Alexander Pope was the foremost poet of early eighteenth-century England, but he was also a prolific prose writer. This anthology is intended to make Pope's major prose work more widely available. It includes the critical prefaces to his own work, to Homer, and to Shakespeare; the mock-critical treatises, A Key to the Lock and The Art of Sinking in Poetry which deride the poetry and criticism of Pope's opponents, and raise important questions about the principles of writing and interpretation; maliciously comic pamphlets attacking John Dervis, Stephen Duck, Edmund Curll, and Lord Hervey; and a selection from Pope's wide-ranging correspondence, which illustrates his genius for friendship, and his opinions on literature, politics, and religion. The volume complements the critical and moral concerns of Pope's poetry, documenting the controversies in which he was continuously engaged. Pope emerges as a gifted critic and a complex mixture of integrity and deviousness, a man concerned both for the culture of his day and for his public image.

Alexander Pope was the foremost poet of early eighteenth-century England, but he was also a prolific prose writer. This anthology is intended to make Pope's major prose work more widely available. It includes the critical prefaces to his own work, to Homer, and to Shakespeare; the mock-critical treatises, A Key to the Lock and The Art of Sinking in Poetry which deride the poetry and criticism of Pope's opponents, and raise important questions about the principles of writing and interpretation; maliciously comic pamphlets attacking John Dervis, Stephen Duck, Edmund Curll, and Lord Hervey; and a selection from Pope's wide-ranging correspondence, which illustrates his genius for friendship, and his opinions on literature, politics, and religion. The volume complements the critical and moral concerns of Pope's poetry, documenting the controversies in which he was continuously engaged. Pope emerges as a gifted critic and a complex mixture of integrity and deviousness, a man concerned both for the culture of his day and for his public image.

Alexander Pope (1688-1744) was the greatest English poet of his age, whose acerbic insights into human nature have entered the language, and whose verse still astonishes with its energy and inventiveness centuries after his death. This new selection of Pope's work follows the path of his poetic genius over his lifetime. It contains early poems including the masterly mock-epic 'The Rape of the Lock', which satirizes a notorious society scandal through glorious heroic couplets, the brilliantly aphoristic 'An Essay on Criticism' and excerpts from his translation of the Iliad. Later poems represented include Pope's ironic adaptations of Horace's Epistles, Satires and Odes, and the remarkable 'Dunciad', a stinging attack on his literary rivals and the mediocrity of Grub Street hacks. Here too are selected prose works and letters from Pope to his contemporaries such as John Gay and Jonathan Swift.

“Drawing on deep familiarity with the period and its personalities, Rogers has given us a witty and richly detailed account of the ongoing war between the greatest poet of the eighteenth century and its most scandalous publisher.”—Leo Damrosch, author of The Club: Johnson, Boswell, and the Friends Who Shaped an Age “What sets Rogers’s history apart is his ability to combine fastidious research with lucid, unpretentious prose. History buffs and literary-minded readers alike are in for a punchy, drama-filled treat.”—Publishers Weekly The quarrel between the poet Alexander Pope and the publisher Edmund Curll has long been a notorious episode in the history of the book, when two remarkable figures with a gift for comedy and an immoderate dislike of each other clashed publicly and without restraint. However, it has never, until now, been chronicled in full. Ripe with the sights and smells of Hanoverian London, The Poet and Publisher details their vitriolic exchanges, drawing on previously unearthed pamphlets, newspaper articles, and advertisements, court and government records, and personal letters. The story of their battles in and out of print includes a poisoning, the pillory, numerous instances of fraud, and a landmark case in the history of copyright. The book is a forensic account of events both momentous and farcical, and it is indecently entertaining.

Alexander Pope was the foremost poet of early eighteenth-century England, but he was also a prolific prose writer. This anthology is intended to make Pope's major prose work more widely available. It includes the critical prefaces to his own work, to Homer, and to Shakespeare; the mock-critical treatises, A Key to the Lock and The Art of Sinking in Poetry which deride the poetry and criticism of Pope's opponents, and raise important questions about the principles of writing and interpretation; maliciously comic pamphlets attacking John Dervis, Stephen Duck, Edmund Curll, and Lord Hervey; and a selection from Pope's wide-ranging correspondence, which illustrates his genius for friendship, and his opinions on literature, politics, and religion. The volume complements the critical and moral concerns of Pope's poetry, documenting the controversies in which he was continuously engaged. Pope emerges as a gifted critic and a complex mixture of integrity and deviousness, a man concerned both for the culture of his day and for his public image.

The noted Yale scholar and critic offers a complete biography of the great eighteenth-century poet, elucidating his skills as a doubly disadvantaged individual and his triumphs as a poet and spokesman for his times