Concrete countertops are on the cutting edge of today's interior design and outdoor kitchen trends. Kitchen designers, contractors, architects, and homeowners alike can use this book to learn the detailed process of creating amazing concrete countertops. Here Ralston shows how to plan, execute, and complete a concrete countertop cast-in-place for ease and convenience. This book is a great inspiration for anyone interested in concrete countertop fabrication. Beautiful images of kitchens both indoors and out will inspire you, and step-by-step imagery will walk you through the process of creation.

Over 250 inspiring images and engaging text cover the techniques necessary to successful sculpt any hillside and enhance backyards with concrete. Contractors will feel empowered to unleash their inner artists. Designers will become inspired to create hillside expanses. Among the projects explored are beautiful, curved stairways, lit walls, raised patios, fire pits, and built-in seating that transform bland backyard slopes into view-commanding getaways. Further inspiration is provided by a gallery of spectacular completed projects. For the contractor, Ralston shares wisdom from years of business experience and training to help readers navigate the various challenges they face. The author explains design development, bid building, and suggests how to translate those into contracts. Also emphasized here are ways to make projects profitable by keeping them in line with the initial bid. Also reviewed are ways to keep clients happy by involving them throughout the project, and how to document your work as you go.

The classic work on the evaluation of city form. What does the city's form actually mean to the people who live there? What can the city planner do to make the city's image more vivid and memorable to the city dweller? To answer these questions, Mr. Lynch, supported by studies of Los Angeles, Boston, and Jersey City, formulates a new criterion—imageability—and shows its potential value as a guide for the building and rebuilding of cities. The wide scope of this study leads to an original and vital method for the evaluation of city form. The architect, the planner, and certainly the city dweller will all want to read this book.

This book reveals how Gothic choir screens, through both their architecture and sculpture, were vital vehicles of communication and shapers of community within the Christian church.

Biography of Julia Morgan one of the first women to graduate in civil engineering from the University of California, Berkeley, and the first women to earn a certificate in architecture from Ecole de Beaux-Arts in Paris

Winner of the International Lannan Literary Award for Nonfiction Animal tracks, word magic, the speech of stones, the power of letters, and the taste of the wind all figure prominently in this intellectual tour de force that returns us to our senses and to the sensuous terrain that sustains us. This major work of ecological philosophy startles the senses out of habitual ways of perception. For a thousand generations, human beings viewed themselves as part of the wider community of nature, and they carried on active relationships not only with other people with other animals, plants, and natural objects (including mountains, rivers, winds, and weather patters) that we have only lately come to think of as "inanimate." How, then, did humans come to sever their ancient reciprocity with the natural world? What will it take for us to recover a sustaining relation with the breathing earth? In The Spell of the Sensuous David Abram draws on sources as diverse as the philosophy of Merleau-Ponty, Balinese shamanism, Apache storytelling, and his own experience as an accomplished sleight-of-hand of magician to reveal the subtle dependence of human cognition on the natural environment. He explores the character of perception and excavates the sensual foundations of language, which--even at its most abstract--echoes the calls and cries of the earth. On every page of this lyrical work, Abram weaves his arguments with a passion, a precision, and an intellectual daring that recall such writers as Loren Eisleley, Annie Dillard, and Barry Lopez.

Now available in paperback, this bestselling volume chronicles one of the most innovative, influential, and beloved architects of the early 20th century. Gracefully written and brilliantly illustrated, this handsome new volume captures the vision, the wit, and the down-to-earth inventiveness of one of the most influential and beloved architects of the early twentieth century. Raised in Greenwich Village and trained in Paris, Maybeck spent most of his long career in northern California. An irrepressible bohemian with no desire to run a large office, he spent much of his time designing houses for friends and family, as well as for other patrons so loyal that they often hired him to design more than one house. Maybeck also created two of the most beautiful buildings in all of California: the exhilarating Church of Christ, Scientist, in Berkeley, and the gloriously romantic Palace of Fine Arts, in San Francisco. This incisive overview—the first to feature color reproductions of Maybeck's exquisite interiors and exteriors—analyzes every aspect of his life and work. Not only his architecture but also his furniture, his lighting designs, and his innovations in fire-resistant construction are thoroughly discussed and illustrated. The book is also enlivened by documentary photographs, by clearly drawn plans, and by several of Maybeck's dazzling, previously unpublished visionary drawings. Bernard Maybeck is a major study of an internationally significant architect whose environmentally responsive work has much to offer today's designers and whose houses have given enormous pleasure to those fortunate enough to visit or dwell in them.

This authoritative catalogue of the Corcoran Gallery of Art's renowned collection of pre-1945 American paintings will greatly enhance scholarly and public understanding of one of the finest and most important collections of historic American art in the world. Composed of more than 600 objects dating from 1740 to 1945.