Mitrovic's volume fills the gap in Balkan history by presenting an in-depth look at Serbia and its role in WWI. The Serbian experience was in fact of major significance in this war. In the interlocking development of the wartime continent, Serbia's plight is part of a European jigsaw. Also, the First World War was crucial as a stage in the construction of Serbian national mythology in the twentieth century.

The Kingdom of Serbia waged war against Austria-Hungary and the other Central Powers from 28 July 1914 when the Austro-Hungarian government declared war, until the capitulation of Austria-Hungary. In the first two years of the war, Serbia defeated the Austro-Hungarian Balkan Army. The following year, her army was faced with the Axis invasion. Unwilling to surrender, the Serbian Army retreated through Albania and evacuated to Corfu where it rested, rearmed and reorganized. From there the army transferred to the Salonika Front, where it recorded successes by 1916. After a long lull, the struggle to penetrate the Front began in September 1918. Serbian and other Allied forces broke through the Front and Bulgaria was soon forced to surrender. The Serbian Army advanced rapidly and on 1 November 1918 Belgrade was liberated. Thanks to the Serbian military victories and diplomatic efforts, the Kingdom of Serbs, Croats and Slovenes (later Yugoslavia) was created. Serbia paid for her victory in the Great War in a disproportionately exorbitant manner: it is estimated that she lost close to one million inhabitants, of whom about 400,000 were conscripts and the rest civilians, which accounted for nearly a third of the total population, or close to 60% of the male population. No other country that participated in the Great War paid so dearly for its freedom. The Serbian Army in the Great War, 1914-1918 offers readers a very thorough analysis of the Serbian Army of the period, including its organization, participation in military operations, weapons, equipment, uniforms, and system of orders and medals. This book is a synthesis of all available literature and periodicals, appearing for the first time in the English language. The book is well supported by around 500 illustrations, out of which more than 300 are contemporary photographs and other documents, while this is complemented by dozens of color plates of uniform reconstructions and color photographs of the preserved pieces of uniform, equipment and weapons. A special emphasis has been placed on the colors of Serbian uniforms from the period. The book is the result of two decades of research and will enable readers to gain a clearer picture of this subject.

Winner of the 2015 Norman B. Tomlinson, Jr. Book Prize Serbia and the Balkan Front, 1914 is the first history of the Great War to address in-depth the crucial events of 1914 as they played out on the Balkan Front. James Lyon demonstrates how blame for the war's outbreak can be placed squarely on Austria-Hungary's expansionist plans and internal political tensions, Serbian nationalism, South Slav aspirations, the unresolved Eastern Question, and a political assassination sponsored by renegade elements within Serbia's security services. In doing so, he portrays the background and events of the Sarajevo Assassination and the subsequent military campaigns and diplomacy on the Balkan Front during 1914. The book details the first battle of the First World War, the first Allied victory and the massive military humiliations Austria-Hungary suffered at the hands of tiny Serbia, while discussing the oversized strategic role Serbia played for the Allies during 1914. Lyon challenges existing historiography that contends the Habsburg Army was ill-prepared for war and shows that the Dual Monarchy was in fact superior in manpower and technology to the Serbian Army, thus laying blame on Austria-Hungary's military leadership rather than on its state of readiness. Based on archival sources from Belgrade, Sarajevo and Vienna and using never-before-seen material to discuss secret negotiations between Turkey and Belgrade to carve up Albania, Serbia's desertion epidemic, its near-surrender to Austria-Hungary in November 1914, and how Serbia became the first belligerent to openly proclaim its war aims, Serbia and the Balkan Front, 1914 enriches our understanding of the outbreak of the war and Serbia's role in modern Europe. It is of great importance to students and scholars of the history of the First World War as well as military, diplomatic and modern European history.

This book examines the Habsburg Army's occupation of Serbia from 1914 through 1918. This occupation ran along a distinctly European-centered trajectory radically different from other great power colonial projects or occupations during the 20th century. Unlike these projects and occupations, the Habsburg Army sought to denationalize and depoliticize Serbia, to gradually reduce the occupation's violence, and to fully integrate the country into the Empire. These aims stemmed from 19th-century conservative and monarchical convictions that compelled the Army to operate under broad legal and civilizational constraints. Gumz's research provides a counterpoint to interpretations of the First World War that emphasize the centrality of racially inflected, Darwinist worldviews in the war.

This vivid, detailed history of World War I presents the general reader with an accurate and readable account of the campaigns and battles, along with brilliant portraits of the leaders and generals of all countries involved. Scrupulously fair, praising and blaming friend and enemy as circumstances demand, this has become established as the classic account of the first world-wide war.

