His name was Horace Wrinch. It was 1880. He was 14 years old, a farmer's boy from England travelling on his own to Quebec. Twenty years later, a qualified doctor and surgeon, he arrived in Hazelton on the Skeena River in northern British Columbia as a Canadian citizen. At this time the northern interior of the province had no qualified doctors, no surgeons and no hospitals. In 1904 Horace built the first hospital in the northern interior. Over the next thirty-six years he became widely respected as a doctor and surgeon, hospital administrator, medical missionary, Methodist minister, magistrate, farmer, community leader and progressive politician. Ever innovative, he instituted a form of health insurance for the Hazelton community as early as 1908. In the 1920s, he was a two-term president of the newly established British Columbia Hospital Association and a two-term Liberal Member of the Provincial Legislature for the Skeena riding. While in the Legislature, he championed publicly funded health insurance. Upon his death in 1939, he was called "the most influential and best liked man that ever blessed this district with his presence." Drawn almost entirely from original and contemporaneous sources, this is the previously untold story of a remarkable British Columbian.

Award-winning popular historians Fred Thirkell and Bob Scullion have assembled an all-new collection of postcard views capturing different communities around British Columbia as they appeared at the turn of the 20th century. Collectively defining the state of affairs in BC a century ago, each one of these images has a story to tell. Once a thriving cannery town, Port Essington is now long gone, abandoned and then destroyed by forest fires. They may have mined millions of dollars in gold at Stout's Gulch, but you'll have trouble finding it on any maps today. Even Kelowna's main street is unrecognizable. With each passing year, it becomes more difficult to find rare and unusual black-and-white printed postcards from this period. Many of the ones Thirkell and Scullion have included in "Greetings from British Columbia" are themselves rare, borrowed from the collection of a pre-eminent postcard dealer without whose cooperation this new collection would not have been possible.

This highly illustrated commemorative volume chronicles the full century of the Canadian navy as a proud national institution. Comprehensive coverage includes the origins of the Canadian navy in 1867, both world wars, the Korean conflict, the postwar period, and a look at the navy of the future.

This volume examines Tsimshian culture from the prehistoric period to the recent past and includes contributions from such diverse perspectives as archaeology, linguistics, and social anthropology. The contributors demonstrate a balance between current fieldwork and careful archival analysis, as they build on the voluminous materials that are a legacy of the scholarship of such major figures as Boas, Barbeau, Tate, and Garfield. The book includes chapters on the crest system and participation of the Tsimshian in the 'non-Native' economy of the region and introduces much original material on shamanism, basket making, and feasting.

This book depicts the west coast of British Columbia in all its glory. The distinctive peeling bark on the trunk of an arbutus tree. Towering Sitka spruce trees. Migrating sandpipers in Clayoquot Sound. A grizzly bear feeding on pink salmon near Knight Inlet Lodge. Author/photographer Chris Cheadle walked the streams of the rainforests, kayaked to remote beaches, sailed the inlets, explored the islands and listened to the wisdom of First Nations elders to capture these striking images.

“Graceful yet precise, poetic yet deeply rooted in research, this exploration of an overlooked painter is gorgeous — a joy to read. Molly Peacock’s insights and empathy with her subject bring to life both Mary Hiester Reid and her luscious flower paintings.” — Charlotte Gray, author of The Massey Murder Molly Peacock uncovers the history of neglected painter Mary Hiester Reid, a trailblazing artist who refused to choose between marriage and a career. Born into a patrician American family in the middle of the nineteenth century, Mary Hiester Reid was determined to be a painter and left behind women’s design schools to enter the art world of men. After she married fellow artist George Reid, she returned with him to his home country of Canada. There she set about creating over 300 stunning still life and landscape paintings, inhabiting a rich, if sometimes difficult, marriage, coping with a younger rival, exhibiting internationally, and becoming well-reviewed. She studied in Paris, traveled in Spain, and divided her time between Canada and the United States where she lived among America’s Arts and Crafts movement titans. She left slender written records; rather, her art became her diary and Flower Diary unfolds with an artwork for each episode of her life. In this sumptuous and precisely researched biography, celebrated poet and biographer Molly Peacock brings Mary Hiester Reid, foremother of painters such as Georgia O’Keefe, out of the shadows, revealing a fascinating, complex woman who insisted on her right to live as a married artist, not as a tragic heroine. Peacock uses her poet’s skill to create a structurally inventive portrait of this extraordinary woman whom modernism almost swept aside, weaving threads of her own marriage with Hiester Reid’s, following the history of empathy and examining how women manage the demands of creativity and domesticity, coping with relationships, stoves, and steamships, too. How do you make room for art when you must go to the market to buy a chicken for dinner? Hiester Reid had her answers, as Peacock gloriously discovers.

