When she was known as an overweight kid from a "loony" family, he often rescued her from bullies. Now she's come back home all grownup and gorgeous, and he's the one who will need rescuing. Sheriff Rob Townsend of Daredevil, South Carolina remembers Jenny Creighton as the girl mean kids called "Jumbo Jenny." He was compelled to protect her on more than one occasion, a brand of heroic kindness Jenny never forgot. Jenny's returned to the small town to claim an inheritance and open a flower shop. On the inside, however, she's still the chubby girl who doesn't want anyone to remember her humiliating past. Rob has turned into a hunk with a painful history of his own--one that makes him the biggest heartbreaker south of the Mason-Dixon line. When he becomes her best customer--buying flowers as goodbye gifts for a growing line-up of ex-girlfriends--the women in Daredevil begin to run from Jenny and her kiss-goodbye bouquets. How can she build a business when all the single gals in town are scared to see her on their doorsteps? And what are the secrets behind her childhood hero's love-'em-and-leave-'em lifestyle? Trish Jensen is the bestselling author of more than a dozen novels. Visit her at www.TrishJensen.com

Send Me No Flowers is the story of a young woman's fight for survival. Donna Stewart's family is poor but respectable and hard working. Donna is beautiful and clever - about to go up to university. Celebrating her exam results with her friends at a club, she meets Danny Lester, ten years older, much richer, a businessman - he sweeps her off her feet. Despite warnings from friends and family, Donna enjoys Danny's wild streak. She believes this is the man she will marry and live with happy ever after. But it gradually emerges that 'Danny the knife' is a dangerous criminal - and a sadist. She is introduced to a world of drugs and prostitutes, where Danny gets his kicks by terrifying her. The longer she leaves it, the harder it will be to escape. But eventually, helped by a loyal circle of female friends, she works out a plan.

Send Me No Flowers by Katherine Arthur released on Oct 25, 1988 is available now for purchase.

Christine Hannon has written poetry from a very early age. Some of these poems go back to when she was only 9 years old. A professional hairdresser, model and makeup artist, at the age of 28 Chris was severely injured in a major car accident caused by a drunk driver. The injuries caused her to live with daily chronic pain that left her unable to continue her careers. Being Chris, she diversified, and began creating paintings and decorated clothing to sell as well.

“Like a favorite recipe, a posy is meant to be savored and shared. Try it yourself, and … welcome a bit of floral enchantment into your life.” —Amy Stewart, author of The Drunken Botanist Inspired by the Victorian-era language of flowers, a posy is a small, round bouquet of flowers, herbs, and plants meant to convey a message, such as dahlias for gratitude, sunflowers for adoration, or thyme for bravery. These floral poems have become Teresa Sabankaya’s signature. Brides want them for their weddings, but a posy is a lovely gift any time of year, and one that readers can easily put together from their garden or with blooms from their local florist. In The Posy Book, Sabankaya shares step-by-step instructions, floral recipes for more than 20 posies, and ideas for seasonal variations. A modern floral dictionary, with 12 original paintings by celebrated illustrator Maryjo Koch, will help readers craft their own posies filled with personal meaning.

Van Johnson's dazzling smile, shock of red hair, and suntanned freckled cheeks made him a movie-star icon. Among teenaged girls in the 1940s, he was popularized as the bobbysoxer's heartthrob. He won the nation's heart, too, by appearing in a series of blockbuster war films—A Guy Named Joe, Thirty Seconds Over Tokyo, Weekend at the Waldorf, and Battleground. Perennially a leading man opposite June Allyson, Esther Williams, Judy Garland, and Janet Leigh, he rose to fame radiating the sunshine image Metro-Goldwyn-Mayer chose for him, that of an affable, wholesome boy-next-door. Legions of adoring moviegoers were captivated by this idealized persona that generated huge box-office profits for the studio. However, Johnson's off-screen life was not so sunny. His mother had rejected him in childhood, and he lived his adult life dealing with sexual ambivalence. A marriage was arranged with the ex-wife of his best friend, the actor Keenan Wynn. During the waning years of Hollywood's Golden Age, she and Johnson lived amid the glow of Hollywood's A-crowd. Yet their private life was charged with tension and conflict. Although morose and reclusive by nature, Johnson maintained a happy-go-lucky façade, even among co-workers who knew him as a congenial, dedicated professional. Once free of the golden-boy stereotype, he became a respected actor assigned stellar roles in such acclaimed films as State of the Union, Command Decision, The Last Time I Saw Paris, and The Caine Mutiny. With the demise of the big studios, Johnson returned to the stage, where he had begun his career as a song-and-dance man. After this, he appeared frequently in television shows, performed in nightclubs, and became the legendary darling of older audiences on the dinner playhouse circuit. Johnson (1916-2008) spent his post-Hollywood years living in solitude in New York City. This solid, thoroughly researched biography traces the career and influence of a favorite star and narrates a fascinating, sometimes troubled life story.

Founded in 1943, Negro Digest (later “Black World”) was the publication that launched Johnson Publishing. During the most turbulent years of the civil rights movement, Negro Digest/Black World served as a critical vehicle for political thought for supporters of the movement.

Rapacious dykes, self-loathing closet cases, hustlers, ambiguous sophisticates, and sadomasochistic rich kids: most of what America thought it knew about gay people it learned at the movies. A fresh and revelatory look at sexuality in the Great Age of movie making, Screened Out shows how much gay and lesbian lives have shaped the Big Screen. Spanning popular American cinema from the 1900s until today, distinguished film historian Richard Barrios presents a rich, compulsively readable analysis of how Hollywood has used and depicted gays and the mixed signals it has given us: Marlene in a top hat, Cary Grant in a negligee, a pansy cowboy in The Dude Wrangler. Such iconoclastic images, Barrios argues, send powerful messages about tragedy and obsession, but also about freedom and compassion, even empowerment. Mining studio records, scripts, drafts (including cut scenes), censor notes, reviews, and recollections of viewers, Barrios paints our fullest picture yet of how gays and lesbians were portrayed by the dream factory, warning that we shouldn't congratulate ourselves quite so much on the progress movies - and the real world -- have made since Stonewall. Captivating, myth-breaking, and funny, Screened Out is for all film aficionados and for anyone who has sat in a dark movie theater and drawn strength and a sense of identity from what they saw on screen, no matter how fleeting or coded.

One of Hollywood's most celebrated directors captures the excitement and success of his four decades in filmmaking in this funny, absorbing memoir.