A profound and perceptive fourth collection of poetry explores the themes of science, popular culture, feminism, gender roles, stereotypes, and social institutions. Reprint.

John Horton Conway's unique approach to quadratic forms was the subject of the Hedrick Lectures that he gave in August of 1991 at the Joint Meetings of the Mathematical Association of America and the American Mathematical Society in Orono, Maine. This book presents the substance of those lectures. The book should not be thought of as a serious textbook on the theory of quadratic forms. It consists rather of a number of essays on particular aspects of quadratic forms that have interested the author. The lectures are self-contained and will be accessible to the generally informed reader who has no particular background in quadratic form theory. The minor exceptions should not interrupt the flow of ideas. The afterthoughts to the lectures contain discussion of related matters that occasionally presuppose greater knowledge.

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Imagine mathematics, imagine with the help of mathematics, imagine new worlds, new geometries, new forms. This volume in the series “Imagine Math” casts light on what is new and interesting in the relationships between mathematics, imagination and culture. The book opens by examining the connections between modern and contemporary art and mathematics, including Linda D. Henderson’s contribution. Several further papers are devoted to mathematical models and their influence on modern and contemporary art, including the work of Henry Moore and Hiroshi Sugimoto. Among the many other interesting contributions are an homage to Benoît Mandelbrot with reference to the exhibition held in New York in 2013 and the thoughts of Jean-Pierre Bourguignon on the art and math exhibition at the Fondation Cartier in Paris. An interesting part is dedicated to the connections between math, computer science and theatre with the papers by C. Bardainne and A. Mondot. The topics are treated in a way that is rigorous but captivating, detailed but very evocative. This is an all-embracing look at the world of mathematics and culture.

The year’s finest mathematical writing from around the world This annual anthology brings together the year’s finest mathematics writing from around the world. Featuring promising new voices alongside some of the foremost names in the field, The Best Writing on Mathematics 2018 makes available to a wide audience many pieces not easily found anywhere else—and you don’t need to be a mathematician to enjoy them. These essays delve into the history, philosophy, teaching, and everyday aspects of math, offering surprising insights into its nature, meaning, and practice—and taking readers behind the scenes of today’s hottest mathematical debates. James Grime shows how to build subtly mischievous dice for playing slightly unfair games and Michael Barany traces how our appreciation of the societal importance of mathematics has developed since World War II. In other essays, Francis Su extolls the inherent values of learning, doing, and sharing mathematics, and Margaret Wertheim takes us on a mathematical exploration of the mind and the world—with glimpses at science, philosophy, music, art, and even crocheting. And there’s much, much more. In addition to presenting the year’s most memorable math writing, this must-have anthology includes an introduction by the editor and a bibliography of other notable pieces on mathematics. This is a must-read for anyone interested in where math has taken us—and where it is headed.

The award-winning novel of a young American girl in France—hailed as “an impressive debut” that is “written with quiet, lyric forcefulness” (Elle). A New York Times Notable Book Young, inexperienced, and fleeing a terrible personal loss, Rosie—the new au pair to the Tivot family estate in France—finds herself ill at ease when trying to connect with Nicole, the cool, distant, and beautifully polished mother of the three children she cares for. There is something about the woman that both fascinates and unnerves Rosie. The same is true of the rest of the Tivot clan. Nicole’s dissatisfied husband, Marc, and their children all seem to be caught in an unending struggle against each other for love and acceptance. Only when Rosie is sent to care for Nicole’s now-elderly guardian—the storyteller of the family’s secrets—does she finally discover the truth. There, Rosie will learn of a past darkened by war, duplicity, and a tragedy that still resonates in the Tivot’s lives . . . With this novel of family, betrayal, and the naïveté of youth, Lily King has spun a story that is “powerful . . . splendid . . . [and all] so assured that it’s hard to believe the book itself is her debut” (The New York Times Book Review). “Expertly constructed, full of surprises, superbly paced and sweetly sad, King’s book hardly reads like a first novel.” —Publishers Weekly

The Poetry Handbook is a lucid and entertaining guide to the poet's craft, and an invaluable introduction to practical criticism for students. Chapters on each element of poetry, from metre to gender, offer a wide-ranging general account, and end by looking at two or three poems from a small group (including works by Donne, Elizabeth Bishop, Geoffrey Hill, and Nobel Laureate Derek Walcott), to build up sustained analytical readings. Thorough and compact, with notes and quotations supplemented by detailed reference to the Norton Anthology of Poetry and a companion website with texts, links, and further discussion, The Poetry Handbook is indispensable for all school and undergraduate students of English. A final chapter addresses examinations of all kinds, and sample essays by undergraduates are posted on the website. Critical and scholarly terms are italicised and clearly explained, both in the text and in a complete glossary; the volume also includes suggestions for further reading. The first edition, widely praised by teachers and students, showed how the pleasures of poetry are heightened by rigorous understanding and made that understanding readily available. This second edition — revised, expanded, updated, and supported by a new companion website - confirm The Poetry Handbook as the best guide to poetry available in English.

Though the interests of science and art frequently seem to inhabit opposite poles, The Measured Word assembles a brilliant anthology of twelve essays that illumine the historic--and newly emerging--relationships between the poetic and scientific imaginations. Assembling the writings of leading contemporary poets, essayists, and thinkers, Kurt Brown highlights ways in which poets use scientific discoveries and mathematical ideas to their artistic advantage--and offers insight on the recently apparent integration of technology and other discoveries into the postmodernist poetry. Here are meditations on the similarities and differences between the poetic and scientific imagination; on the poetic use of fractals; on hypertext; on the changing shape of poetry in the scientific age. Commentary by Czech poet and immunologist Miroslav Holub, Paul Lake, Alison Hawthorne Deming, Alice Fulton, Forrest Gander, and Stephanie Strickland, among others, presents a diverse selection of opinions. These viewpoints are complemented by many careful, innovative readings of individual poems informed by the sciences. The writings in this collection not only celebrate the advent of a new age of discovery but also identify the need for a revision of the western thinking that separates the mind and the heart--replacing division with the reciprocity of mutual communication.