There is an ever-increasing demand for a standard way to transport colours among devices on the Internet, and for achieving colour fidelity across digital media. The rapid growth in colour imaging technology has led to the emergence of colour management systems. These systems require colour appearance models so that images produced in one medium and viewed in a particular environment, may be reproduced in a second medium and viewed under different conditions. The eagerly anticipated second edition of Colour Appearance Models brings the fundamental issues and current solutions in the area of colour appearance modelling together in a single place for those needing to solve practical problems or looking for background for ongoing research projects. This book provides the relevant information for an updated review of colour appearance and provide details of many of the most widely used models to date, for example, Nayatani et al., Hunt, and RLAB and the ATD and LLAB appearance models that are of increasing interest for some applications. It also includes the recently formulated CIECAM02 model that represents a significant improvement of CIECAM97S and is the best possible model based on current knowledge. Fairchild presents an updated overview of device-independent colour imaging and finally introduces the concept of image appearance modelling as a potential future direction for colour appearance modelling research. A website accompanies this text that lists developments, publications and calculations related to the material in this book.

Color Theory and Modeling for Computer Graphics, Visualization, and Multimedia Applications deals with color vision and visual computing. This book provides an overview of the human visual system with an emphasis on color vision and perception. The book then goes on to discuss how human color vision and perception are applied in several applications using computer-generated displays, such as computer graphics and information and data visualization. Color Theory and Modeling for Computer Graphics, Visualization, and Multimedia Applications is suitable as a secondary text for a graduate-level course on computer graphics, computer imaging, or multimedia computing and as a reference for researchers and practitioners developing computer graphics and multimedia applications.

Colorimetry, the science of quantitvely describing color, is essential for color reproduction technology. This is because it creates standards by which to measure color, using mathematical techniques and software to ensure fidelity across media, allow accurate color mixing, and to develop color optimization. This book is a comprehensive and thorough introduction to colorimetry, taking the reader from basic concepts through to a variety of industrial applications. Set out in clear, easy-to-follow terminology, Ohta and Robertson explain fundamental principles such as color specification, the CIE (International Commission on Illumination) system, and color vision and appearance models. They also cover the following topics: the optimization of color reproduction; uniform color spaces and color difference formulae, including the CIEDE 2000 formula; applications of metamerism, chromatic adaptation, color appearance and color rendering; mathematical formulae for calculating color mixing, maximising luminous efficacy, and designing illuminants with specific properties. Colorimetry: Fundamentals and Applications is an ideal reference for practising color engineers, color scientists and imaging professionals working on color systems. It is also a practical guide for senior undergraduate and graduate students who want to acquire knowledge in the field.

Computational Colour Science Using MATLAB 2nd Edition offers a practical, problem-based approach to colour physics. The book focuses on the key issues encountered in modern colour engineering, including efficient representation of colour information, Fourier analysis of reflectance spectra and advanced colorimetric computation. Emphasis is placed on the practical applications rather than the techniques themselves, with material structured around key topics. These topics include colour calibration of visual displays, computer recipe prediction and models for colour-appearance prediction. Each topic is carefully introduced at three levels to aid student understanding. First, theoretical ideas and background information are discussed, then explanations of mathematical solutions follow and finally practical solutions are presented using MATLAB. The content includes: A compendium of equations and numerical data required by the modern colour and imaging scientist. Numerous examples of solutions and algorithms for a wide-range of computational problems in colour science. Example scripts using the MATLAB programming language. This 2nd edition contains substantial new and revised material, including three innovative chapters on colour imaging, psychophysical methods, and physiological colour spaces; the MATLAB toolbox has been extended with a professional, optimized, toolbox to go alongside the current teaching toolbox; and a java toolbox has been added which will interest users who are writing web applications and/or applets or mobile phone applications. Computational Colour Science Using MATLAB 2nd Edition is an invaluable resource for students taking courses in colour science, colour chemistry and colour physics as well as technicians and researchers working in the area. In addition, it acts a useful reference for professionals and researchers working in colour dependent industries such as textiles, paints, print & electronic imaging. Review from First Edition: “...highly recommended as a concise introduction to the practicalities of colour science...” (Color Technology, 2004)

This book offers detailed coverage of color, colorants, the coloring of materials, and reproducing the color of materials through imaging. It combines the clarity and ease of earlier editions with significant updates about the advancement in color theory and technology. Provides guidance for how to use color measurement instrumentation, make a visual assessment, set a visual tolerance, and select a formulation Supplements material with numerical examples, graphs, and illustrations that clarify and explain complex subjects Expands coverage of topics including spatial vision, solid-state lighting, cameras and spectrophotometers, and translucent materials

Digital technology now enables unparalleled functionality and flexibility in the capture, processing, exchange, and output of color images. But harnessing its potential requires knowledge of color science, systems, processing algorithms, and device characteristics-topics drawn from a broad range of disciplines. One can acquire the requisite background with an armload of physics, chemistry, engineering, computer science, and mathematics books and journals- or one can find it here, in the Digital Color Imaging Handbook. Unprecedented in scope, this handbook presents, in a single concise and authoritative publication, the elements of these diverse areas relevant to digital color imaging. The first three chapters cover the basics of color vision, perception, and physics that underpin digital color imaging. The remainder of the text presents the technology of color imaging with chapters on color management, device color characterization, digital halftoning, image compression, color quantization, gamut mapping, computationally efficient transform algorithms, and color image processing for digital cameras. Each chapter is written by world-class experts and largely self-contained, but cross references between chapters reflect the topics' important interrelations. Supplemental materials are available for download from the CRC Web site, including electronic versions of some of the images presented in the book.

We would like to welcome you to the proceedings of CCIW 2009, the Computational Color Imaging Workshop, held in Saint-Etienne, France, March 26–27, 2009. This, the second CCIW, was organized by the University Jean Monnet and the - boratoire Hubert Curien UMR 5516 (Saint-Etienne, France) with the endorsement of the International Association for Pattern Recognition (IAPR), the French Association for Pattern Recognition and Interpretation (AFRIF) affiliated with IAPR, and the "Groupe Français de l'Imagerie Numérique Couleur" (GFINC). The first CCIW was organized in 2007 in Modena, Italy, with the endorsement of IAPR. This workshop was held along with the International Conference on Image Analysis and Processing (ICIAP), the main conference on image processing and pattern recognition organized every two years by the Group of Italian Researchers on Pattern Recognition (GIRPR) affiliated with the International Association for Pattern Recognition (IAPR). Our first goal, since we began the planning of the workshop, was to bring together engineers and scientists from various imaging companies and from technical com- nities all over the world to discuss diverse aspects of their latest work, ranging from theoretical developments to practical applications in the field of color imaging, color image processing and analysis. The workshop was therefore intended for researchers and practitioners in the digital imaging, multimedia, visual communications, computer vision, and consumer electronic industry, who are interested in the fundamentals of color image processing and its emerging applications.