NEW YORK TIMES BESTSELLER • Drawing on exhaustive research, this intimate account details how World War I reduced Europe’s mightiest empires to rubble, killed twenty million people, and cracked the foundations of our modern world “Thundering, magnificent . . . [A World Undone] is a book of true greatness that prompts moments of sheer joy and pleasure. . . . It will earn generations of admirers.”—The Washington Times On a summer day in 1914, a nineteen-year-old Serbian nationalist gunned down Archduke Franz Ferdinand in Sarajevo. While the world slumbered, monumental forces were shaken. In less than a month, a combination of ambition, deceit, fear, jealousy, missed opportunities, and miscalculation sent Austro-Hungarian troops marching into Serbia, German troops streaming toward Paris, and a vast Russian army into war, with England as its ally. As crowds cheered their armies on, no one could guess what lay ahead in the First World War: four long years of slaughter, physical and moral exhaustion, and the near collapse of a civilization that until 1914 had dominated the globe. Praise for A World Undone “Meyer’s sketches of the British Cabinet, the Russian Empire, the aging Austro-Hungarian Empire . . . are lifelike and plausible. His account of the tragic folly of Gallipoli is masterful. . . . [A World Undone] has an instructive value that can scarcely be measured”—Los Angeles Times “An original and very readable account of one of the most significant and often misunderstood events of the last century.”—Steve Gillon, resident historian, The History Channel

A prize-winning, magisterial history of World War I from the perspective of the defeated Central Powers For the Central Powers, the First World War started with high hopes for an easy victory. But those hopes soon deteriorated as Germany's attack on France failed, Austria-Hungary's armies suffered catastrophic losses, and Britain's ruthless blockade brought both nations to the brink of starvation. The Central powers were trapped in the Allies' ever-tightening Ring of Steel. In this compelling history, Alexander Watson retells the war from the perspective of its losers: not just the leaders in Berlin and Vienna, but the people of Central Europe. The war shattered their societies, destroyed their states, and imparted a poisonous legacy of bitterness and violence. A major reevaluation of the First World War, Ring of Steel is essential for anyone seeking to understand the last century of European history.

When war broke out in Europe in 1914, it surprised a European population enjoying the most beautiful summer in memory. For nearly a century since, historians have debated the causes of the war. Some have cited the assassination of Archduke Franz Ferdinand; others have concluded it was unavoidable. In Europe’s Last Summer, David Fromkin provides a different answer: hostilities were commenced deliberately. In a riveting re-creation of the run-up to war, Fromkin shows how German generals, seeing war as inevitable, manipulated events to precipitate a conflict waged on their own terms. Moving deftly between diplomats, generals, and rulers across Europe, he makes the complex diplomatic negotiations accessible and immediate. Examining the actions of individuals amid larger historical forces, this is a gripping historical narrative and a dramatic reassessment of a key moment in the twentieth-century.

In 1912, the Balkan states formed an alliance in an effort to break free from the crumbling Ottoman Empire. Forming an army of some 645,000 troops from Greece, Bulgaria, Serbia and Montenego, they took on a force of 400,000 Turkish soldiers. Both sides were equipped with the latest weapons technology. This book looks at the diverse and sometimes colourful uniforms worn by both sides, paying special attention to insignia, weapons and equipment. It also gives an overview of the campaigns that became a 'priming pan' of World War I.

The Twentieth Century in European Memory investigates contested and divisive memories of conflicts, world wars, dictatorship, genocide and mass killing. Focusing on the questions of transculturality and reception, the book looks at the ways in which such memories are being shared, debated and received by museum workers, artists, politicians and general audiences. Due to amplified mobility and communication as well as Europe’s changing institutional structure, such memories become increasingly transcultural, crossing cultural and political borders. This book brings together in-depth researched case studies of memory transmission and reception in different types of media, including films, literature, museums, political debate printed and digital media, as well as studies of personal and public reactions. Contributors are: Ismar Dedović, Astrid Erll, Rosanna Farbøl, Magdalena Góra, Gunnthorunn Gudmundsdottir, Anne Heimo, Sara Jones, Wulf Kansteiner, Slawomir Kapralski, Zoé de Kerangat, Zdzisław Mach, Natalija Majsova, Inge Melchior, Daisy Neijmann, Vjeran Pavlaković, Benedikt Perak, Tea Sindbæk Andersen, and Barbara Törnquist-Plewa.