This Bibliography assembles annotation of collections and criticism of lyrics of religious and secular love, carols and songs, and rhymes of everyday life. The Middle English lyrics and short poems form a varied group that ranges over most aspects of life to include lyrics of religious and secular love, carols and songs, and mundane rhymes of everyday life. Thus there are expressionsof devotion, ethereal or earthly, theological expositions, and knowledge needed for life. The poems are disparate and generally anonymous, and their survival owes much to chance. The bibliography assembles neutral annotation of collections and criticism of the works, arranged chronologically to show the course of criticism and the growing appreciation of these poems and all they can tell us. The introduction considers these matters, problems of definitionof the genre, and the isolable lyrics, and seeks to reconcile some first impressions of the poems, as disparate and slight, with the rewards of close study. ROSEMARY GREENTREE is currently Visiting Research Fellow, Dept of English, University of Adelaide.

Retrieves rich historical biblical insights for readers of Jeremiah today In this volume, part of the Bible in Medieval Tradition series, Joy Schroeder provides substantial excerpts from seven noteworthy biblical interpreters who commented on Jeremiah between the ninth and fifteenth centuries. Following a survey of early and medieval Christian authors and their interpretive approaches, Schroeder offers original translations from medieval commentators writing on twenty-four chapters of Jeremiah, including all chapters present in major western lectionaries. In addition to her clear, readable renderings of texts from authors including Thomas Aquinas, Nicholas of Lyra, and Denis the Carthusian, Schroeder provides an introduction to each author represented, locating him within his historical and theological context. The well-chosen selections in this masterful volume illustrate the rich diversity of medieval approaches to biblical interpretation and offer an intriguing glimpse into the worldview of medieval commentators. MEDIEVAL AUTHORS REPRESENTED: Rabanus Maurus Rupert of Deutz Albert the Great Hugh of St. Cher Thomas Aquinas Nicholas of Lyra Denis the Carthusian

Strange Likeness provides the first full account of how Old English (or Anglo-Saxon) was rediscovered by twentieth-century poets, and the uses to which they put that discovery in their own writing. Chapters deal with Ezra Pound, W. H. Auden, Edwin Morgan, and Seamus Heaney. Stylistic debts to Old English are examined, along with the effects on these poets' work of specific ideas about Old English language and literature as taught while these poets were studying the subject at university. Issues such as linguistic primitivism, the supposed 'purity' of the English language, the politics and ethics of translation, and the construction of 'Englishness' within the literary canon are discussed in the light of these poets and their Old English encounters. Heaney's translation of Beowulf is fully contextualized within the body of the rest of his work for the first time.

The future of English linguistics as envisaged by the editors of Topics in English Linguistics lies in empirical studies which integrate work in English linguistics into general and theoretical linguistics on the one hand, and comparative linguistics on the other. The TiEL series features volumes that present interesting new data and analyses, and above all fresh approaches that contribute to the overall aim of the series, which is to further outstanding research in English linguistics.