If the unexamined life is not worth living, surely the unexamined media is not worth heeding. Sentinel Under Siege traces the evolution of the media in the United States and its capacity to examine and regulate itself, from its earliest colonial roots to the modern explosion of digital technology.Once the Bill of Rights was enacted in 1791, the press became the first and only enterprise explicitly protected by the United States Constitution. This book is concerned with the legal content given to freedom of the press by the Supreme Court, and the fitful attempts of media criticism?both intramural and external?to build a greater sense of responsibility among the practitioners.Stanley Flink, former correspondent of Life Magazine and writer/producer at NBC and CBS, is concerned less with the people's right to know than with the people's need to know. Only a competent, responsible press?whatever its means of distribution?can perform the role of watchdog over official abuse of power, business corruption, and political distortions. But the acquisition of so many newspapers, magazines, and broadcasting facilities by corporate conglomerates threatens a new kind of prior restraint on an independent press?the conflicts of interest; the power of advertising; the unspoken self-censorship of reporters and editors, print or electronic, based on the perceived predilections of their employers; and the financial interests of related companies.Flink believes that responsible journalism can also be economically viable in the twenty-first century because the mass communication of reliable news reporting and media accountability will be vital to the democratic process. Unless the news media persistently seeks the high moral ground of public service, the first casualty will be an informed electorate. The second may well be constitutional protection.

In 1988, director Martin Scorsese fulfilled his lifelong dream of making a film about Jesus Christ. Rather than celebrating the film as a statement of faith, churches and religious leaders immediately went on the attack, alleging blasphemy. At the height of the controversy, thousands of phone calls a day flooded the Universal switchboard, and before the year was out, more than three million mailings protesting the film fanned out across the country. For the first time in history, a studio took responsibility for protecting theaters and scrambled to recruit a "field crisis team" to guide The Last Temptation of Christ through its contentious American openings. Overseas, the film faced widespread censorship actions, with thirteen countries eventually banning the film. The response in Europe turned violent when opposition groups sacked theaters in France and Greece and caused injuries to dozens of moviegoers. Twenty years later, author Thomas R. Lindlof offers a comprehensive account of how this provocative film came to be made and how Universal Pictures and its parent company MCA became targets of the most intense, unremitting attacks ever mounted against a media company. The film faced early and determined opposition from elements of the religious Right when it was being developed at Paramount during the last year the studio was run by the celebrated troika of Barry Diller, Michael Eisner, and Jeffrey Katzenberg. By the mid-1980s, Scorsese's film was widely regarded as unmakeable—a political stick of dynamite that no one dared touch. Through the joint efforts of two of the era's most influential executives, CAA president Michael Ovitz and Universal Pictures chairman Thomas P. Pollock, this improbable project found its way into production. The making of The Last Temptation of Christ caught evangelical Christians at a moment when they were suffering a crisis of confidence in their leadership. The religious right seized on the film as a way to rehabilitate its image and to mobilize ordinary citizens to attack liberalism in art and culture. The ensuing controversy over the film's alleged blasphemy escalated into a full-scale war fought out very openly in the media. Universal/MCA faced unprecedented calls for boycotts of its business interests, anti-Semitic rhetoric and death threats were directed at MCA chairman Lew Wasserman and other MCA executives, and the industry faced the specter of violence at theaters. Hollywood Under Siege draws upon interviews with many of the key figures—Martin Scorsese, Paul Schrader, Michael Ovitz, Jeffrey Katzenberg, Jack Valenti, Thomas P. Pollock, and Willem Dafoe—to explore the trajectory of the film from its conception to the subsequent epic controversy and beyond. Lindlof offers a fascinating dissection of a critical episode in the embryonic culture wars, illuminating the explosive effects of the clash between the interests of the media industry and the forces of social conservatism.

Home are the heroes, but the villains are waiting for them! Avengers Mansion becomes the site of one of the team's greatest battles when Baron Zemo's Masters of Evil take down Earth's Mightiest Heroes one by one, one seemingly forever! Plus: an odyssey of Avengers, Alpha Flight and Atlantean civil war! Collecting Avengers (1963) #270-277.

