In this book Ann Louise Luthi tells the history of sentimental jewellery. She describes the origins of mourning jewellery and helps the reader to identify these appealing jewels, which can tell us much about the way in which our ancestors lived, loved and died.

“Dralyuk’s new translation of Sentimental Tales, a collection of Zoshchenko’s stories from the 1920s, is a delight that brings the author’s wit to life.”—The Economist Mikhail Zoshchenko’s Sentimental Tales are satirical portraits of small-town characters on the fringes of Soviet society in the first decade of Bolshevik rule. The tales are narrated by one Kolenkorov, a writer not very good at his job, who takes credit for editing the tales in a series of comic prefaces. Yet beneath Kolenkorov’s intrusive narration and sublime blathering, the stories are genuinely moving. They tell tales of unrequited love and amorous misadventures among down-on-their-luck musicians, provincial damsels, aspiring poets, and liberal aristocrats hopelessly out of place in the new Russia, against a backdrop of overcrowded apartments, scheming, and daydreaming. Zoshchenko’s deadpan style and sly ventriloquy mask a biting critique of Soviet life—and perhaps life in general. An original perspective on Soviet society in the 1920s and simply uproariously funny, Sentimental Tales at last shows Anglophone readers why Zoshchenko is considered among the greatest humorists of the Soviet era. “A book that would make Gogol guffaw.”—Kirkus Reviews “If you find Chekhov a bit tame and want a more bite to your fiction, then you need a dose of Zoshchenko, the premier Russian satirist of the twentieth century . . . Snap up this thin volume and enjoy.”—Russian Life “Mikhail Zoshchenko masterfully exhibits a playful seriousness. . . . Juxtaposing joyful wit with the bleakness of Soviet Russia, Sentimental Tales is a potent antidote for Russian literature’s dour reputation.”—Foreword Reviews “Superb.”—Los Angeles Review of Books

Chapter 7. Case Study : Comparing Twitter Archives; Getting the Data and Distribution of Tweets; Word Frequencies; Comparing Word Usage; Changes in Word Use; Favorites and Retweets; Summary; Chapter 8. Case Study : Mining NASA Metadata; How Data Is Organized at NASA; Wrangling and Tidying the Data; Some Initial Simple Exploration; Word Co-ocurrences and Correlations; Networks of Description and Title Words; Networks of Keywords; Calculating tf-idf for the Description Fields; What Is tf-idf for the Description Field Words?; Connecting Description Fields to Keywords; Topic Modeling.

In the middle of the eighteenth century, something new made itself felt in European culture—a tone or style that came to be called the sentimental. The sentimental mode went on to shape not just literature, art, music, and cinema, but people’s very structures of feeling, their ways of doing and being. In what is sure to become a critical classic, An Archaeology of Sympathy challenges Sergei Eisenstein’s influential account of Dickens and early American film by tracing the unexpected history and intricate strategies of the sentimental mode and showing how it has been reimagined over the past three centuries. James Chandler begins with a look at Frank Capra and the Capraesque in American public life, then digs back to the eighteenth century to examine the sentimental substratum underlying Dickens and early cinema alike. With this surprising move, he reveals how literary spectatorship in the eighteenth century anticipated classic Hollywood films such as Capra’s It Happened One Night, Mr. Deeds Goes to Town, and It’s a Wonderful Life. Chandler then moves forward to romanticism and modernism—two cultural movements often seen as defined by their rejection of the sentimental—examining how authors like Mary Shelley, Joseph Conrad, James Joyce, and Virginia Woolf actually engaged with sentimental forms and themes in ways that left a mark on their work. Reaching from Laurence Sterne to the Coen brothers, An Archaeology of Sympathy casts new light on the long eighteenth century and the novelistic forebears of cinema and our modern world.

Excerpt from Sentimental Library: Comprising Books Formerly Owned by Famous Writers, Presentation Copies, Manuscripts, and Drawings He ridiculed Wordsworth unmercifully. And my heart was glad, for oh, it is a joyous thing to hear a doctor and a theatrical manager dispute about Wordsworth, especially when both have asked you, Why first editions P The collecting of books is inspired by a sentiment founded on reverence and hero-worship. It would seem to follow that the more interesting the history of a particular copy of a book, the greater the appeal to the collector and the lover of literature. If, as Byron says, a book 's a book although there 's nothing in it, surely a book is more than a book when the extra something in it takes the form of a presentation inscription by its author, or notes in the handwriting of a famous man who once owned and read it. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Contents -- Introduction -- 1. Men of Letters, Men of Feeling -- 2. Working Together -- 3. Love, Proof, and Smallpox Inoculation -- 4. Enlightening Children -- 5. Organic Enlightenment -- Conclusion -- Acknowledgments -- Notes -- Index

“How-to instructions on crafting with books . . . will inspire you to think about creative ways to make new treasures out of old things” (The Virginian-Pilot). We all love to read and learn from books, but The Repurposed Library takes our passion even further, presenting us with thirty-three projects to make—quite literally—out of books. For these projects, Lisa Occhipinti rescues and repurposes orphaned and outdated books from flea markets and library sales and turns them into new art objects and practical items for the home. Her creations range from artfully constructed mobiles, wreaths, and vases, to functional items like shelves, storage boxes, and even a Kindle “keeper” for those who want to replicate the sensation of holding a “real” book while reading from an e-reader. Projects utilize every imaginable part of a book—from hardback cover to individual pages—and are a DIY celebration of a new way to view a book’s potential. “Occhipinti’s ‘repurposed’ books are truly beautiful art objects, and whether or not you’re crafty enough to give them a try yourself, her book is thoroughly enjoyable.” —Fine Books and Collections “She shows readers how to transform books into mobiles, lamp shades, even clocks.” —National Post