The potential of visual research methods in the sociology of religion is vast, but largely untapped. This comes as a surprise, however, given the visual, symbolic, and material nature of religion and spirituality. Evidence of religious faith and practice is materially present in everything from clothing and jewelry to artifacts found in people’s homes and workplaces. Not only is religion’s symbolic and material presence palpable throughout society, it also informs attitudes, beliefs, and behaviors of countless people worldwide. Words-and-numbers approaches to social research, however, sometimes miss important dimensions of religion and spirituality in the contemporary world. Seeing Religion is an invitation to a visual sociology of religion. Contributors draw from their current research to discuss the application of visual methods to the study of religion and spirituality. Each chapter stimulates the sociological imagination through examples of research techniques, analytical approaches, and methodological concerns.

An ambitious scholar’s lucid analysis of religion’s shifting place in the modern world. Western intellectuals have long theorized that religion would undergo a process of marginalization and decline as the forces of modernity advanced. Yet recent events have disrupted this seductively straightforward story. As a result, while religion has somehow evolved from its tribal beginnings up through modernity and into the current global age, there is no consensus about what kind of narrative of religious change we should alternatively tell. Seeking clarity, Benjamin Schewel organizes and evaluates the prevalent narratives of religious history that scholars have deployed over the past century and are advancing today. He argues that contemporary scholarly discourse on religion can be categorized according to seven central narratives: subtraction, renewal, transsecular, postnaturalist, construct, perennial, and developmental. Examining the basic logic, insights, and limitations of each of these narratives, Schewel ranges from Martin Heidegger to Muhammad Iqbal, from Daniel Dennett to Charles Taylor, to offer an incisive, broad, and original perspective on religion in the modern world. “The book should be a widely read guide to the ideas that structure many of the debates scholars are having today about the meaning of postsecularism and future of religion.” —Geoffrey Cameron, Review of Faith and International Affairs "What is the future of religion and how should we narrate its past? For all readers interested in these questions, this balanced and concise book is a must read.” —Hans Joas, Humboldt University, Berlin, and University of Chicago

Editors and contributors urge intellectual historians to explore the religious dimensions of ideas and commend the methods of intellectual history to historians of religion.

This book explores how religious values are acted out and reflected on in classic Western theatre, with a particular emphasis on the plays put on during the Globe Theatre‘s yearlong season of 'Shakespeare and the Bible'. Each chapter includes ethnographic overviews of the performance of these plays as well as historical and theological perspectives on the issues they address. The Performance of Religion treads new ground in bringing performance and religious studies scholarship into direct conversation with one another. As such, it is essential reading for any academic with an interest in theology, religion and ethics and their expression in culture through the performing arts.

Abandon dead, dry, religious rule-keeping and embrace the promise of being truly known and deeply loved. Jefferson Bethke burst into the cultural conversation with a passionate, provocative poem titled "Why I Hate Religion, But Love Jesus." The 4-minute video became an overnight sensation, with 7 million YouTube views in its first 48 hours (and 23+ million in a year). Bethke's message clearly struck a chord with believers and nonbelievers alike, triggering an avalanche of responses running the gamut from encouraged to enraged. In his New York Times bestseller Jesus > Religion, Bethke unpacks similar contrasts that he drew in the poem--highlighting the difference between teeth gritting and grace, law and love, performance and peace, despair, and hope. With refreshing candor, he delves into the motivation behind his message, beginning with the unvarnished tale of his own plunge from the pinnacle of a works-based, fake-smile existence that sapped his strength and led him down a path of destructive behavior. Along the way, Bethke gives you the tools you need to: Humbly and prayerfully open your mind Understand Jesus for all that he is View the church from a brand-new perspective Bethke is quick to acknowledge that he's not a pastor or theologian, but simply an ordinary, twenty-something who cried out for a life greater than the one for which he had settled. On this journey, Bethke discovered the real Jesus, who beckoned him with love beyond the props of false religion. Praise for Jesus > Religion: "Jeff's book will make you stop and listen to a voice in your heart that may have been drowned out by the noise of religion. Listen to that voice, then follow it--right to the feet of Jesus." --Bob Goff, author of New York Times bestsellers Love Does and Everybody, Always "The book you hold in your hands is Donald Miller's Blue Like Jazz meets C. S. Lewis's Mere Christianity meets Augustine's Confessions. This book is going to awaken an entire generation to Jesus and His grace." --Derwin L. Gray, lead pastor of Transformation Church, author of Limitless Life: Breaking Free from the Labels That Hold You Back

