This is the first volume of essays published on the television series Troy: Fall of a City (BBC One and Netflix, 2018). Covering a wide range of engaging topics, such as gender, race and politics, international scholars in the fields of classics, history and film studies discuss how the story of Troy has been recreated on screen to suit the expectations of modern audiences. The series is commended for the thought-provoking way it handles important issues arising from the Trojan War narrative that continue to impact our society today. With discussions centered on epic narrative, cast and character, as well as tragic resonances, the contributors tackle gender roles by exploring the innovative ways in which mythological female figures such as Helen, Aphrodite and the Amazons are depicted in the series. An examination is also made into the concept of the hero and how the series challenges conventional representations of masculinity. We encounter a significant investigation of race focusing on the controversial casting of Achilles, Patroclus, Zeus and other series characters with Black actors. Several essays deal with the moral and ethical complexities surrounding warfare, power and politics. The significance of costume and production design are also explored throughout the volume.

"This is the first volume of essays published on the television series Troy: Fall of a City (BBC One and Netflix, 2018). Covering an engaging range of topics, such as gender, race and politics, international scholars in the fields of classics, history and film studies discuss how the story of Troy has been recreated on screen to suit the expectations of a modern audience. This series was praised for its thought-provoking way of handling important the issues which affected the mythical city of Troy and which continue to impact our present society. Divided into discussions on epic narrative, cast and character, as well as tragic resonances, the contributors tackle gender roles by exploring the new ways in which the mythic feminine figures such as Helen, Aphrodite and the Amazons were depicted in the series. An examination is also made into the concept of the hero and how the conventional representation of masculinity was challenged. We encounter a significant discussion on race which focuses on the controversial decision to cast Achilles, Patrocolus, Zeus and other characters with black actors. Several essays deal with the moral and ethical complexities surrounding warfare, power and politics. The often overlooked significance of costume and the influence of design is also discussed"--

Reprint of the original, first published in 1877.

Pulitzer Prize–winning historian Barbara W. Tuchman, author of the World War I masterpiece The Guns of August, grapples with her boldest subject: the pervasive presence, through the ages, of failure, mismanagement, and delusion in government. Drawing on a comprehensive array of examples, from Montezuma’s senseless surrender of his empire in 1520 to Japan’s attack on Pearl Harbor, Barbara W. Tuchman defines folly as the pursuit by government of policies contrary to their own interests, despite the availability of feasible alternatives. In brilliant detail, Tuchman illuminates four decisive turning points in history that illustrate the very heights of folly: the Trojan War, the breakup of the Holy See provoked by the Renaissance popes, the loss of the American colonies by Britain’s George III, and the United States’ own persistent mistakes in Vietnam. Throughout The March of Folly, Tuchman’s incomparable talent for animating the people, places, and events of history is on spectacular display. Praise for The March of Folly “A glittering narrative . . . a moral [book] on the crimes and follies of governments and the misfortunes the governed suffer in consequence.”—The New York Times Book Review “An admirable survey . . . I haven’t read a more relevant book in years.”—John Kenneth Galbraith, The Boston Sunday Globe “A superb chronicle . . . a masterly examination.”—Chicago Sun-Times

Achilles and Ajax are dead and the hope of the Greeks has died with them, leaving the army restless for their homes and threatening rebellion. Then a series of oracles appears, utterances from the gods that must be fulfilled if Troy is to be defeated and the war brought to an end. Agamemnon, leader of the Greeks, knows that only one man has the courage and intelligence to complete the tasks set by the Olympians: Odysseus, king of Ithaca. From an island haunted by a vengeful madman to a forsaken tomb and its deadly guardian, from the palace of a hostile king to the sacred heart of Troy itself, Odysseus and his friend Eperitus must follow the trail toward the greatest deception of all time. The Trojan horse. Glyn Iliffe previously published three books in the series with Pan Macmillan and achieved worldwide sales in excess of 80,000 copies. Mereo Books will now publish the fourth book in the series which will be released in late 2014.

Masterful short works about passion, family, and human relationships by one of the greatest writers of 20th century China. A New York Review Books Original “[A] giant of modern Chinese literature” –The New York Times "With language as sharp as a knife edge, Eileen Chang cut open a huge divide in Chinese culture, between the classical patriarchy and our troubled modernity. She was one of the very few able truly to connect that divide, just as her heroines often disappeared inside it. She is the fallen angel of Chinese literature, and now, with these excellent new translations, English readers can discover why she is so revered by Chinese readers everywhere." –Ang Lee Eileen Chang is one of the great writers of twentieth-century China, where she enjoys a passionate following both on the mainland and in Taiwan. At the heart of Chang’s achievement is her short fiction—tales of love, longing, and the shifting and endlessly treacherous shoals of family life. Written when Chang was still in her twenties, these extraordinary stories combine an unsettled, probing, utterly contemporary sensibility, keenly alert to sexual politics and psychological ambiguity, with an intense lyricism that echoes the classics of Chinese literature. Love in a Fallen City, the first collection in English of this dazzling body of work, introduces American readers to the stark and glamorous vision of a modern master.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a print on demand edition of a hard to find publication. Examines terrorists¿ involvement in a variety of crimes ranging from motor vehicle violations, immigration fraud, and mfg. illegal firearms to counterfeiting, armed bank robbery, and smuggling weapons of mass destruction. There are 3 parts: (1) Compares the criminality of internat. jihad groups with domestic right-wing groups. (2) Six case studies of crimes includes trial transcripts, official reports, previous scholarship, and interviews with law enforce. officials and former terrorists are used to explore skills that made crimes possible; or events and lack of skill that the prevented crimes. Includes brief bio. of the terrorists along with descriptions of their org., strategies, and plots. (3) Analysis of the themes in closing arguments of the transcripts in Part 2. Illus.

This is the first book systematically to examine Wolfgang Petersen’s epic film Troy from different archaeological, literary, cultural, and cinematic perspectives. The first book systematically to examine Wolfgang Petersen’s epic film Troy from different archaeological, literary, cultural, and cinematic perspectives. Examines the film’s use of Homer’s Iliad and the myth of the Trojan War, its presentation of Bronze-Age archaeology, and its place in film history. Identifies the modern political overtones of the Trojan War myth as expressed in the film and explains why it found world-wide audiences. Editor and contributors are archaeologists or classical scholars, several of whom incorporate films into their teaching and research. Includes an annotated list of films and television films and series episodes on the Trojan War. Contains archaeological illustrations of Troy, relevant images of ancient art, and stills from films on the Trojan War.

An examination of how screen texts embrace, refute, and reinvent the cultural heritage of antiquity, this volume looks at specific story-patterns and archetypes from Greco-Roman culture. The contributors offer a variety of perspectives, highlighting key cultural relay points at which a myth is received and reformulated for a particular audience.