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A rare and important study offering a complete review of John Calvin's preaching activity, purpose, method, and style. Parker's work includes Calvin's theological considerations, expository methods, applications of Scripture to the needs of his congregation, and his views of the preacher's office, duty and the congregation's active participation. Appendixes.

Samson's Cords examines the radically different responses of John Milton, Andrew Marvell, and Samuel Butler to the existential crises caused by an explosion of loyalty oaths in Britain before and after 1660.

When we approach such men as St. Bernard of Clairvaux and John Calvin, we are approaching two men who were not only significant figures of their time but figures standing on opposite shorelines of the influence and impact of Scholasticism, as well as a tumultuous decline in orthodoxy. Despite this reality, what is most compelling about these two men is the continuity of their developed thought, even though they were worlds apart, separated by time. This continuity is most assuredly grounded in their historical sources, and, more importantly, their faithful handling of God’s word. That continuity, although not point for point, was rather for the significant part of the structure and content—sum and substance—of the twofold knowledge of God and self. For both of these men, this doctrine was fundamental, permeating the whole of their world and life philosophy. Bernard and Calvin clearly saw the implications of this twofold knowledge. These implications manifest in the realm of various doctrines and the network of their system of thought. This book seeks to explore those various components of their twofold knowledge of God and self, as well as the implications in the realm of experiential Christianity.

From 1891 to 1918 the reports consist of the Report of the director and appendixes, which from 1893 include various bulletins issued by the library (Additions; Bibliography; History; Legislation; Library school; Public libraries) These, including the Report of the director, were each issued also separately.

"An art historical study of Rembrandt's use of religious imagery, arranged by subject matter. Demonstrates the new ideas the artist brought to his interpretations of the Jerusalem Temple and the apostolate church, as he explored the relationship between Jewish and Christian revelation in biblical history"--Provided by publisher.

This book considers the influence that sixteenth-century and early seventeenth-century mathematical thinking exerted on the writing and production of popular drama between about 1587 and 1603. It concentrates upon six plays by five early modern dramatists: Tamburlaine, Part 1 (1587) and Tamburlaine, Part 2 (1587) by Christopher Marlowe; Friar Bacon and Friar Bungay (1589) by Robert Greene; Old Fortunatus (1599) by Thomas Dekker; Hamlet (1600) by William Shakespeare; and The Tragedy of Hoffman (1603) by Henry Chettle. Each chapter analyses how the terms, concepts, and implications of contemporary mathematics impacted upon these plays’ vocabularies, forms, and aesthetic and dramaturgical effects and affects.