Everyone agrees that America is polarized, with ever-hardening positions held by people less and less willing to listen to one another. No one agrees on what to do about it. One solution that hasn’t yet been tried, says Adam Hamilton, is for thinking persons of faith to model for the rest of the country a richer, more thoughtful conversation on the political, moral, and religious issues that divide us. Hamilton rejects the easy assumptions and sloppy analysis of black and white thinking, seeking instead the truth that resides on all sides of the issues, and offering a faithful and compassionate way forward. He writes, "I don't expect you to agree with everything I've written. I expect that in the future even I won't agree with everything I've written here. The point is not to get you to agree with me, but to encourage you to think about what you believe. In the end I will be inviting those of you who find this book resonates with what you feel is true, to join the movement to pursue a middle way between the left and the right - to make your voices heard - and to model for our nation and for the church, how we can listen, learn, see truth as multi-sided, and love those with whom we disagree." Read more about this title Adam Hamilton's Seeing Gray Blog Now available! Seeing Gray in a World of Black and White - DVD UPC: 843504001902 A five-session video resource featuring Adam Hamilton teaching these concepts on DVD for group or individual study. Includes leader's guide as well as bonus video. Click below to view a preview of each video session. Where Faith and Politics Meet Christ Christians and the Culture Wars How should we live, The Ethics of Jesus Spiritual Maturity and Seeing Gray What Would Jesus Say to America?

How we feel is as vital to our survival as how we think. This claim, based on the premise that emotions are largely adaptive, serves as the organizing theme of Why We Need Religion. This book is a novel pathway in a well-trodden field of religious studies and philosophy of religion. Stephen Asma argues that, like art, religion has direct access to our emotional lives in ways that science does not. Yes, science can give us emotional feelings of wonder and the sublime--we can feel the sacred depths of nature--but there are many forms of human suffering and vulnerability that are beyond the reach of help from science. Different emotional stresses require different kinds of rescue. Unlike secular authors who praise religion's ethical and civilizing function, Asma argues that its core value lies in its emotionally therapeutic power. No theorist of religion has failed to notice the importance of emotions in spiritual and ritual life, but truly systematic research has only recently delivered concrete data on the neurology, psychology, and anthropology of the emotional systems. This very recent "affective turn" has begun to map out a powerful territory of embodied cognition. Why We Need Religion incorporates new data from these affective sciences into the philosophy of religion. It goes on to describe the way in which religion manages those systems--rage, play, lust, care, grief, and so on. Finally, it argues that religion is still the best cultural apparatus for doing this adaptive work. In short, the book is a Darwinian defense of religious emotions and the cultural systems that manage them.

Consider the complexity of a living cell after 3.8 billion years of evolution. Is it more awesome to suppose that a transcendent God fashioned the cell at a stroke, or to realize that it evolved with no Almighty Hand, but arose on its own in the c...

The potential of visual research methods in the sociology of religion is vast, but largely untapped. This comes as a surprise, however, given the visual, symbolic, and material nature of religion and spirituality. Evidence of religious faith and practice is materially present in everything from clothing and jewelry to artifacts found in people's homes and workplaces. Not only is religion's symbolic and material presence palpable throughout society, it also informs attitudes, beliefs, and behaviors of countless people worldwide. Words-and-numbers approaches to social research, however, sometimes miss important dimensions of religion and spirituality in the contemporary world. Seeing Religion is an invitation to a visual sociology of religion. Contributors draw from their current research to discuss the application of visual methods to the study of religion and spirituality. Each chapter stimulates the sociological imagination through examples of research techniques, analytical approaches, and methodological concerns.

In a culture increasingly focused on visual media, students have learned not only to embrace multimedia presentations in the classroom, but to expect them. Such expectations are perhaps more prevalent in a field as dynamic and cross-disciplinary as religious studies, but the practice nevertheless poses some difficult educational issues -- the use of movies in academic coursework has far outpaced the scholarship on teaching religion and film. What does it mean to utilize film in religious studies, and what are the best ways to do it? In Teaching Religion and Film, an interdisciplinary team of scholars thinks about the theoretical and pedagogical concerns involved with the intersection of film and religion in the classroom. They examine the use of film to teach specific religious traditions, religious theories, and perspectives on fundamental human values. Some instructors already teach some version of a film-and-religion course, and many have integrated film as an ancillary to achieving central course goals. This collection of essays helps them understand the field better and draws the sharp distinction between merely "watching movies" in the classroom and comprehending film in an informed and critical way.