Fonts based on handwritten scripts are some of the bestselling typefaces of the font foundries. They bring personality and authenticity to graphic design – whether on business cards and flyers, or in packaging and advertising. Script Fonts is a visual encyclopedia of over 300 fonts that includes complete alphabets and numerals for each font and a piece of sample text that shows how each typeface works in the context of a paragraph. It is richly illustrated with over 100 examples of the typefaces as used in manuscripts, on posters, in advertising and other graphic design. The book includes elegant Italian and French cursive scripts, English script fonts, expressive marker fonts, brush and swash fonts, deko and freestyle fonts – all illustrated with historical and contemporary examples. The accompanying CD includes 122 free fonts.

This treasury of script and cursive fonts offers artists and designers a broad range of type styles that richly convey the elegant intricacies of hand lettering. Includes the flowing elegance of Liberty; the sturdy formality of Piranesi Bold Italic; the airy Art Deco flair of Hannover; and more. Many include upper- and lower-case alphabets, plus numerals.

Need to use additional fonts on your website? How about special characters? Want to use Canvas and SVG on your website? I use simple CSS, HTML, Javascript to achieve this. This book will tell you how to easily do this and more.

Designing a brochure or web site without an art background? Step away from the computer and read this breezy introduction to visual communications first. Written for non-designers, White Space is Not Your Enemy is a practical graphic design and layout text introducing the concepts and practices necessary for producing effective visual communications across a variety of formats, from print to Web. This beautifully illustrated, full-color book covers the basics to help you develop your eye and produce attractive work. Topics include: * The basics of effective design that communicates its intended message * Pre-design planning * 13 Layout Sins to avoid * Basic typography * Working with color * Storyboarding for video, Web, and presentions * Information graphics * Mini Art School--all the basics in one chapter * Outputting your work

Computers have changed typography and prepress as well as printing. Typefaces are manufactured by "digital punch cutters" with a PC, not any more by punch cutters. Typefaces are constructed an output by a new technolgy, the so-called fonttechnology. The book by Peter Karow covers the whole area of it. It offers various chapters about (among others) issues like intelligent font scaling, kerning, quality of type, legibility, and problems of different output devices. It is interesting to read about Gutenberg setting, the font market, optical scaling, and last but not least a "hand on" Kanjhi, the Chinese/Japanese Glyphs. Furthermore, Fonttechnology contains a number of valuable and instructive appendices. Almost everything one has to know about type and computers!

The second volume of a two-volume set presents sans serif, design, outline, and ornament digital fonts (the first, unseen, reportedly contains serif and script fonts). Alphabetically arranged by section, each page features five typefaces showing 18-point alphabets, numbers, and punctuation, followed by text showings. Also included are a typeface directory, type manufacturers' profiles, hints on working with a service bureau, how to copyfit, and letter-spacing and horizontal scaling guides. For desktop publishers, designers, and typesetters. Annotation copyright by Book News, Inc., Portland, OR

This book is an extract from a much larger book entitled Designing with LibreOffice. It is intended for those who only want information on choosing and using fonts with LibreOffice, the popular free-licensed office suite. It consists of Chapter 4 and Appendixes C & D in the larger book. Although the first published extract, this book will eventually become the second of five excerpts from the complete book. The excerpts will be: Part 1: Styles and Templates Part 2: Choosing Fonts Part 3: Character and Paragraph Styles Part 4: Page, Frame, and List Styles Part 5: Slide Shows, Diagrams, and Spreadsheets Together, the five smaller books will contain most, but not all the information from the larger book. Any changes are minimal, and made for continuity or changes in structure made necessary by the changes in format.

Designing a website or brochure without an art background? Then step away from the computer and read this engaging, conversational introduction to visual communications first. Written for the beginner, White Space is Not Your Enemy, Second Edition, is a practical graphic design and layout guide that introduces the concepts and practices necessary for producing effective visual communication across a variety of formats--from web to print. This beautifully illustrated, full-color book covers all of the basics to help you develop your eye and produce evocative designs that work. Topics include: What is design? Pre-design research and brainstorming. The "works-every-time layout" and "13 layout sins." The elements and principles of design. Layouts for impact. Getting along with type. Choosing and using color. Working with photos and illustrations. Intros to infographics, storyboarding and multimedia components. Output for the web and print. Visit www.whitespacedesignbook.com for additional supporting materials.

Distinctive hand style lettering is an essential skill for artists and designers. Deftly executed hand crafted letter forms are a nearly forgotten art in an age of endless free fonts. Graffiti is one of the last reservoirs of highly refined, well-practiced penmanship. Within the pages of FLIP THE SCRIPT, the best hand styles are analysed, contextualising the work of graffiti writers from around America. Author Acker presents the various lettering samples in a clean organized format, giving the material a proper, formal treatment evoking classic typography books.

"Script Fonts is a visual encyclopedia of over 300 fonts that includes complete alphabets and numerals for each font and a piece of sample text that shows how each typeface works in the context of a paragraph. It is richly illustrated with over 100 examples of the typefaces as used in manuscripts, on posters, in advertising and other graphic design. The book includes elegant Italian and French cursive scripts, English script fonts, expressive marker fonts, brush and swash fonts, deko and freestyle fonts - all illustrated with historical and contemporary examples."--Back cover.