Burke and Halbert present the scientific evidence behind their startling, original theory: ancient peoples constructed temples, mounds, and megaliths to increase the fertility of crops. These peoples used an ancient technology, only now rediscovered.

Based on the author’s decipherment of prehistoric carvings and the application of mathematical measurements, The Gods’ Machines shows how “unknown” phenomena from Angkor Wat to Stonehenge to crop circles are actually powerhouses built by an advanced extraterrestrial civilization for tapping electromagnetic energy. The book traces the development of that civilization on Earth over 5,000 years, revealing how all these structures are aligned according to a universal formula: an angle of 135 degrees at which Earth’s energy has been tapped by the alien creators of these monuments. These fascinating theories not only explain our distant past, but also open the door to a future of power technology and space travel. Megalithic sites such as Newgrange and Stonehenge are constructed with quartz- and iron-rich stones with electrical conduction properties — minerals also found atop Aztec temple and inside crop circles. These stones, according to the author, served as dry cell batteries when heated and stressed, and supplied energy to the builders’ traveling vehicles. Most interestingly, the author has tested his theory on today’s crop circles. The Gods’ Machines is certain to stimulate debate among readers interested in alternative history, ancient civilization, and extraterrestrial intelligence.

How would you go about rebuilding a technological society from scratch? If our technological society collapsed tomorrow what would be the one book you would want to press into the hands of the postapocalyptic survivors? What crucial knowledge would they need to survive in the immediate aftermath and to rebuild civilization as quickly as possible? Human knowledge is collective, distributed across the population. It has built on itself for centuries, becoming vast and increasingly specialized. Most of us are ignorant about the fundamental principles of the civilization that supports us, happily utilizing the latest—or even the most basic—technology without having the slightest idea of why it works or how it came to be. If you had to go back to absolute basics, like some sort of postcataclysmic Robinson Crusoe, would you know how to re-create an internal combustion engine, put together a microscope, get metals out of rock, or even how to produce food for yourself? Lewis Dartnell proposes that the key to preserving civilization in an apocalyptic scenario is to provide a quickstart guide, adapted to cataclysmic circumstances. The Knowledge describes many of the modern technologies we employ, but first it explains the fundamentals upon which they are built. Every piece of technology rests on an enormous support network of other technologies, all interlinked and mutually dependent. You can’t hope to build a radio, for example, without understanding how to acquire the raw materials it requires, as well as generate the electricity needed to run it. But Dartnell doesn’t just provide specific information for starting over; he also reveals the greatest invention of them all—the phenomenal knowledge-generating machine that is the scientific method itself. The Knowledge is a brilliantly original guide to the fundamentals of science and how it built our modern world.

This fascinating book is the first volume in a projected cultural history of the United States, from the earliest English settlements to our own time. It is a history of American folkways as they have changed through time, and it argues a thesis about the importance for the United States of having been British in its cultural origins. While most people in the United States today have no British ancestors, they have assimilated regional cultures which were created by British colonists, even while preserving ethnic identities at the same time. In this sense, nearly all Americans are "Albion's Seed," no matter what their ethnicity may be. The concluding section of this remarkable book explores the ways that regional cultures have continued to dominate national politics from 1789 to 1988, and still help to shape attitudes toward education, government, gender, and violence, on which differences between American regions are greater than between European nations.

What’s better than a lost treasure? Seven lost treasures! These rarely seen Dr. Seuss stories were published in magazines in the early 1950s and are finally available in book form. They include “The Bippolo Seed” (in which a scheming feline leads a duck toward a bad decision), “The Rabbit, the Bear, and the Zinniga-Zanniga” (about a rabbit who is saved from a bear by a single eyelash), “Gustav, the Goldfish” (an early rhymed version of the Beginner Book A Fish Out of Water), “Tadd and Todd” (about a twin who is striving to be an individual), “Steak for Supper” (in which fantastic creatures follow a boy home in anticipation of a steak dinner), “The Strange Shirt Spot” (the inspiration for the bathtub-ring scene in The Cat in the Hat Comes Back), and “The Great Henry McBride” (about a boy whose far-flung career fantasies are bested only by those of Dr. Seuss himself). An introduction by Seuss scholar Charles D. Cohen traces the history of the stories, which demonstrate an intentional move toward the writing style we now associate with Dr. Seuss. Cohen also explores the themes that recur in well-known Seuss stories (like the importance of the imagination or the perils of greed). With a color palette enhanced beyond the limitations of the original magazines, this is a collection that no Seuss fan (whether scholar or second grader) will want to miss.

