Francisco Suárez was a principal figure in the transition from scholastic to modern natural law, summing up a long and rich tradition and providing much material both for adoption and controversy in the seventeenth century and beyond. Most of the selections translated in this volume are from On the Laws and God the Law-Giver (De legibus ac Deo legislatore, 1612), a work that is considered one of Suárez’s greatest achievements. Working within the framework originally elaborated by Thomas Aquinas, Suárez treated humanity as the subject of four different laws, which together guide human beings toward the ends of which they are capable. Suárez achieved a double objective in his systematic account of moral activity. First, he examined and synthesized the entire scholastic heritage of thinking on this topic, identifying the key issues of debate and the key authors who had formulated the different positions most incisively. Second, he went beyond this heritage of authorities to present a new account of human moral action and its relationship to the law. Treading a fine line between those to whom moral directives are purely a matter of reason and those to whom they are purely a matter of a commanding will, Suárez attempted to show how both human reason and the command of the lawgiver dictate the moral space of human action. The Liberty Fund edition is a revised version of that prepared for the Carnegie Endowment for International Peace by translators Gwladys L. Williams, Ammi Brown, and John Waldron, with revisions by Henry Davis, S. J. Francisco Suárez (1548-1617), a Jesuit priest, was professor of theology at the University of Salamanca in Spain. Annabel S. Brett is a Fellow, Tutor, and University Lecturer in History at Gonville and Caius College, Cambridge. Knud Haakonssen is Professor of Intellectual History at the University of Sussex, England.

Francisco Suárez was a principal figure in the transition from scholastic to modern natural law, summing up a long and rich tradition and providing much material both for adoption and controversy in the seventeenth century and beyond. Most of the selections translated in this volume are from 'On the Laws and God the Law-Giver (De legibus ac Deo legislatore, 1612)', a work that is considered one of Suárez' greatest achievements. Working within the framework originally elaborated by Thomas Aquinas, Suárez treated humanity as the subject of four different laws, which together guide human beings toward the ends of which they are capable. Suárez achieved a double objective in his systematic account of moral activity. First, he examined and synthesized the entire scholastic heritage of thinking on this topic, identifying the key issues of debate and the key authors who had formulated the different positions most incisively. Second, he went beyond this heritage of authorities to present a new account of human moral action and its relationship to the law. Treading a fine line between those to whom moral directives are purely a matter of reason and those to whom they are purely a matter of a commanding will, Suárez attempted to show how both human reason and the command of the lawgiver dictate the moral space of human action.

This unique new work of reference traces the origins of the modern laws of warfare from the earliest times to the present day. Relying on written records from as far back as 2400 BCE, and using sources ranging from the Bible to Security Council Resolutions, the author pieces together the history of a subject which is almost as old as civilisation itself. The author shows that as long as humanity has been waging wars it has also been trying to find ways of legitimising different forms of combatants and ascribing rules to them, protecting civilians who are either inadvertently or intentionally caught up between them, and controlling the use of particular classes of weapons that may be used in times of conflict. Thus it is that this work is divided into three substantial parts: Volume 1 on the laws affecting combatants and captives; Volume 2 on civilians; and Volume 3 on the law of arms control. This second book on civilians examines four different topics. The first topic deals with the targetting of civilians in times of war. This discussion is one which has been largely governed by the developments of technologies which have allowed projectiles to be discharged over ever greater areas, and attempts to prevent their indiscriminate utilisation have struggled to keep pace. The second topic concerns the destruction of the natural environment, with particular regard to the utilisation of starvation as a method of warfare, and unlike the first topic, this one has rarely changed over thousands of years, although contemporary practices are beginning to represent a clear break from tradition. The third topic is concerned with the long-standing problems of civilians under the occupation of opposing military forces, where the practices of genocide, collective punishments and/or reprisals, and rape have occurred. The final topic in this volume is about the theft or destruction of the property of the enemy, in terms of either pillage or the intentional devastation of the cultural property of the opposition. As a work of reference this set of three books is unrivalled, and will be of immense benefit to scholars and practitioners researching and advising on the laws of warfare. It also tells a story which throws fascinating new light on the history of international law and on the history of warfare itself.

These complete and unabridged scores include the Academic Festival Overture, Tragic Overture, and Variations on a Theme by Joseph Haydn, all reproduced from the authoritative Breitkopf and Härtel editions.

The Tears of Sovereignty is a comparative study of the representation of the concept of sovereignty in paradigmatic plays of early modern English and Spanish drama. It argues that baroque drama produces the critical terms through which contemporary philosophical criticism continues to think through the problems of sovereignty today.

Few philosophers have had as significant an impact on contemporary thought as Michel Foucault. Rabinow has collected the best pieces from his three-volume set into a one-volume anthology.