It was as a poet that Samuel Beckett launched himself in the little reviews of 1930s Paris, and as a poet that he ended his career. This new selection, from Whoroscope (1930) to ‘what is the word’ (1988), describes a lifetime’s arc of writing. It was as a poet moreover that Beckett made his first breakthrough into writing in French, and the Selected Poems represents work in both languages, including the sequence of brief but highly crafted mirlitonnades, which did so much to usher in the style of his late prose, and come as close as anything he wrote to honouring the ambition to ‘bore one hole after another in language, until what lurks behind it – be it something or nothing – begins to seep through.’ Also included are several of Beckett’s translations from contemporaries – Apollinaire, Eluard, Michaux, Montale – in versions which count among his own poetic achievements. my way is in the sand flowingbetween the shingle and the dunethe summer rain rains on my lifeon me my life harrying fleeingto its beginning to its end‘The best of it speaks, or rather whispers, to the inner ear . . . Like the prose, with which they have so much else in common, the poems are instantly striking and mysteriously persistent in the mind and even the nerves. Graphic and vivid, they are also intensely musical: theatrical, too, and continuous with the work for stage, radio and other media . . . Not inexpressive, as their author might have wished, but expressive of a rare vision.’ – Derek Mahon

This collection gathers together the Nobel Prize-winning writer Samuel Beckett's English poems (including Whoroscope, his first published verse), English translations of poems by Eluard, Rimbaud, Apollinaire, and Chamfort, and poems in French, several of which are presented in translation.

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In the past decade, there has been an unprecedented upsurge of interest in Samuel Beckett's works. The New Cambridge Companion to Samuel Beckett offers an accessible and engrossing introduction to a key set of issues animating the field of Beckett studies today. This Companion considers Beckett's lasting significance by addressing a host of relevant topics. Written by a team of renowned scholars, this volume presents a continuum in Beckett studies ranging from theoretical approaches to performance studies, from manuscript research to the study of bilingualism, intertextuality, late modernism, history, philosophy, ethics, body and mind. The emphasis on burgeoning critical approaches aids the reader's understanding of recent developments in Beckett studies while prompting further exploration, assisted by the guide to further reading.

Analyses media representations of riots, strikes and protests

Beckett Re-Membered showcases some of the most recent scholarship on the Irish novelist, poet, and playwright, Samuel Beckett. As well as essays on Beckett’s literary output, it contains a section on the philosophical dimension of his work – an important addition, given the profound impact Beckett has had on European philosophy. Rather than attempting to circumscribe Beckett scholarship by advocating a theoretical position or thematic focus, Beckett Re-Membered reflects the exciting and diverse range of critical interventions that Beckett studies continues to generate. In the nineteen essays that comprise this volume, every major articulation of Beckett’s work is addressed, with the result that it offers an unusually comprehensive survey of its target author. Beckett Re-Membered will appeal to any reader who is interested in provocative responses to one of the twentieth century’s most important European writers.

Providing a broad, definitive account of how the 'archival turn' in humanities scholarship has shaped modernist studies, this book also functions as an ongoing 'practitioner's toolkit' (including useful bibliographical resources) and a guide to avenues for future work. Archival work in modernist studies has revolutionised the discipline in the past two decades, fuelled by innovative and ambitious scholarly editing projects and a growing interest in fresh types of archival sources and evidence that can re-contextualise modernist writing. Several theoretical trends have prompted this development, including the focus on compositional process within genetic manuscript studies, the emphasis on book history, little magazines, and wider publishing contexts, and the emphasis on new material evidence and global and 'non-canonical' authors and networks within the 'New Modernist Studies'. This book provides a guide to the variety of new archival research that will point to fresh avenues and connect the methodologies and resources being developed across modernist studies. Offering a variety of single-author case studies on recent archival developments and editing projects, including Samuel Beckett, Hart Crane, H.D., James Joyce, Dorothy Richardson, May Sinclair and Virginia Woolf, it also offers a range of thematic essays that examine an array of underused sources as well as the challenges facing archival researchers of modernism

This collection of essays, most of which return to or renew something of an empirical or archival approach to the issues, represents the most comprehensive analysis of Beckett's relationship to philosophy in print, how philosophical issues, conundrums, and themes play out amid narrative intricacies. The volume is thus both an astonishingly comprehensive overview and a series of detailed readings of the intersection between philosophical texts and Samuel Beckett's oeuvre, offered by a plurality of voices and bookended by an historical introduction and a thematic conclusion.?S. E. Gontarski, Journal of Beckett StudiesThis is an important contribution to ongoing attempts to understand the relationship of Beckett's work to philosophy. It breaks some new ground, and helps us to consider not only how Beckett made use of philosophy but how his own thought might be understood philosophical.?Anthony Uhlmann, University of Western Sydney

Exploring the work of Hannah Arendt, Franz Kafka, W.H. Auden, George Orwell, Samuel Beckett, and Simone Weil, among other, Placeless People argues that we urgently need to reconnect with the moral and political imagination of these writers to tackle today's refugee 'crisis'.

Seminar paper from the year 2017 in the subject English Language and Literature Studies - Literature, , language: English, abstract: Samuel Beckett was the most eminent dramatist of the absurdist movement of the twentieth century. Samuel Beckett was born on Good Friday, April 13, 1906, at Fox rock near Dublin, Ireland. Belonging to a middle class Protestant home, Samuel Beckett enjoyed very good childhood because his family was Protestant and well to do in Ireland. His family home is of a Tudor style house, standing amidst lawns, a tennis court and a croquet lawn. He was second son of William Frank Beckett and Mary Beckett. In a poor country like Ireland, William Frank Beckett was a self-made person and he made his living as a surveyor. He was well-liked, respected and prosperous businessperson in Dublin. The Becketts had very good parental terms with Samuel Beckett and in this regard, he had a happy childhood, enjoying a comfortable life style. Moreover, Samuel Beckett’s parents wished him to be educated well, and were proud of his sporting as well as academic progress. Finally, they were able to send Samuel Beckett to the best schools of Ireland such as Earlsfort House School in Dublin and Protoria Royal in the north. Therefore, he was educated at Earls Fort House preparatory school in Dublin, and then at the boarding school Portia Royal, one of the best and most expensive schools in Ireland. All through his childhood, Samuel Beckett’s chief talents and interests were in French and English and he was inspired by the works of Dante and Racine.