In this generously illustrated book, Anne Hollander examines the representation of the body and clothing in Western art, from Greek sculpture and vase painting through medieval and renaissance portraits, to contemporary films and fashion photography. First published ahead of its time, this book has become a classic.

Clothing appears in all forms of figurative painting, often taking up two thirds of a frame; yet it can often go unnoticed. Far more than a simple means of identifying the status or occupation of a figure, clothes and cloth are used creatively by artists to hint at ambiguities in character, adjust the emotional temperature, direct the eye or make subtle allusions. Drawing on works by artists over a period of six centuries, from Giotto to El Greco, Matisse to Cindy Sherman, the author reveals through paintings, fashion plates, photographs and film stills how drapery in art evolved from Renaissance extravagance to Neoclassical simplicity at the end of the 18th century, and has extended to infinite uses in all genres of Modern art. First published in 2002 to accompany an exhibition of the same name at the National Gallery, London, this beautifully illustrated - and beautifully written - book by pioneering art historian and critic Anne Hollander, is reissued with a new Foreword by Valerie Steele. As penetrating and insightful as when it was first published, it remains a must-read for today's generation of students and anyone with an interest in art and fashion.

THE NEW YORK TIMES BESTSELLER Women in Clothes is a book unlike any other. It is essentially a conversation among hundreds of women of all nationalities—famous, anonymous, religious, secular, married, single, young, old—on the subject of clothing, and how the garments we put on every day define and shape our lives. It began with a survey. The editors composed a list of more than fifty questions designed to prompt women to think more deeply about their personal style. Writers, activists, and artists including Cindy Sherman, Kim Gordon, Kalpona Akter, Sarah Nicole Prickett, Tavi Gevinson, Miranda July, Roxane Gay, Lena Dunham, and Molly Ringwald answered these questions with photographs, interviews, personal testimonies, and illustrations. Even our most basic clothing choices can give us confidence, show the connection between our appearance and our habits of mind, express our values and our politics, bond us with our friends, or function as armor or disguise. They are the tools we use to reinvent ourselves and to transform how others see us. Women in Clothes embraces the complexity of women’s style decisions, revealing the sometimes funny, sometimes strange, always thoughtful impulses that influence our daily ritual of getting dressed.

Hollander explores the premise that paintings, prints, and movies move us similarly by virtue of their narrative element, which evokes our memories and feelings. She argues that we respond to the depiction of glimpses of human life, to the realization that we cannot see everything at once, and how the rendering of light and spatial composition translates them and keeps them moving into our awareness. Thus there is a continuum from the paintings and graphic arts of 15th century northern Europe to the "proto-cinematic arts" of the present. ISBN 0-394-57400-1: $29.95.

Since the dawn of western fashion in the Middle Ages, women's dress has never stopped evolving, yet menswear has seen far fewer style revolutions. At the centre of the male wardrobe is the suit: relatively unchanged since the 17th century, its cut and cloth suggest athleticism, seriousness, sexuality and strength – qualities which contrasted with the perceived superficiality and frivolity of female dress, and eventually led to the adoption of the suit into the female wardrobe where it remains to this day. In Sex and Suits brilliant essayist and art critic Anne Hollander charts the development of men's and women's fashion from their divergence in the medieval period to their convergence through to the late 20th century. Challenging the idea that the suit's success is merely down to its practicality, this trailblazing book argues that men have been fashion's true style-setters and that as women's fashion has taken on elements of men's style through tailoring, so men have reclaimed the embellishment and colour of past eras. First published in 1994 to great acclaim, this classic text is as fresh and provocative as ever and remains a must-read for students, scholars and anyone fascinated by the history of fashion and gender.

HISTORY OF FASHION. Daphne Selfe has been photographed by Mario Testino, Nick Knight and David Bailey. She has modelled for Dolce and Gabbana, Red or Dead and high-street chains such as TK Maxx, and regularly appears in newspaper fashion pages and glossy magazines. She is one of Britain's most in-demand supermodels and has worked non-stop for almost twenty years. But what makes her really rather extraordinary is that she is now in her late eighties. Daphne grew up in an age when dresses were lovingly run up for you by your mother, when needlework for even the most basic outfit was an art form, and when a new Simplicity Pattern was almost more exciting than a new dance tune. Perhaps as a result, she has had a lifelong love affair with clothes and fashion. The Way We Wore is a heart-warming account of that love affair, taking readers from the organdie party frocks of a 1930s childhood to the pages of Vogue.

Here is the straight-up dope on how to make your own clothing. With or without patterns, machines, or fancy materials—anyone can do it! Got some old clothes that you love and that fit well? Use them as patterns for new ones. Want something new and spectacular, something that fits right along where your head is moving? Cut up, remodel, add on, and let your old stuff evolve! Readers will embrace the step-by-step illustrations, clear and encouraging prose, and timeless collection of clothes—from skirts and pants to dresses, a waistcoat, and even a teeny-weeny bikini. The Illustrated Hassle-Free Make Your Own Clothes Book promises to be both an indispensable resource and a much-noticed collectible on every hipster’s bookshelf.

When Adorned in Dreams was first published in 1985, Angela Carter described the book as "the best I have read on the subject, bar none." From haute couture to haberdashery, "deviant" dress to Dior, Elizabeth Wilson traces the social and cultural history of fashion and its complex relationship to modernity. She also discusses fashion's vociferous opponents, from the "dress reform" movement to certain strands of feminism. Wilson delights in the power of fashion to mark out identity or subvert it. This brand new edition of her book follows recent developments to bring the story of fashionable dress up to date, exploring the grunge look inspired by bands like Nirvana, the "boho chic" of the mid 90's, retro-dressing, and the meanings of dress from the veil to soccer player David Beckham's pink-varnished toenails.

"Despite my mother's efforts to tame me, I resisted, holding onto my creature nature until the day she informed me I would no longer be running naked in the yard or showering with my dad. It took a few scoldings before I was transformed from colt to show-pony: a proper reflection of whichever laundered, starched, pressed, brushed, straightened, zippered, tied, and buttoned garment was placed upon me." --From the foreword of Summer Brenner's new collection of short stories, My Life in Clothes These stories explore the charm, tyranny, and preoccupation of clothes, on and off, bought, made, or found, fashion or function, projection or expression, body and soul turned inside out.

Open the door to harmonious, powerful, and positive dressing with a guide that’s like The Secret—for your wardrobe. In this groundbreaking how-to book, style expert George Brescia shows you how to transform yourself from the inside out. More than a style guide, this revolutionary book by a seasoned stylist teaches a method of conscious dressing that begins with a powerful internal change. Instead of just grabbing for whatever’s on hand, you’ll learn to set your goals for the day, determining how you want to be perceived, and then dress in a way that helps manifest those intentions. Change Your Clothes, Change Your Life reveals the true power your clothing has to affect your life, showing how this second skin impacts your job prospects, your romantic life, your income, and even your deepest sense of self. Translating his styling methods into a philosophy anyone can apply on her own, Brescia also delivers tips and tricks of the trade to help convert even the most hapless dresser into a happy and educated shopper. Because the goal is to have you not only looking great, but feeling more confident, too. From major closet overhauls to a whole new philosophy on color, this is a comprehensive manual for anyone who’s ever looked at her closet in despair. Accessible, direct, honest, and thought-provoking, Change Your Clothes, Change Your Life takes an eye-opening look at the intersection between our clothing and our emotions, hopes, and dreams, showing us how improving our external appearance can have life-changing effects on how we’re perceived by others—and more importantly, on how we perceive ourselves.