Over the last decade there has been a marked increase in the study of Daoism especially in Japan, China and the West, with a new generation of scholars broadening our understanding of the religion. Including contributions from the foremost scholars in the field, Daoism in History presents new and important research. These essays honour one of the pioneers of Daoist studies, Emeritus Professor Liu Ts'un-yan. His major essay 'Was Celestial Master Zhang a Historical Figure?' addresses one of the pivotal questions in the entire history of Daoism and is included here as the final essay. In addition, a Chinese character glossary, bibliography and index conclude the book. The first in an exciting new series, this book presents brand new thinking on Daoism - a field now recognized as one of the most vital areas of research in Chinese history and the history of religions.

Thirty major scholars in the field wrote this new, authoritative guide to the main features and development of Daoism. The chapters are devoted to either specific periods, or topics such as Women in Daoism, Daoism in Korea and Daoist Ritual Music. Each chapter rigidly deals with a fixed set of aspects, such as history, texts, worldview and practices. Clear markings in the chapters themselves and a detailed index make this volume the most accessible key resource on Daoism past and present.

This groundbreaking book surveys the entire history of popular religious sects in Chinese history. “Publish this Book!” is the unequivocal recommendation taken from the peer reviews. In part one the reader will find a thorough treatment of the formation of the notions of orthodoxy and heterodoxy in the contexts of Confucianism, Daoism, and Buddhism. Chronologically organized, the work continues to deal with each new religious movement; its teachings, scriptures, social organisation, and political significance. The discussions on the patterns laid bare and on the dynamics of popular religious movements in Chinese society, make this book indispensable for all those who wish to gain a true understanding of the mechanics of Popular religious movements in historical and contemporary China.

The Encyclopedia of Taoism provides comprehensive coverage of Taoist religion, thought and history, reflecting the current state of Taoist scholarship. Taoist studies have progressed beyond any expectation in recent years. Researchers in a number of languages have investigated topics virtually unknown only a few years previously, while others have surveyed for the first time textual, doctrinal and ritual corpora. The Encyclopedia presents the full gamut of this new research. The work contains approximately 1,750 entries, which fall into the following broad categories: surveys of general topics; schools and traditions; persons; texts; terms; deities; immortals; temples and other sacred sites. Terms are given in their original characters, transliterated and translated. Entries are thoroughly cross-referenced and, in addition, 'see also' listings are given at the foot of many entries. Attached to each entry are references taking the reader to a master bibliography at the end of the work. There is chronology of Taoism and the whole is thoroughly indexed. There is no reference work comparable to the Encyclopedia of Taoism in scope and focus. Authored by an international body of experts, the Encyclopedia will be an essential addition to libraries serving students and scholars in the fields of religious studies, philosophy and religion, and Asian history and culture.

"This book explores the Daoist encounter with modernity through the activities of Chen Yingning (1880–1969), a famous lay Daoist master, and his group in early twentieth-century Shanghai. In contrast to the usual narrative of Daoist decay, with its focus on monastic decline, clerical corruption, and popular superstitions, this study tells a story of Daoist resilience, reinvigoration, and revival. Between the 1920s and 1940s, Chen led a group of urban lay followers in pursuing Daoist self-cultivation techniques as a way of ensuring health, promoting spirituality, forging cultural self-identity, building community, and strengthening the nation. In their efforts to renew and reform Daoism, Chen and his followers became deeply engaged with nationalism, science, the religious reform movements, the new urban print culture, and other forces of modernity. Since Chen and his fellow practitioners conceived of the Daoist self-cultivation tradition as a public resource, they also transformed it from an “esoteric” pursuit into a public practice, offering a modernizing society a means of managing the body and the mind and of forging a new cultural, spiritual, and religious identity."

Scholars of Daoism in the Ming dynasty (1368-1644) have paid particular attention to the interaction between the court and certain Daoist priests and to the political results of such interaction; the focus has been on either emperors or Daoist masters. Yet in the Ming era, a special group of people patronized Daoism and Daoist establishments: these were the members of the imperial clan, who were enfeoffed as princes. By illuminating the role the Ming princes played in local religion, Richard G. Wang demonstrates in The Ming Prince and Daoism that the princedom served to mediate between official religious policy and the commoners' interests. In addition to personal belief and self-cultivation, a prince had other reasons to patronize Daoism. As the regional overlords, the Ming princes, like other local elites, saw financing and organizing temple affairs and rituals, patronizing Daoist priests, or collecting and producing Daoist books as a chance to maintain their influence and show off their power. The prosperity of Daoist institutions, which attracted many worshippers, also demonstrated the princes' political success. Locally, the Ming princes played an important cultural role as well by promoting the development of local religions. This book is the first to explore the interaction between Ming princes as religious patrons and local Daoism. Barred by imperial law from any serious political or military engagement, the Ming princes were ex officio managers of state rituals at the local level, with Daoist priests as key performers. Moreover, institutionally, most regular ceremonies related to a prince's life were mandated to be conducted by Daoist musician-dancers, and that as a result the princely courtly rites were characterized by a Daoist flavor. For this reason the princes became very closely involved in Daoist clerical and liturgical life.