Part history, part true crime, Murders on the Skeena: True Crime in the Old Canadian West, 1884-1914 contains the true accounts of murders, crimes, and scandals--some of which remain unsolved to this day--in small-town northern British Columbia. With a focus on the victims as much as the cases themselves, award-winning author Geoff Mynett relates untold stories of BC's deadly history while providing both the natural and social history of the region. Hazelton, situated where the Bulkley River joins the Skeena River, was one of the most important sites in the interior of northern BC from 1870-1913. The gold rush, the arrival of the telegraph, and the ability for steam boats to journey upriver increased outside interest in the region. As new modes of transport were built, more non-Indigenous people arrived, and as colonial law and governance increased, so did tensions between Indigenous and non-Indigenous people. One such case was that of the murder of Amos "Charley" Youmans in 1884--the escalation of a clash between the laws and customs of the Gitxsan and those of the encroaching traders and settlers. Mynett also recounts the stories of the so-called Skeena River Uprising of 1888, a bank robbery shoot-out, and a deadly dispute between two prospectors. Peeling back historical, social, political, and geographical layers, Murders on the Skeena draws almost exclusively from documents from the time to reveal the fascinating secrets and surprising consequences of these captivating true crime tales.

The Skeena, second longest river in the province, remains an icon of British Columbia’s northwest. Called Xsien (“water of the clouds”) by the Tsimshian and Gitksan, it has always played a vital role in the lives of Indigenous people of the region. Since the 1800s, it has also become home to gold seekers, traders, salmon fishers and other settlers who were drawn by the area’s beauty and abundant natural resources. Voices from the Skeena will take readers on a journey inspired directly by the people who lived there. Combining forty illustrations with text selected from the pioneer interviews CBC radio producer Imbert Orchard recorded in the 1960s, the book follows the arrival of the Europeans and the introduction of the fur trade to the Omineca gold rush and the building of the Grand Trunk Pacific Railroad. Open the pages to meet Robert Cunningham, an Anglican missionary who would later become the founder of the thriving Port Essington. Here too is a man called Cataline, a packer for whom no settlement was too remote to reach, and the indominable Sarah Glassey, the first woman to pre-empt land in British Columbia. At the heart of these stories is the river, weaving together a narrative of a people and their culture. Pairing the stories with Roy Henry Vicker’s vibrant art creates a unique and captivating portrait of British Columbia that will appeal to art lovers and history readers alike.

Alex MacLean was the inspiration for the title character in Jack London's bestselling novel The Sea-Wolf. Originally from Cape Breton, MacLean sailed to the Pacific side of North America when he was twenty-one and worked there for thirty-five years as a sailor and sealer. His achievements and escapades while in the Victoria fleet in the 1880s laid the foundation for his status as a folk hero. But this biography reveals more than the construction of a legend. Don MacGillivray opens a window onto the sealing dispute brought the United States and Britain to the brink of war, with Canadian sealing interests frequently enmeshed in espionage, scientific debate, diplomatic negotiations, and vexing questions of maritime and environmental law.