In a world where Reapers prey on the souls of the living, imprisoning them in the shadow-land of Mortem, there is one last hope for humanity. Her name is September Mourning. Half human, half Reaper, she takes the souls of the wicked so the innocent can live again. September has joined forces with a woman who was murdered and restored to life, and a young blind girl who sees only the dead. Together, as The Trinity, they set out to fulfill a prophecy that will finally free all the lost souls trapped in Mortem. In conjunction with the release of this book, September Mourning will be releasing new music via Sumerian Records which will bring further life to the storyline. Collects SEPTEMBER MOURNING #1-4

September Mourning has no past that she can remember, only a strange and shadowy present filled with the voices of the dead. Turned into a unique hybrid by the former Reaper of the lonely, injured, and abused, September Mourning is the only human/reaper to exist. Tasked with reaping the souls of the "worthless" by her mysterious tattoo, September hides and protects them until she can help them realize the last thing they had left undone in life. Whether it's aiding souls to expose abusers, find lost loves, or settle old debts, in each case September is guided by voice of the Skullfly, which only she can hear.

When the smiling King of Carnival is killed at Mardi Gras, policewoman Skip Langdon is on the case. She knows the upper-crust family of the victim and that it hides more than its share of glittering skeletons. But nothing could prepare her for the tangled web of clues and ancient secrets that would mean danger for her--and doom for the St. Amants.... "Smith is a gifted writer." THE WASHINGTON POST BOOK WORLD

In a world where Reapers prey on the souls of the living, imprisoning them in the shadow-land of Mortem, there is one last hope for humanity. Her name is September Mourning. Half human, half Reaper, she takes the souls of the wicked so the innocent can live again. September has joined forces with a woman who was murdered and restored to life, and a young blind girl who sees only the dead. Together, as The Trinity, they set out to fulfill a prophecy that will finally free all the lost souls who are trapped in Mortem. Collects SEPTEMBER MOURNING #1-4

Jacques Derrida is, in the words of the New York Times, "perhaps the world's most famous philosopher—if not the only famous philosopher." He often provokes controversy as soon as his name is mentioned. But he also inspires the respect that comes from an illustrious career, and, among many who were his colleagues and peers, he inspired friendship. The Work of Mourning is a collection that honors those friendships in the wake of passing. Gathered here are texts—letters of condolence, memorial essays, eulogies, funeral orations—written after the deaths of well-known figures: Roland Barthes, Paul de Man, Michel Foucault, Louis Althusser, Edmond Jabès, Louis Marin, Sarah Kofman, Gilles Deleuze, Emmanuel Levinas, Jean-François Lyotard, Max Loreau, Jean-Marie Benoist, Joseph Riddel, and Michel Servière. With his words, Derrida bears witness to the singularity of a friendship and to the absolute uniqueness of each relationship. In each case, he is acutely aware of the questions of tact, taste, and ethical responsibility involved in speaking of the dead—the risks of using the occasion for one's own purposes, political calculation, personal vendetta, and the expiation of guilt. More than a collection of memorial addresses, this volume sheds light not only on Derrida's relation to some of the most prominent French thinkers of the past quarter century but also on some of the most important themes of Derrida's entire oeuvre-mourning, the "gift of death," time, memory, and friendship itself. "In his rapt attention to his subjects' work and their influence upon him, the book also offers a hesitant and tangential retelling of Derrida's own life in French philosophical history. There are illuminating and playful anecdotes—how Lyotard led Derrida to begin using a word-processor; how Paul de Man talked knowledgeably of jazz with Derrida's son. Anyone who still thinks that Derrida is a facetious punster will find such resentful prejudice unable to survive a reading of this beautiful work."—Steven Poole, Guardian "Strikingly simpa meditations on friendship, on shared vocations and avocations and on philosophy and history."—Publishers Weekly

A heartbreak may take many forms: romantic breakup, widowhood, disappointment with one's child or one's parent, loss of friendship, loss of professional identity, loss of one's house, fortune, country... Anyone and anything we love can break the heart and transform us into a miserable beggar for love. None of the usual admonitions to let go, and none of the popular theories based on stages of mourning have succeeded in providing healing, because they fail to take into account what happens in the brain.

These works were written against a background of war and racism. Freud sought the sources of conflict in the deepest memories of humankind, finding clear continuities between our 'primitive' past and 'civilized' modernity. In Totem and Taboo he explores institutions of tribal life, tracing analogies between the rites of hunter-gatherers and the obsessions of urban-dwellers, while Mourning and Melancholia sees a similarly self-destructive savagery underlying individual life in the modern age, which issues at times in self-harm and suicide. And Freud's extraordinary letter to Einstein, Why War? - rejecting what he saw as the physicist's naïve pacifism - sums up his unsparing view of history in a few profoundly pessimistic, yet grimly persuasive pages.

The eight-volume series titled 'The Story of the Great War' is a comprehensive account of World War I, highlighting the political, social, and military aspects of the conflict. Written by Various Authors, the books are a blend of historical narrative, first-hand accounts, and analysis, providing readers with a deep understanding of the events that unfolded during the war. The literary style is objective and informative, making it a valuable resource for students and history enthusiasts alike. The context of the books is set within the larger scope of World War I literature, offering a detailed and thorough examination of the war's impact on society and culture. Various Authors, a collective of historians, military experts, and researchers, collaborated to produce this monumental work on World War I. Their diverse backgrounds and expertise bring a multidimensional perspective to the narrative, enriching the reader's understanding of the complexities of the conflict. I highly recommend 'The Story of the Great War' series to anyone interested in gaining a comprehensive insight into World War I. The depth of research and the breadth of topics covered make these books essential reading for those looking to delve deeper into the history of the Great War.