About the Book: What would you call a group of Goddesses that wear garlands of skull, while the other drinks her own blood? A Goddess with incomparable beauty while the other is a crone. A Goddess that loves leftovers while the other demands cleanliness. This book discusses Dasha Mahavidyas - one of the most important Goddesses of Tantra. As the laws of science define energy as primordial ever existent, that is utilized through a medium, similarly, Dasha Mahavidyas are the primordial Sakti or energy, that creates, destroys, and sustains the universe. They are Mahavidyas or “Great Knowledge” where each Goddess has something distinct to teach. Every Goddess in the book is dealt independently - illustrating appearance, stories of origin, symbolism, various forms and relation to other Goddesses, Mantras, Yantra, Sadhana procedure, temples and any parallels that can be drawn from other cultures. Tantra is often perceived as black magic, voodoo or art of love, but in reality, Tantra is “A way of life” that stretches the body to its limit and prepares one to walk the path of liberation. Tantra uses various objects that may otherwise be a taboo or appalling in nature, however, it is not what it appears to be. The objects are just extreme tools to control senses and mind. This book breaks such myths around Tantra and explores its hidden knowledge. It attempts to reason every aspect from a literary and philosophical point of view. About the Author: Mehul Vora is an accomplished writer, speaker, astrologer and a proponent of ancient Indian culture and Tantra. He is a vivid reader of ancient texts which inspire him to interpret knowledge in a simplified manner so that everyone can relish the treasures of wisdom. He has written on many topics that range from ancient history to world mythology. Mehul brings his experiences and knowledge of Tantra in this book.

This Book Deals Mainly With Tantra Sadhana With The Help Of Illustrations Of The Important Yantras That Are Commonly Used In The Spiritual Practices By The Tantrikas.

The Hindu pantheon is rich in images of the divine feminine—deities representing a wide range of symbolic, social, and meditative meanings. David Kinsley's new book documents a highly unusual group of ten Hindu tantric goddesses, the Mahavidyas, many of whom are strongly associated with sexuality and violence. What is one to make of a goddess who cuts her own head off, or one who prefers sex with a corpse? The Mahavidyas embody habits, attributes, or identities usually considered repulsive or socially subversive and can be viewed as "antimodels" for women. Yet it is within the context of tantric worship that devotees seek to identify themselves with these forbidding goddesses. The Mahavidyas seem to function as "awakeners"—symbols which help to project one's consciousness beyond the socially acceptable or predictable. Drawing on a broad range of Sanskrit and vernacular texts as well as extensive research in India, including written and oral interpretations of contemporary Hindu practitioners, Kinsley describes the unusual qualities of each of the Mahavidyas and traces the parallels between their underlying themes. Especially valuable are the many rare and fascinating images he presents—each important to grasping the significance of the goddesses. Written in an accessible, engaging style, Kinsley's book provides a comprehensive understanding of the Mahavidyas and is also an overview of Hindu tantric practice.

Yogic Secrets of the Dark Goddess unfolds the mystic beauty of Kali, the most powerful but misunderstood of the great goddesses of India. Probably the most comprehensive and innovative examination of Ma Kali in recent decades, the book reveals all dimensions of life and consciousness in Kali’s tranformative dance.

The Dus Mahavidyas are Wisdom Goddesses. Dus means ten, Maha means great, and Vidya means wisdom. Ranging from the gentle to the horrific, each form of the Goddess has Her own name, story, quality, and mantras.Mahavidya Sadhana originated in India around 1700CE and is considered to be the most esoteric of all spiritual practices. It is a discipline meant only for the lion hearted!Mahavidya Sadhana is one of the best kept secrets of the Indian mystical traditions but not any more. This text provides a detailed, step by step guide to invoke, evoke and personally work with each of the Ten Mahavidyas. The results will be astonishing and life altering!Life is calling: Surrender NOW to the Grace of the Divine Feminine and experience unlimited power and bliss. Are you ready?

On the Tantric worship of Śakti, Hindu deity; a study.

