Gathers correspondence by the famous American showman to his family, friends, writers, businessmen, and other public figures

I believe hugely in advertising and blowing my own trumpet, beating the gongs, drums, to attract attention to a show, Phineas Taylor Barnum wrote to a publisher in 1860. "I don't believe in 'duping the public,' but I believe in first attracting and then pleasing them." The name P.T. Barnum is virtually synonymous with the fine art of self-advertisement and the apocryphal statement, "There's a sucker born every minute." Nearly a century after his death, Barnum remains one of America's most celebrated figures. In the Selected Letters of P.T. Barnum, A.H. Saxon brings together more than 300 letters written by the self-styled "Prince of Humbugs." Here we see him, opinionated and exuberant, with only the rarest flashes of introspection and self-doubt, haggling with business partners, blustering over politics, and attempting to get such friends as Mark Twain to endorse his latest schemes. Always the king of showmen, Barnum considered himself a museum man first and was forever on the lookout for "curiosities," whether animate or inanimate. His early career included such outright frauds as Joice Heth, the "161-year-old nurse of George Washington," and the Fejee Mermaid-the desiccated head and torso of a monkey sewn to the body of a fish. Although in later years he projected a more solid, respectable image-managing the irreproachable "legitimate" attraction Jenny Lind, becoming a leading light in the temperance crusade, founding the Barnum & Bailey Circus-much of his daily existence continued to be unabashedly devoted to manipulating public opinion so as to acquire for himself and his enterprises what he delightedly termed "notoriety." His famous autobiography, The Life of P.T. Barnum, which he regularly augmented during the last quarter century of his life, was itself a masterpiece of self-promotion. "Will you have the kindness to announce that I am writing my life & that fifty-seven different publishers have applied for the chance of publishing it," he wrote to a newspaper editor, adding, "Such is the fact-and if it wasn't, why still it ain't a bad announcement." The Selected Letters of P.T. Barnum captures the magic of this consummate showman's life, truly his own "greatest show on earth."

The true story of a nineteenth-century elephant caught between warring circuses and battling scientists, from the author of The Book of Mychal. In 1903, on Coney Island, an elephant named Topsy was electrocuted. Many historical forces conspired to bring her, Thomas Edison, and those 6,600 volts of alternating current together that day. Tracing them all in Topsy, journalist Michael Daly weaves together a fascinating popular history, the first book to tell this astonishing tale. At the turn of the century, circuses in America were at their apex with P. T. Barnum and Adam Forepaugh competing in a War of the Elephants. Their quest for younger, bigger, or more “sacred” pachyderms brought Topsy to America. Fraudulently billed as the first native-born elephant, Topsy was immediately caught between the disputing circuses as well as the War of the Currents, in which Edison and George Westinghouse (and Nikola Tesla) battled over the superiority of alternating versus direct current. Rich in period Americana, and full of circus tidbits and larger than life characters, Topsy is a touching and entertaining read. “A rollicking pachydermal tale . . . A summer escape.” —The New York Times “A nineteenth-century reality show that boggles the mind as the pages fly by with events that have you laughing out loud one moment and gasping in disbelief the next.” —Tom Brokaw “I’ve always respected Michael Daly as a great New York writer . . . He humanizes and speaks for those animals who cannot speak. He touches the hearts of those of us who are not animal activists.” —James McBride “A skillfully told and admirably researched reminder of a time not as long ago as we’d like to think.” —The Wall Street Journal

The Colossal P. T. Barnum Reader reveals the trailblazing American showman as, by turns, a moral reformer, a habitual hoaxer, an insightful critic, a savvy "puffer," a master of images, a sparkling writer, a relentless provocateur, and an early advocate of "family" entertainments. Taken together, these selections paint a new and more complete portrait of this complex man than has ever been seen before. James W. Cook's The Colossal P. T. Barnum Reader includes large excerpts from Barnum's semi-autobiographical novel The Adventures of an Adventurer (1841), his European letters from 1844-46 informing readers of the New York Atlas of his reception by royalty overseas, selections from his Ancient and Modern Humbugs of the World (Barnum's 1864-65 insider's look into nineteenth-century frauds), and much, much more. The book also features vintage photographs and reproductions of difficult-to-find images from Barnum's two-decade collaboration with the prominent New York lithographers Currier and Ives. Collectively, these materials help us to track the shifting personas of the great showman, his promotional choices, and his publics across the nineteenth century. Book jacket.

Contains a selection of letters from the English poet Matthew Arnold.

Introduces the life and accomplishments of the man who is known as the creator of the greatest show on Earth.

In this compelling story about one of the nineteenth century's most famous Americans, Benjamin Reiss uses P. T. Barnum's Joice Heth hoax to examine the contours of race relations in the antebellum North. Barnum's first exhibit as a showman, Heth was an elderly enslaved woman who was said to be the 161-year-old former nurse of the infant George Washington. Seizing upon the novelty, the newly emerging commercial press turned her act--and especially her death--into one of the first media spectacles in American history. In piecing together the fragmentary and conflicting evidence of the event, Reiss paints a picture of people looking at history, at the human body, at social class, at slavery, at performance, at death, and always--if obliquely--at themselves. At the same time, he reveals how deeply an obsession with race penetrated different facets of American life, from public memory to private fantasy. Concluding the book is a piece of historical detective work in which Reiss attempts to solve the puzzle of Heth's real identity before she met Barnum. His search yields a tantalizing connection between early mass culture and a slave's subtle mockery of her master.

Barnum Brown's (1873-1963) parents named him after the circus icon P.T. Barnum, hoping that he would do something extraordinary--and he did! As a paleonotologist for the American Museum of Natural History, he discovered the first documented skeleton of the Tyrannosaurus Rex, as well as most of the other dinosaurs on display there today. An appealing and fun picture book biography, with zany and stunning illustrations by Boris Kulikov, BARNUM'S BONES captures the spirit of this remarkable man. Barnum's Bones is one The Washington Post's Best Kids Books of 2012.

The author researched ten museums founded prior to 1870, using primary sources. Those chosen comprised a geographically diverse sample of pre-1870 American museums and covered a range of disciplines, among them art, history, and natural science.