"Beadwork is a puzzle with infinite solutions," says author and bead artist Beth Stone. In Seed Bead Stitching, she explored the many possibilities for creating jewelry with colorful seed beads and charming accents such as pearls and gemstones. In More Seed Bead Stitching, Stone, whose encouraging tone, creativity, and expert knowledge made the previous book so popular, includes new techniques, more variations on techniques, and more detail on concepts she previously introduced. The book contains a wealth of options for making gorgeous beaded jewelry. After outlining the basics and supplies, Stone presents a series of styles such as Ndebele, Daisy, Inspiration, Peyote, and Spiral, with variations for each. Equally useful for crafts of any skill level, the book includes a dozen different fringe techniques; strategies for combining tubular stitches and accent beads; a section on skinny stitches; and a bonus project of square pillows.

Merciless. Relentless. Unstoppable. The first intelligent species to encounter mankind attacked without warning. Merciless. Relentless. Unstoppable. With little hope of halting the invasion, Earth's last roll of the dice was to dispatch three colony ships, seeds of Earth, to different parts of the galaxy. The human race would live on . . . somewhere. 150 years later, the planet Darien hosts a thriving human settlement, which enjoys a peaceful relationship with an indigenous race, the scholarly Uvovo. But there are secrets buried on Darien's forest moon. Secrets that go back to an apocalyptic battle fought between ancient races at the dawn of galactic civilization. Unknown to its colonists, Darien is about to become the focus of an intergalactic power struggle where the true stakes are beyond their comprehension. And what choices will the Uvovo make when their true nature is revealed and the skies grow dark with the enemy?

A solitary artisan. A legacy of bread-baking. And one secret that could collapse her entire identity. Liesl McNamara’s life can be described in one word: bread. From her earliest memory, her mother and grandmother passed down the mystery of baking and the importance of this deceptively simple food. And now, as the owner of Wild Rise bake house, Liesl spends every day up to her elbows in dough, nourishing and perfecting her craft. But the simple life she has cultivated is becoming quite complicated. Her head baker brings his troubled grandson into the bakeshop as an apprentice. Her waitress submits Liesl’s recipes to a popular cable cooking show. And the man who delivers her flour—a single father with strange culinary habits—seems determined to win Liesl’s affection. When Wild Rise is featured on television, her quiet existence appears a thing of the past. And then a phone call from a woman claiming to be her half-sister forces Liesl to confront long-hidden secrets in her family’s past. With her precious heritage crumbling around her, the baker must make a choice: allow herself to be buried in detachment and remorse, or take a leap of faith into a new life. Filled with both spiritual and literal nourishment, Stones for Bread provides a feast for the senses from award-winning author Christa Parrish. "A quietly beautiful tale about learning how to accept the past and how to let go of the parts that tie you down." —RT Book Reviews, 4.5 stars, TOP PICK!

Robert Newcomb’s dazzling debut trilogy, The Chronicles of Blood and Stone, introduced readers to the strange and wondrous land of Eutracia. Now, in Savage Messiah, the first volume in a sweeping new trilogy of magic, romance, and adventure, Newcomb returns to the world of his epic saga, unlocking fresh secrets and startling surprises. With the demise of his evil half brother, Wulfgar, Prince Tristan restored peace to Eutracia . . . or so he thought. But the Orb of the Vigors was damaged in the climactic battle, and now the powerful artifact is bleeding magical energy and cutting a swath of death and destruction across the kingdom. Tristan can heal the wounded Orb, but not until his enchanted blood is returned to normal. Only then will the powers of the Vigors be his to command. Unfortunately, the secret of reversing the enchantment is lost. Even worse, Wulfgar is neither dead nor defeated. Ensconced in his fortress across the Sea of Whispers, Tristan’s hideously scarred half brother plots with the Heretics, the otherworldly masters of the Vagaries. With their aid, Wulfgar has grown even stronger in the dark arts. Now, with powerful demonic servants and weapons of dire potency, Wulfgar sets forth to complete the destruction of the Orb . . . and to avenge himself on the Chosen Ones. Preceding him, he sends a brotherly greeting: a cunning assassin with orders to dispatch Eutracia’s ruling council. Tristan and his trusted allies—the wise wizards Wigg and Faegan, the beautiful pirate Tyranny, and, dearest of all, his beloved Celeste—embark on a desperate quest to cleanse his blood. It is a journey that will lead from the Sea of Whispers to distant Parthalon to the mysterious Well of Forestallments, and it will change everything the Chosen Ones think they know about themselves and their destiny. If they should fail, the Orb will perish, and with it, the Vigors. As for success, it may prove more costly still. . . .

Written through both the first and second person singular, "Passionate Being" takes its author and its reader on a journey that has them thinking of their experience of and belonging to language and the possibility of an instance of the world taking-place without prejudice and exclusion. At its beginning, it brings to its author the question 'What can you say?' The responses that ensue turn our attention toward presupposition and about how 'singularity' can be said. The book also brings into play, among others, the work of Giorgio Agamben. It asks us to view both language and the world taking-place without presupposition, revealing both the political implications, and those for living, that this vision holds. It is a work to be read twice with pleasure, and then again.