The Mahāvidyās are the representative Tantric feminine pantheon consisting of ten goddesses. It is formed by divergent religious strands and elements: the mātṛ and yoginī worship, the cult of Kālī and Tripurasundarī, Vajrayāna Buddhism, Jain Vidyādevīs, Śaiva and Vaiṣṇava faith, Śrīvidyā, the Brahmanical strand of Puranic traditions, etc. This volume is the first attempt to explore the historical process, through which these traditions culminated in the Mahāvidyā cult and the goddesses with different origins and contradictory attributes were brought into a cluster, with special reference to socio-political changes in the lower Gaṅgā and Brahmaputra Valley between the 9th and 15th centuries CE. Based on a close analysis of Purāṇas, Tantras and inscriptional evidence, and on extensive field research on archaeological remains as well as sacred sites, Jae-Eun Shin discusses the two trajectories of the Mahāvidyās in eastern Śākta traditions. Each led to the systematization of Daśamahāvidyās in a specific way: one, as ten manifestations of Durgā upholding dharma in the cosmic dimension, and the other, as ten mandalic goddesses bearing magical powers in the actual sacred site. Their attributes and characteristics have neither been static nor monolithic, and the mode of worship prescribed for them has changed in a dialectical religious process between Brahmanical and Tantric traditions of the region. This is the definitive work for anyone seeking to understand goddess cults of South Asia in general and the history of eastern Śākta traditions in particular. To aid study, the volume includes images, diagrams and maps. Please note: Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka.

Working with Bengali mentors, especially his close friend A. B. Ghose, Sir John Woodroffe became the pseudonymous orientalist Arthur Avalon, famous for his tantric studies at the beginning of the twentieth century. Best known for The Serpent Power, the book which introduced 'Kundalini Yoga' to the western world, Avalon turned the image of Tantra around, from that of a despised magical and orgiastic cult into a refined philosophy which greatly enhanced the prestige of Hindu thought to later generations of westerners. This biographical study is in two parts. The first focuses on Woodroffe's social identity in Calcutta against the background of colonialism and nationalism - the context in which he 'was' Arthur Avalon. To a very unusual degree for someone with a high position under the empire, Woodroffe the British High Court Judge absorbed the world of the Bengali intellectuals of his time, among whom his popularity was widely attested. His admirers were attracted by his Indian nationalism, to which his tantric studies and supposed learning formed an important adjunct. Woodroffe's friend Ghose, however, was the chief source of the textual knowledge in which the 'orientalist' scholar appeared to be deeply versed. The second part of this study assesses Woodroffe's own relationship to Sanskrit and to the texts, and highlights his very extensive but gifted use of secondary sources and the knowledge of Ghose and other Indian people. It examines the apologetic themes by which he and his collaborators made Tantra first acceptable, then fashionable. Partly because of his mysterious pseudonym, Woodroffe acquired a near legendary status for a time, and remains a fascinating figure. This book is written in a style that should appeal to the general reader as well as to students of Indian religions and early twentieth century Indian history, while being relevant to the ongoing debate about 'orientalism'.

About the Book A CLASSIC GUIDE TO THE LIVES AND LEGENDS OF THE MANY GODDESSES WHO INHABIT THE HINDU IMAGINATION Lakshmi massages Vishnu’s feet. Is this male domination? Kali stands on Shiva’s chest. Is this female domination? Shiva is half a woman. Is this gender quality? Why then is Shakti never half a man? Taken literally, stories, symbols and rituals of Hindu mythology have much to say about gender relationships. Taken symbolically, they reveal many more things about humanity and nature. Which is the correct reading? The third title in the bestselling ‘Hindu Trinity’ series focuses on the Goddess and respected mythologist Devdutt Pattanaik tries to unravel the secrets locked within her stories, symbols and rituals.

There is hardly any person who is either not conversant with or not heard about occult sciences of which Yantra, Mantra, Tantra and not heard about occult sciences of which Yantra, Mantra, Tantra and forces are simply tributaries. Hindus, Jains, Muslims, ascetics, peers have written a lot about such sciences but only a selected few know how to use such devices ably and safely. The learned author has given detailed account on use, caution, warnings and methods for using such devices which are meant for relieving or causing agony/harm to a targeted person. The author has furnished relevant details about Yantra, Mantra and Tantra, black magic, sorcery etc. Hopefully, the right information will satiate urge of inquisitive readers, for some of whom it may be a new subject.