An intertextual examination of popular films and scripture.

Scientist and theologian John Polkinghorne is one of the world's leading authorities on issues of science and faith. In this compelling work, he provides a fresh, honest look at key themes of the Bible from an analytical and rational perspective, offering a series of insights that have helped him in his own engagement with the Bible. Polkinghorne tackles the questions a modern Western thinker might bring to the Bible, including issues of Scripture and authority, contradiction and ambiguity, and the creation and fall. He also addresses theological challenges of the Old Testament, the Gospels, and the writings of Paul. "I have written this little book in the hope that it will be helpful to those who are seeking a careful and thoughtful engagement with the Bible in their quest for a truthful understanding of the ways of God and the nature of spiritual reality," writes Polkinghorne. His nuanced approach will be appreciated by any reader with an open and inquiring mind who is interested in the intersection between science and Scripture.

Om amerikanske film som tolkes ud fra tekster i Bibelen

One of the world's leading authorities on issues of science and faith provides a fresh, honest, and analytical look at key themes of the Bible.

This two-part volume contains a comprehensive collection of original studies by well-known scholars focusing on the Bible’s wide-ranging reception in world cinema. It is organized into sections examining the rich cinematic afterlives of selected characters from the Hebrew Bible and New Testament; considering issues of biblical reception across a wide array of film genres, ranging from noir to anime; featuring directors, from Lee Chang-dong to the Coen brothers, whose body of work reveals an enduring fascination with biblical texts and motifs; and offering topical essays on cinema’s treatment of selected biblical themes (e.g., lament, apocalyptic), particular interpretive lenses (e.g., feminist interpretation, queer theory), and windows into biblical reception in a variety of world cinemas (e.g., Indian, Israeli, and Third Cinema). This handbook is intended for scholars of the Bible, religion, and film as well as for a wider general audience.

Quantum Leap uses key events in the life of Polkinghorne to introduce the central ideas that make science and religion such a fascinating field of investigation. Sir John Polkinghorne is a British particle physicist who, after 25 years of research and discovery in academia, resigned his post to become an Anglican priest and theologian. He was a professor of mathematical physics at Cambridge University, and was elected to the Royal Society in 1974. As a physicist he participated in the research that led to the discovery of the quark, the smallest known particle. This cheerful biography-cum-appraisal of his life and work uses Polkinghorne's story to approach some of the most important questions: a scientist's view of God; why we pray, and what we expect; does the universe have a point?; moral and scientific laws; what happens next?

The sixteen essays assembled in this volume, four of them co-authored, chart the successive phases of a professional life lived in the interstices of Bible and "theory." Engaging such texts as the Song of Songs, 4 Maccabees, Mark, Luke-Acts, John, and Romans, and such themes as the quest for the historical Jesus, the essays simultaneously traverse postmodernism, deconstruction, New Historicism, autobiographical criticism, cultural studies, postcolonial studies, masculinity studies, queer theory, and "posttheory." Individual essay introductions and periodic annotated bibliographies make the volume an advanced introduction to biblical literary criticism. --From publisher's description.

This volume examines the Bible's role in the modern world - beginning with a treatment of its production and distribution that discusses publishers, printers, text critics, and translators and continuing with a presentation of new methods of studying the text that have emerged, including historical, literary, social-scientific, feminist, postcolonial, liberal, and fundamentalist readings. There is a full discussion of the changes in understandings of and approaches to the Bible in various faith communities. The dissemination of the Bible throughout the globe has also produced a host of new interpretations, and this volume provides a comprehensive geographical survey of its reception. In the final chapters, the authors offer a thematic overview of the Bible in relation to literature, art, film, science, and other disciplines. They demonstrate that, in spite of challenges to the Bible's authority in western Europe, it remains highly relevant and influential, not least in the Americas, Africa, and Asia.

From The Passion of the Christ to Life of Brian, and from The Ten Commandments to Last Temptation of Christ, filmmakers have been adapting the stories of the Bible for over 120 years, from the first time the Höritz Passion Play was filmed in the Czech Republic back in 1897. Ever since, these stories have inspired musicals, comedies, sci-fi, surrealist visions and the avant-garde not to mention spawning their own genre, the biblical epic. Filmmakers across six continents and from all kinds of religious perspectives (or none at all), have adapted the greatest stories ever told, delighting some and infuriating others. 100 Bible Films is the indispensable guide to this wide and varied output, providing an authoritative but accessible history of biblical adaptations through one hundred of the most interesting and significant biblical films. Richly illustrated with film stills, this book depicts how such films have undertaken a complex negotiation between art, commerce, entertainment and religion. Matthew Page traces the screen history of the biblical stories from the very earliest silent passion plays, via the golden ages of the biblical epic, through to more innovative and controversial later films as well as covering significant TV adaptations. He discusses films made not only by some of our greatest filmmakers, artists such as Martin Scorsese, Jean Luc Godard, Alice Guy, Roberto Rossellini, Pier Paolo Pasolini, Lotte Reiniger, Carl Dreyer and Luis Buñuel, but also those looking to explore their faith or share it with lovers of cinema the world over.

Bible and Cinema: Fifty Key Films introduces a wide range of those movies - among the most important, critically-acclaimed and highest-grossing films of all time - which have drawn inspiration, either directly or indirectly, from the Bible.