Beginning with the earliest experiments in musical accompaniment carried out in the Edison Laboratories, Kathryn Kalinak uses archival material to outline the history of American music and film. Focusing on the scores of several key composers of the sound era, including Erich Wolfgang Korngold’s Captain Blood, Max Steiner’s The Informer, Bernard Herrmann’s The Magnificent Ambersons, and David Raksin’s Laura, Kalinak concludes that classical scoring conventions were designed to ensure the dominance of narrative exposition. Her analyses of contemporary work such as John Williams’ The Empire Strikes Back and Basil Poledouris’ RoboCop demonstrate how the traditions of the classical era continue to influence scoring practices today.

As an Olympic rookie, Andie Foster has spent far more time in her cleats than between the sheets. For 21 years, her Friday nights have consisted of blocking shots rather than taking them. But now that she's landed in Rio, she's ready to see for herself if the rumors about the Olympic Village are true: - The athletes are all sex-crazed maniacs... - The committee passes out condoms like candy... - The games continue long after the medals have been handed out... As Andie walks the line between rumor and reality, she's forced into the path of Frederick Archibald, a decorated Olympic swimmer and owner of a sexy British accent-too bad he's unavailable in a way that "it's complicated" doesn't even begin to explain. In other words: off limits. It doesn't matter that he has abs that could bring peace to the Middle East and a smile that makes even the Queen blush; Andie fully intends on keeping her focus on the soccer field. But the Village is small. Suffocating. Everywhere Andie goes, Freddie happens to be there-shirtless, wet from the pool, and determined to show her a whole new meaning of the phrase "international affairs."

From the percussion section at the back of room 217, Carmen Trochez keeps the Benton Bluff Junior High band steady. But when a student teacher enters the scene, the band's loyalties are divided. Carmen is usually the glue. Can she keep everything from falling apart? Aligned to Common Core standards and correlated to state standards. Calico is an imprint of Magic Wagon, a division of ABDO.

As Jasinda Reed admits to a friend, she "hasn't had a hot date since two years and twenty pounds ago." It's been a lot longer than that since she's trusted a man...with good reason. She harbors no intentions of changing that any time soon. Jasinda hardly expects to meet Mr. Right while working behind the ice cream counter at Biggie Scoops. One night, when a handsome and charming stranger shows up at just the right time, Jasinda fears he and his attentive flirting may be too good to be true. Pro quarterback Craig Wilder goes after what he wants when he sees it. At the top of his career, the popular football player is surrounded by fame, fortune, and his pick of any woman he wants. Well, almost any woman...the one he sets his sights on keeps pushing him away. Can the hot jock scale the wall that Jasinda put up to protect her heart? Jasinda panics when a scary incident puts her life in jeopardy. She wonders if someone is really out to get her or if she's letting the past haunt her present - and possibly destroy her romantic future. Is someone out there focused on settling the score, ready to teach Jasinda that revenge is a dish best served cold as ice cream?

"The analysis of popular music forces us to rethink the assumptions that underpin our approaches to the study of Western music. Not least, it brings to the fore an idea that many musicologists still find uncomfortable - that commercial production and consumption can be aligned with artistic authenticity. Reading pop texts takes place through dialogue on many levels, which, as Stan Hawkins argues, deals with how musical events are shaped by personal alliances between the artist and the recipient. The need for a critical approach to evaluating popular music lies at the heart of this book. Hawkins explores the relationships that exist between music, spectatorship and aesthetics through a series of case studies of pop artists from the 1980s and 1990s. Madonna, Morrissey, Annie Lennox, the Pet Shop Boys and Prince represent the diversity of cultures, identities and sexualities that characterised the start of the MTV boom. Through the interpretation of aspects of the compositional design and musical structures of songs by these pop artists, Hawkins suggests ways in which stylistic and technical elements of the music relate to identity formation and its political motivations. Settling the Pop Score examines the role of irony and empathy, the question of gender, race and sexuality, and the relevance of textual analysis to the study of popular music. Interpreting pop music within the framework of musicology, Hawkins helps us to understand the pleasure so many people derive from these songs."--Provided by publisher.

DIVDIVNed Rorem explores the state of contemporary classical music in a magnificent collection of personally selected essays and critiques of masterworks, lesser works, and their legendary creators/divDIV Pulitzer Prize–winner Ned Rorem’s musical compositions are considered some of the finest produced in the past century. His literary works have been hailed as “scintillating” (Time magazine) and “extraordinary” (The Washington Post). Rorem’s remarkable twin talents are brilliantly intertwined in Settling the Score, a masterful collection of essays on music, composers, and the state of the art./divDIV /divDIVSelected by Rorem himself, these enthralling and provocative pieces examine the works of the great and (in the author’s lively, unabashed opinion) the not-so-great masters of twentieth-century classical music—Debussy, Ravel, Copland, Gershwin, Barber, Cage, Bernstein, Britten, Stravinsky, and others. With keen precision, he dissects the so-called serious music of our time while predicting where the form is bound in the future. Never lacking in intelligence or wit, each essay in Settling the Score sings in a voice that is clear and true./div/div

Look behind the scenes of a County Championship match played in the late 1960s, during which the apparently mundane mid-table fixture turns into a story of bitter rivalry and betrayal both on and off the field. Two brothers playing on opposite sides go head to head as rivals for a place on England's winter tour. A night club incident spirals out of control and leads to the discovery of an affair which threatens to destroy team unity and end the career of a formidable but aging bowler. Meanwhile, his young would-be replacement finds himself the center of controversy over his suspect action. The narrative shifts from field to changing room, from night-time escapades to domestic angst in this story of a team with more than the game to lose.

For closeted Georgia mechanic Joey Nichols, life is good. His boyfriend landed a major Hollywood role and is now well on the way to stardom. Soon Joey will leave his small, hometown to join the man of his dreams. Days before his departure, his lover not only outs Joey on national TV, but announces that they've broken up. Devastated Joey is left behind to pick up the pieces, and face the bigotry of the locals. Bestselling author Troy Steele knows all about having life turned upside down by a tabloid show. Now he lives a reclusive existence, eschewing Hollywood parties and the notoriety that comes with books that become blockbuster movies. Troy's latest work in progress Settling the Score, a story that eerily parallels Joey's story. An idea is born. What if he turned someone into everything their ex-lover wanted? Would they have the strength to stand up to the one who hurt them and then walk away? That's the question author Troy Steele wants answered, and he's leaving it up to Joey Nichol's to do the asking.

A straight stud is starting to break… Wade still struts around school in his varsity jacket like he’s the king of the world. Laughing it up with his jock buddies. Making out with his cheerleader girlfriend. Bullying the “queers”. But behind the eyes he’s starting to get desperate. Wade hasn’t had sex in a week. Any kind of sex. Not since I put his manhood under lock and key. I wonder how much longer he can take it. Another day? Two? Pretty soon the frustration will be too much, and he’ll do anything I want just to get some release. There’s only one problem: It turns out that I’m not the only one who has Wade in training. And somebody else wants to break him first. •First time gay BDSM high school jock slave teen chastity MM sex story erotica•