared twenty-five years ago. In Phnom Penh, Teera finds a society still in turmoil, where perpetrators and survivors of unfathomable violence live side by side, striving to mend their still beloved country. She meets a young doctor who begins to open her heart, confronts her long-buried memories, and prepares to learn her father’s fate. Meanwhile, the Old Musician, who earns his modest keep playing ceremonial music at a temple, awaits Teera’s visit. He will have to confess the bonds he shared with her parents, the passion with which they all embraced the Khmer Rouge’s illusory promise of a democratic society, and the truth about her father’s end. A love story for things lost and restored, a lyrical hymn to the power of forgiveness, Music of the Ghosts is a “sensitive portrait of the inheritance of survival” (USA TODAY) and a journey through the embattled geography of the heart where love can be reborn.