The jaw-dropping allure of the Sedona Verde Valley is a magnet for celebrated visual artists from around the world. This unforgettable landscape has inspired nearly a century of diverse painting, experimental collage, provocative sculpture and stimulating architecture. Tourists and locals are enamored of the Chapel of the Holy Cross, and the unique and often political art of Jerome continues to evolve. In a captivating exploration of state and regional styles alongside profiles of contemporary masters, author and historian Lili DeBarbieri presents the full story of Sedona art.

The Verde Valley hosts a unique and varied representation of prehistoric cultural sites. It is the host to two National Park Service National Monuments, three U.S. Forest Service Heritage Sites, five protected sites owned by the Archaeological Conservancy, the Yavapai-Apache Nation, and over 2,500 archaeological sites. There are over 450 recorded rock art sites in the Sedona/Verde Valley area. Many visitors express great interest in the rock art at the cultural heritage sites. The docents receive many questions about these images. Who made them? How have they lasted this long? What do they mean? This book is not a scientific monograph on rock art. It does not contain elaborate bibliographic sources, although some are quoted and referenced. This book is intended to be a useful and thought-provoking introduction to the vast, scattered and sometimes unpublished literature on rock art, with specific focus on images and styles found in the Sedona/Verde Valley area. It is hoped that it will promote reflection on and appreciation of the people who created the rock art. The mission of the Verde Valley Archaeology Center is to preserve archaeological sites and collections and to promote their educational, scientific and cultural use. We advocate for the preservation of the Verde Valley's irreplaceable cultural resources that include significant structures, sites and artifacts. Through education and information, we provide leadership to the regional community on the critical issues of understanding and preserving our rich cultural heritage. The Center is dedicated to enhancing the knowledge of the prehistory and ethnology of inhabitants of the Verde Valley region. We promote a greater understanding of the diversity of cultures, past and present, for our guests and the citizens of the Verde Valley.

More than 50 years ago, Dr. Charles Rozaire, an archaeologist from California, began a multi-season excavation project at a small Southern Sinagua cliff dwelling located on artist Paul Dyck's property north of Camp Verde, Arizona. Although a large quantity of incredibly well-preserved materials was recovered, these materials were not analyzed and remained in storage until 2014, when they were donated to the Verde Valley Archaeology Center. After more than five years of analysis, this two-part book is a detailed report on the excavations and the materials recovered. This report has 709 pages of text organized into 14 chapters, with 421 figures and 101 tables. Chapter 1 provides a history of the excavations, profiles of several of the individuals involved, and an outline of Southern Sinagua culture history.Chapter 2 is an edited summary of the original field notes and includes numerous field sketches and photographs taken during the excavations.Chapter 3 is a detailed description of the architecture of the site based on the field notes and on recent visits. Chapter 4 discusses the results of the analysis of the 9,095 sherds and 6 whole or reconstructed vessels recovered.Chapter 5 is a description of the large quantity of well-preserved plant remains.Chapter 6 provides a detailed analysis of the 1,009 faunal remains, including rabbits, deer, beaver, weasel, muskrat, raccoon, various rodents, duck, quail, teal, and other birds.Chapter 7 is a description of the 157 groundstone tools from the site. Chapter 8 reports on a detailed analysis of the 1,709 flaked stone artifacts, including 23 projectile points. Chapter 9 is on ornaments, minerals, and special rocks. Chapter 10 is a lengthy chapter on the amazing textiles, with more than 1,000 pieces of cotton fabrics in a variety of colors recovered from the site.Chapter 11 describes matting, baskets, and sandals found. Chapter 12 discusses a variety of wood, reed, hard-shell squash and gourd artifacts.Chapter 13 presents the analysis of unusual artifacts that may have served special purposes. Chapter 14 provides a summary of many of the artifacts and food remains.

At the site of a world-famous architectural marvel located in the heart of the mystical red rock country surrounding Sedona, Arizona, a young college student encounters an ancient secret that holds the key to the origins of the universe. Haunted by his epiphany over decades, unexplainable--almost miraculous--events overtake him, until he has a revelation that compels him to go on a dangerous quest to resolve the mystery. Archangel of Sedona documents the personal story of Tony, a veteran integrating his combat experiences with his metaphysical awakening in the Red Rock’s atmosphere of infinite space and boundless silence. His hero’s journey through both beauty and danger combines mystery, adventure, and spiritual discovery. There is no serendipity. "The Red Rock Country and Upper Verde Valley are as beautiful and moving as this compelling story depicts. I was intrigued and fascinated by the real life mystery of the missing figure from the Chapel of the Holy Cross. I’m still haunted by the tale." --Linda Unfried, Light of Corpus Christi Award Winner

In A Surrealist Stratigraphy of Dorothea Tanning’s Chasm, Catriona McAra offers the first critical study of the literary work of the celebrated American painter and sculptor Dorothea Tanning (1910–2012). McAra fills a major gap in the scholarship, repositioning Tanning’s writing at the centre of her entire creative oeuvre and focusing on a little-known short story "Abyss," a gothic-flavoured, desert adventure which Tanning worked on intermittently throughout her creative life, finally publishing it in 2004 as Chasm: A Weekend. McAra performs a major reassessment of the visual and literary principles upon which the surrealist movement was initially founded. Combining a groundbreaking methodological approach with reference to cultural theory and feminist aesthetics as well as Tanning’s unpublished journals and notes, McAra reveals Tanning as a key player in contemporary art practice as well as in the historical surrealist milieu.

This book was originally written to help those visiting Sedona, Arizona who could not attend my regular Scientific Vortex Information Training Class (see www.freesoul.net). It teaches how to rapidly, easily, and effectively tap Sedona's famous meditation sites. It also contains a system for finding vortexes closer to your home area. Understanding vortexes and how to tap them is a key asset for exploring your "dimensions beyond" described in Superstrings Physics. Even more important, however, is knowing how to weave that knowledge into a method for "Living life AS a Soul." When you are having difficulty accessing deeper spiritual skills, or are facing intense inner hurts, vortex energies can provide portals to new insights. People tend to be drawn to upflow areas to feel the exhilaration of tapping those dimensions beyond. What they are also craving (in many cases without even realizing it) is to escape the worries, hurts, angers, and fears created by the Limbic Brain. The Soul-shift technique (contained in this book) makes tapping the vortexes easier, primarily because it gets the meditator out of their limbic brain focus. It allows you to create an inner upflow vortex, where ever you are. The brain science technique for natural mood elevation contained in my book, Access Your Brain's Joy Center (soon also available as an e-book), teaches how to counter limbic brain effects anywhere, anytime without having be in a meditative state. That makes it possible to self-generate that inner upflow effect in ALL of life (eyes open, moving, etc.). As you read through this book, see the bigger picture. Imagine having the ability to live accessing ALL of your dimensions beyond and ALL your spiritual skills, without having to physically be in the enhanced energy sites. Enjoy exploring the unlimited potentials that ARE your birthright As a Free Soul.