The inevitable conquest of Zoldex is set in motion. The war for the fate of the Imperium has begun!The conclusion of the Fall of the Imperium Trilogy is gripping and exciting. The legions of Zoldex have swept the land, and their conquest is almost complete! The heroes of the realm struggle desperately to seek new alliances to combat the overwhelming forces of their foe. No matter how hard they try, the odds are against them, and the heroes find themselves being pushed back. The Imperium will truly fall, and life will never be the same again.

Time is running out for humanity to resist the dreaded Alkasen. The Worlds burn as tens of thousands of Swarmer vessels pour in from Dark Space. On the moon of Psyche, Lucian Abrantes, the Chosen of the Manifold, must start from humble beginnings, growing his single world into an empire. He must unite disparate factions, all of which don’t recognize his legitimacy. It’s an impossible task. But Lucian must rise to the occasion, focusing everything on gathering a fleet capable of challenging the Alkasen advance. The question of humanity's survival will be decided above the skies of Earth itself. Keywords associated with this series: science fiction, fantasy, space opera, mages, space mage, fantasy series, space opera series, space fantasy, epic fantasy, dragons, magic, progression fantasy, light novel, space opera, futuristic sci fi, alien worlds, alien invasion, space adventure, sci fi adventure Fans of the following series are known to enjoy the Starsea Cycle: Star Wars, Star Trek, Dune, The Expanse, Lord of the Rings, The Wheel of Time, Red Rising, the Hunger Games

Judaism: Sacred Texts, History, Theology & Philosophy offers an unparalleled journey into the rich tapestry of Jewish literary tradition, philosophy, and history. By bringing together an array of texts ranging from theological treatises, philosophical inquiries, to historical narratives, this collection showcases the diverse methodologies and literary styles that have shaped Jewish thought from antiquity to the modern era. Each piece, carefully curated, highlights the evolution of Jewish wisdom, with texts that have stood at the heart of dialogue, debate, and devotion within Jewish culture. The anthology stands out not only for its breadth but also for including some of the most seminal works that have profoundly influenced Jewish life and thought. The contributing authors and editors, luminaries such as Louis Ginzberg, Heinrich Graetz, Judah Halevi, and Moses Maimonides among others, bring an unparalleled depth of knowledge and insight to the collection. These figures, each a titan in their own right, represent pivotal moments and movements within Jewish intellectual history - from the medieval synthesis of Judaic thought with Greek philosophy to the critical historical scholarship of the 19th century. Their collective works within this anthology provide a unique lens through which the vibrancy and dynamism of Jewish intellectual traditions are articulated, reflecting the rich interplay between continuity and innovation that characterizes Jewish thought. This anthology is recommended for anyone seeking to immerse themselves in the depth and diversity of Jewish scholarship. It offers readers a unique opportunity to explore seminal texts across various genres, underscoring the enduring relevance of these works. 'Judaism: Sacred Texts, History, Theology & Philosophy' is not merely an academic endeavor; it is an invitation to engage with the texts that have shaped Jewish consciousness across millennia. As readers traverse through this curated landscape of Jewish wisdom, they will find themselves participating in a historical dialogue that enriches understanding and fosters an appreciation for the complexity and beauty of Jewish intellectual heritage.

This second edition of Alison E. Cooley's accessible introduction to Pompeii takes into account the major new theories and discoveries that have emerged since the first edition was published 20 years ago. Italy's third most popular tourist destination, Pompeii attracts millions of visitors each year, and images of the town are familiar all around the world. However, even today our picture of the site is being impacted by new archaeological discoveries. This book focuses particularly on the date of the eruption, the natural environment of Pompeii, the recovery of skeletal remains and plaster casts, and Pompeii in the popular imagination. In addition, three new chapters look at the popularization of Pompeii, archaeological reconstruction of the Roman town, and how we know what we know about the people who lived there. The technological advances of the 20th and 21st centuries have transformed our understanding of the urban environment of Pompeii, raising new questions even as they dig ever deeper into the surviving material evidence. This volume offers a succinct and insightful exploration of the impact of these scientific and archaeological innovations, as well as that of contemporary politics, upon interpretations of Pompeii over the last 250 years, including the ways in which advances in volcanology have transformed our picture of its last moments.