Does scepticism threaten our common sense picture of the world? Does it really undermine our deep-rooted certainties? Answers to these questions are offered through a comparative study of the epistemological work of two key figures in the history of analytic philosophy, G. E. Moore and Ludwig Wittgenstein.

This dissertation aims to construct a non-dogmatic defence of common sense. It tries to show why the absence of justification for the judgements of common sense, which the sceptic reveals, does not invalidate them.

Madeleine Thien’s stunning debut novel fulfills all her early promise and introduces a young novelist of vision, maturity, and style. Gail Lim, a producer of radio documentaries in present-day Vancouver, finds herself haunted by events in her parents’ past in wartorn Asia, a past which remains a mystery that fiercely grips her imagination. As a child, Gail’s father, Matthew Lim, wandered the Leila Road and the jungle fringe with his lovely Ani, a girl whose early bond with Matthew will affect his life always. As children, they found themselves together under the terrifying shadow of war in Japanese-occupied Sandakan, Malaysia. The war shatters their families and splits the two apart until years later, when they remeet only to be separated again. The legacy of their connection is later inherited by Matthew’s wife, Clara, in unexpected ways. Gail’s journey to unravel the mystery of her parents’ lives takes her to Amsterdam, where she meets the war photographer Sipke, who tells his story of Ani and their relationship, which began in Jakarta, a story that will bring Gail face to face with the complications in her own life and lead her closer to the truth. Vivid, poignant, wise, at once sweeping and intimate, Certainty is a novel about the legacies of loss, about the dislocations of war and the redemptive qualities of love. Thien reveals herself as a novelist of rare and potent talent.

This book investigates the conflicts concerning pragmatism in Wittgenstein’s work On Certainty, through a comparison with the pragmatist tradition as expressed by its founding fathers Charles S. Peirce and William James. It also describes Wittgenstein’s first encounters with pragmatism in the 1930s and shows the relevance of Frank Ramsey in the development of his thought. Offering a balanced, critical and theoretical examination the author discusses issues such as doubt, certainty, common sense, forms of life, action and the pragmatic maxim. While highlighting the objective convergences and divergences between the two approaches, the volume makes links to ongoing debates on relativism, foundationalism, scepticism and objectivity. It will be of interest to anyone searching for new perspectives on Wittgenstein’s philosophy.

The controversial evangelical Bible scholar and author of The Bible Tells Me So explains how Christians mistake “certainty” and “correct belief” for faith when what God really desires is trust and intimacy. With compelling and often humorous stories from his own life, Bible scholar Peter Enns offers a fresh look at how Christian life truly works, answering questions that cannot be addressed by the idealized traditional doctrine of “once for all delivered to the saints.” Enns offers a model of vibrant faith that views skepticism not as a loss of belief, but as an opportunity to deepen religious conviction with courage and confidence. This is not just an intellectual conviction, he contends, but a more profound kind of knowing that only true faith can provide. Combining Enns’ reflections of his own spiritual journey with an examination of Scripture, The Sin of Certainty models an acceptance of mystery and paradox that all believers can follow and why God prefers this path because it is only this way by which we can become mature disciples who truly trust God. It gives Christians who have known only the demand for certainty permission to view faith on their own flawed, uncertain, yet heartfelt, terms.

No part of philosophy is as disconnected from its history as is epistemology. After Certainty offers a reconstruction of that history, understood as a series of changing expectations about the cognitive ideal that beings such as us might hope to achieve in a world such as this. The story begins with Aristotle and then looks at how his epistemic program was developed through later antiquity and into the Middle Ages, before being dramatically reformulated in the seventeenth century. In watching these debates unfold over the centuries, one sees why epistemology has traditionally been embedded within a much larger sphere of concerns about human nature and the reality of the world we live in. It ultimately becomes clear why epistemology today has become a much narrower and specialized field, concerned with the conditions under which it is true to say, that someone knows something. Based on a series of lectures given at Oxford University, Robert Pasnau's book ranges widely over the history of philosophy, and examines in some detail the rise of science as an autonomous discipline. Ultimately Pasnau argues that we may have no good reasons to suppose ourselves capable of achieving even the most minimal standards for knowledge, and the final chapter concludes with a discussion of faith and hope.

Thomas Pfau's study of images and visual experience is a tour de force linking Platonic metaphysics to modern phenomenology and probing literary, philosophical, and theological accounts of visual experience from Plato to Rilke. Incomprehensible Certainty presents a sustained reflection on the nature of images and the phenomenology of visual experience. Taking the word "image" (eikōn) not only as the essential medium of art and literature but as foundational for the intuitive ways in which we make contact with our "lifeworld," Thomas Pfau draws in equal measure on Platonic metaphysics and modern phenomenology to advance a series of interlocking claims. First, Pfau shows that, beginning with Plato's later dialogues, being and appearance came to be understood as ontologically distinct from (but no longer opposed to) one another. Second, in contrast to the idol that is typically gazed at and visually consumed as an object of desire, this study positions the image (eikōn) as a medium whose intrinsic abundance and excess reveal to us its metaphysical function, namely, as the visible analogue of an invisible, numinous reality. Finally, the interpretations unfolded in this book (from Plato, Plotinus, pseudo-Dionysius, John Damascene via Bernard of Clairvaux, Bonaventure, Julian of Norwich, and Nicholas of Cusa to modern writers and artists such as Goethe, Ruskin, Turner, Hopkins, Cézanne, and Rilke) affirm the essential complementarity of image and word, visual intuition and hermeneutic practice, in theology, philosophy, and literature. Like Pfau's previous book, Minding the Modern, Incomprehensive Certainty is a major work. With over fifty illustrations, the book will interest students and scholars of philosophy, theology, literature, and art history.

Odors, including those of incense, spices, cooking, and refuse, were both ubiquitous and meaningful in central and late medieval Western Europe. The significance of the sense of smell is evident in scholastic Latin texts, most of which are untranslated and unedited by modern scholars. Between the late eleventh and thirteenth century, medieval scholars developed a logical theory of the workings of the sense of smell based on Greek and Arabic learning. In the thirteenth through fifteenth century, medical authors detailed practical applications of smell theory and these were communicated to individuals and governing authorities by the medical profession in the interests of personal and public health. At the same time, religious authors read philosophical and medical texts and gave their information religious meaning. This reinterpretation of scholastic philosophy and medicine led to the development of what can be termed a medically aware theology of smell that was communicated to popular audiences alongside traditional olfactory theory in sermons. Its impact on popular thought is reflected in late medieval mystical texts. While the senses have received increasing scholarly attention in recent decades, this volume presents the first detailed research into the sense of smell in the later European Middle Ages.

The volume is full of thought-provoking insight which will prove a stimulus both to further study and to scholarly disagreement.

Nobel Laureate Ilya Prigogine discusses the irreversibility of time and his findings impact on the laws of physics.