'Extraordinary. An intellectual feast as well as a visual one' Edmund de Waal, author of The Hare with Amber Eyes The world comes to us in colour. But colour lives as much in our imaginations as it does in our surroundings, as this scintillating book reveals. Each chapter immerses the reader in a single colour, drawing together stories from the histories of art and humanity to illuminate the meanings it has been given over the eras and around the globe. Showing how artists, scientists, writers, philosophers, explorers and inventors have both shaped and been shaped by these wonderfully myriad meanings, James Fox reveals how, through colour, we can better understand their cultures, as well as our own. Each colour offers a fresh perspective on a different epoch, and together they form a vivid, exhilarating history of the world. 'We have projected our hopes, anxieties and obsessions onto colour for thousands of years,' Fox writes. 'The history of colour, therefore, is also a history of humanity.'

Colour is everywhere. From blue skies to red sunsets, from the first flowers in spring to the blazing leaves of autumn. But what is the nature of colour? Scientific books present a variety of mechanical explanations but this approach leaves colour as a whole unexplained. In the nineteenth century, the German poet and scientist Johann Wolfgang von Goethe investigated a wide range of colour phenomena and discovered the underlying principles that govern colour itself. This lavishly illustrated book brings Goethe's pioneering research up to date. Through descriptions of simple observations and ingenious experiments, the reader will discover a series of colour phenomena that includes afterimages, coloured shadows, colour mixing, and prismatic and polarisation colours. Seeing Colour is a thought-provoking read for colour enthusiasts and experts alike, and an accessible route to a new way of seeing colour.

This fully realized colour catalogue includes elegant contemporary illustrations of every animal, plant or mineral cited in Syme's edition of “Werner's nomenclature of colours”

An experimental approach to the study and teaching of color is comprised of exercises in seeing color action and feeling color relatedness before arriving at color theory.

Colour makes our lives more interesting — how dull it would be in a black-and-white world! It pleases us aesthetically, entertains us and is useful to us. This unique book aims to describe the scientific nature of colour and light, and how we see it, in an accessible and easily understandable style. The evolution of the eye, science of colour and technical visual systems are all broken down into readable chapters, with clear images and illustrations provided for reference. The book then goes on to discuss the innate tendency of humankind to produce artistic works as conceived, realised and augmented through the use of colour. Focussing on broad forms of artistic entertainment — painting with pigments and dyes, colour and light in photography and cinematography, light displays and colour in television — this book then delivers a comprehensive review of what colour means and has meant in the creative arts.

Beauty is more than skin deep. 'The natural world is awash with colour, but we are only seeing half the story. If we could see things as animals do, our world would become unimaginably brighter. Now, thanks to new science and technology, we can at last open our eyes.' - Sir David Attenborough In nature, colour is more than a source of beauty; it's a form of vital communication. Depending on the situation, colour says different things - it can be an expression of power or seduction, warning or deceit - and it can even, occasionally, save your life. Accompanying a major new BBC series with David Attenborough, Life in Colour explores the fascinating story of how colour works in the natural world. From the 'trichromatic' vision of Silver Leaf Langurs, which allows them to see orange and red against forest foliage - the colours not only of ripe fruit, but of their young - to African Mandrills who use their colouration to do battle, Professor Martin Stevens reveals a complex system of messaging visible only to those who know the code. Based on the latest scientific research in the field, and illustrated with stunning photography throughout, Life in Colour reveals a world previously unknown to us.

Thomas Kjeller Johansen presents a new account of Aristotle's major work on psychology, the De Anima. He argues that Aristotle explains a variety of psychological phenomena by reference to the soul's capacities, and considers how Aristotle adopts and adapts this theory in his later works.

The relevance of painting has been questioned many times over the last century, by the arrival of photography, installation art and digital technologies. But rather than accept the death of painting, Mark Titmarsh traces a paradoxical interface between this art form and its opposing forces to define a new practice known as 'expanded painting' giving the term historical context, theoretical structure and an important place in contemporary practice. As the formal boundaries tumble, the being of painting expands to become a kind of total art incorporating all other media including sculpture, video and performance. Painting is considered from three different perspectives: ethnology, art theory and ontology. From an ethnological point of view, painting is one of any number of activities that takes place within a culture. In art theory terms, painting is understood to produce objects of interest for humanities disciplines. Yet painting as a medium often challenges both its object and image status, 'expanding' and creating hybrid works between painting, objects, screen media and text. Ontologically, painting is understood as an object of aesthetic discourse that in turn reflects historical states of being. Thus, Expanded Painting delivers a new kind of saying, a post-aesthetic discourse that is attuned to an uncanny tension between the presence and absence of painting.

Horses may seem to be a challenging subject for an artist, but this book makes equestrian drawing and painting accessible. It explains the fundamental principles of drawing before guiding the reader through the advanced methods of painting a horse. With beautiful illustrations throughout in graphite pencil and oils, this book informs and helps every artist who wants to improve or develop their equestrian work. Topics covered include: an introduction to traditional subjects; drawing materials and methods; working from life; horse anatomy, structure and gaits; exercises in drawing and painting; selecting subjects and using preliminary drawings and sketches.An authoritative and beautiful guide to drawing and painting horses, aimed at all artists particularly equestrian and beautifully illustrated with 224 graphite and oil illustrations.