A literary, historical and philosophical discussion of attitudes to blindness by the sighted, and what the blind 'see'Why has there been a persistent fascination by the sighted, including philosophers, poets and the public, in what the blind 'see'? Is the experience of being blind, as Descartes declared, like 'seeing with the hands'? What happens on the rare occasions when surgery allows previously blind people to see for the very first time? And how did evidence from early experimental surgery inform those philosophical debates about vision and touch? These questions and others were prompted by a question that the Irish scientist, Molyneux, asked an English philosopher, Locke, in 1688, but which was to have implications for British empiricism, French sensationism, and the beginnings of psychology that outlasted the long tail of the Enlightenment. Through an unfolding historical and philosophical narrative the book follows up responses to this question in Britain and France, and considers it as an early articulation of sensory substitution, the substitution of one sense (touch) for another (vision). This concept has influenced attitudes towards blindness, and technologies for the blind and vision impaired, to this day.Key FeaturesUnfolds the history of 'blindness' from 17th century that shades into the beginnings of psychologyQuestions the assumed centrality of vision and the eye in Enlightenment philosophy and scienceTraces the core idea of 'sensory substitution' from hypothetical speculations in the 17th century to present day technologies for the blind and vision impaired

The title of this book: CAN I SEE YOUR HANDS refers to one of the key outcomes of this book-- being able to tell whether or not people want to cause us harm. To put it very simply, if you can see someone's hands and they are not concealing them, holding a weapon or positioning to strike you, one's levels of trust and confidence can increase. This simple example can serve as a reminder to all of us in many of the complex moments we have to deal with, and difficult decisions we have to make, in everyday life.

What the Hands Reveal About the Brain provides dramatic evidence that language is not limited to hearing and speech, that there are primary linguistic systems passed down from one generation of deaf people to the next, which have been forged into antonomous languages and are not derived front spoken languages.

A delightful way to show little ones how their hands are a blessing from God that they can use to do help others. Written in rhyming text and illustrated with the charming art of Gaby Hansen, this simple message of God’s blessing of hands not only entertains . . . as it teaches what wonderful things our hands can do from scratching, latching, and petting a pup to washing dishes with mommy and putting toys in a box . . . but it also conveys the important message: We can use God’s gift of hands to show our love for Him by helping others. The book ends tenderly with a prayer of thanks to God for hands and asks Him to use them again: One hand, two hands, Five fingers, ten. God, thanks, for my hands. Please, use them again.

A ground-breaking debut novel that combines the investigatory pleasures of a legal drama with a provocative and literary exploration of the limits of empathy 'I loved this highly original and compelling story' Cathy Rentzenbrink You are about to enter a novel formed of documents and evidence. Here is the blog of a nurse on a dialysis ward attempting to live in the aftermath of bringing a rape trial to court in which the defendant was exonerated. Here are the transcripts of the police interviews with her, and the accused, the emails and texts between them submitted for trial; his journal, his conversations on 4chan, his drama scripts, him, him, him. How will the nurse, Corina, ever get him out of her head? This is a highly original debut novel that will win plaudits for its inventiveness at the same time as it compels the reader with the pleasures of suspense and family drama. Provocative, blackly funny and moving, it announces a new voice unlike any other.

Drawing hands is extraordinarily difficult, even for accomplished artists. This book teaches you a very simple and straightforward way to draw truly amazing, completely realistic-looking hands, and all in 6 simple steps! In her typical, laid back, easy-to-understand and conversational teaching style, Artist Karen Campbell once again makes it both easy and enjoyable for artists of all abilities to first understand and then successfully execute even the most hand difficult drawings in this book. Using a combination of humor and easy-to-follow steps, Karen teaches you ways to develop muscle memory, sharpen your observational skills, and draw and shade realistic hands in graphite. The 25 different hand gestures include a wide variety of poses from people of all ages (from babies to old men) so there is literally something in here for everyone. Artists of all abilities will also learn to successfully and easily create the look of those troublesome hand details that seem to always pop up like wrinkles, veins, creases, bumps, bones, tendons, arm hair, long nails and more...and all with just a handful of supplies! Never heard of Elephant Skin or The "Poodge" show up on people before? Well get ready, because not only are you about to learn what those are, you're about to learn how to draw them too!

Provides youngsters with an almost sensory experience." — School Library Journal Hands can do all kinds of things — wave hello and good-bye, play peekaboo, touch things, clap, even tie a shoe. For the very young, hands are a never-ending source of discovery and a means of mastery in an ever-unfolding world. With singsong rhythm, simple design, and alluring color photos of toddlers, Hands Can invites the littlest readers to discover the many things hands can do.

Grayson makes sign language accessible, easy, and fun with this comprehensive primer to the techniques, words, and phrases of signing. 800 illustrative photos.

Like The Man Who Mistook His Wife for a Hat, this is a fascinating voyage into a strange and wonderful land, a provocative meditation on communication, biology, adaptation, and culture. In Seeing Voices, Oliver Sacks turns his attention to the subject of deafness, and the result is a deeply felt portrait of a minority struggling for recognition and respect — a minority with its own rich, sometimes astonishing, culture and unique visual language, an extraordinary mode of communication that tells us much about the basis of language in hearing people as well. Seeing Voices is, as Studs Terkel has written, "an exquisite, as well as revelatory, work."

The essential guide by one of America's leading doctors to how digital technology enables all of us to take charge of our health A trip to the doctor is almost a guarantee of misery. You'll make an appointment months in advance. You'll probably wait for several hours until you hear "the doctor will see you now"-but only for fifteen minutes! Then you'll wait even longer for lab tests, the results of which you'll likely never see, unless they indicate further (and more invasive) tests, most of which will probably prove unnecessary (much like physicals themselves). And your bill will be astronomical. In The Patient Will See You Now, Eric Topol, one of the nation's top physicians, shows why medicine does not have to be that way. Instead, you could use your smartphone to get rapid test results from one drop of blood, monitor your vital signs both day and night, and use an artificially intelligent algorithm to receive a diagnosis without having to see a doctor, all at a small fraction of the cost imposed by our modern healthcare system. The change is powered by what Topol calls medicine's "Gutenberg moment." Much as the printing press took learning out of the hands of a priestly class, the mobile internet is doing the same for medicine, giving us unprecedented control over our healthcare. With smartphones in hand, we are no longer beholden to an impersonal and paternalistic system in which "doctor knows best." Medicine has been digitized, Topol argues; now it will be democratized. Computers will replace physicians for many diagnostic tasks, citizen science will give rise to citizen medicine, and enormous data sets will give us new means to attack conditions that have long been incurable. Massive, open, online medicine, where diagnostics are done by Facebook-like comparisons of medical profiles, will enable real-time, real-world research on massive populations. There's no doubt the path forward will be complicated: the medical establishment will resist these changes, and digitized medicine inevitably raises serious issues surrounding privacy. Nevertheless, the result-better, cheaper, and more human health care-will be worth it. Provocative and engrossing, The Patient Will See You Now is essential reading for anyone who thinks they deserve better health care. That is, for all of us.