Scratching the Horizon presents a bitchin' love letter to sand and sea, and a spirited inside account of life with the "first family" of American surfing. In 1956, Dorian "Doc" Paskowitz stepped away from a successful medical practice and began a lifelong surfing odyssey that grew to include his wife Juliette, and their nine children. Together, the Paskowitz clan lived a vagabonding bohemian existence, eschewing material possessions in favor of intangible riches like health and good cheer . . . all the while careening along the world's coastlines in search of the perfect wave. In Scratching the Horizon, Izzy Paskowitz looks back at his unusual upbringing, and his lifelong passion for the sport that carries his family's stamp. As the fourth-oldest child in a family of inveterate surfers, rock stars, and beach bums, he is uniquely qualified to shine a light on a childhood that has come to symbolize the surfing credo, a reckless young adulthood that nearly cost him his sanity, and a maturing sense of self and purpose that allows him to lift others on the back of his experience. As the father of a son with autism and the founder of "Surfers Healing," a foundation devoted to expanding the horizons of children with autism through surfing, Paskowitz has found a way to connect the surreal aspects of his childhood to the harsh realities of adulthood, and he shares these discoveries in this wickedly entertaining and transforming memoir.

Even centuries later, the final decades of the twentieth century are still regarded as one of the darkest and most perilous chapters in the history of humanity Now, as an ancient and forbidden technology tempts mankind once more, Captain James T. Kirk of the "Starship Enterprise(TM)" must probe deep into the secrets of the past, to discover the true origins of the dreaded Eugenics Wars -- and of perhaps the greatest foe he has ever faced. 1974 A.D. An international consortium of the world's top scientists have conspired to create the Chrysalis Project, a top-secret experiment in human genetic engineering. The project's goal is the creation of a new super-race to take command of the entire planet. Gary Seven, an undercover operative for an advanced alien species, is alarmed by the project's objectives; he knows too well the apocalyptic consequences of genetic manipulation. But he may already be too late. One generation of super-humans has already been conceived. Seven watches as the children of Chrysalis-in particular, a brilliant youth named Khan Noonien Singh -- grow to adulthood. Can Khan's dark destiny be averted -- or is Earth doomed to fight Singh a global battle for supremacy? "The Eugenics Wars: Volume One" is a fast-paced thriller that explores the rise of the conqueror known as Khan.

Gene Tierney lives with her husband on an air force base in central Nevada. There sinister experiments are performed by ex-patriot scientists from Germany. Gene is hoping to return to the movies soon, provided she can find a good script (and regain her health after nervous breakdowns that have involved a variety of hallucinations that may or may not include German scientists).

Drawing on the findings of neuroscience, this text proposes and defends the hypothesis that the various modalities of sensation share a generic form that the author, Austen Clark, calls feature-placing.

Winner of the Cave Canem Poetry Prize, selected by Major Jackson The stub of your left leg dangles as I hold you up, my hands inserted under your arms like a child. You are complaining about the itch, the burn; scratch the ghost of your calf and heel. —from "Scratching the Ghost" Dexter L. Booth's ruminations on loss in this award-winning debut are rooted in a time past but one still palpable and persistent. Here are memories of love lost, family mourned, a father absent, ghosts of hometowns and childhood. Here too is a "Short Letter to the Twentieth Century" and, finally, a "Long Letter to the Twentieth Century," as if across this collection the poet is mustering up the force to speak back to history. "In Dexter Booth's Scratching the Ghost, a cracked egg means the universe is splitting, the slap of a double-dutch rope is a broken-throated hymn, and splitting a squealing hog is akin to lovemaking. These are poems loyal to their own intrepid logic and reckless plausibility. Yet, lest the reader get too giddy in a fun house of mirrors, here, too, are the melodic laments and remarkable lyric passages of a poet who acknowledges the infinite current of melancholy that underlines his journey." —Major Jackson

A "remarkable memoir" (Nature) of life with an emperor penguin colony, gorgeously illustrated with 32 pages of exclusive photography For 337 days, award-winning wildlife cameraman Lindsay McCrae intimately followed 11,000 emperor penguins amid the singular beauty of Antarctica. This is his masterful chronicle of one penguin colony’s astonishing journey of life, death, and rebirth—and of the extraordinary human experience of living amongst them in the planet’s harshest environment. A miracle occurs each winter in Antarctica. As temperatures plummet 60° below zero and the sea around the remote southern continent freezes, emperors—the largest of all penguins—begin marching up to 100 miles over solid ice to reach their breeding grounds. They are the only animals to breed in the depths of this, the worst winter on the planet; and in an unusual role reversal, the males incubate the eggs, fasting for over 100 days to ensure they introduce their chicks safely into their new frozen world. My Penguin Year recounts McCrae's remarkable adventure to the end of the Earth. He observed every aspect of a breeding emperor's life, facing the inevitable sacrifices that came with living his childhood dream, and grappling with the personal obstacles that, being over 15,000km away from the comforts of home, almost proved too much. Out of that experience, he has written an unprecedented portrait of Antarctica’s most extraordinary residents.

When you've been a policeman long enough to know that 'it's not working' for many people over thirty trapped by drugs, crime, and prison. What do you do? The answer for PC Jack Carter, as he slid rapidly towards his retirement, was to create and run a small residential support home for guys who wanted help. wanted change, but couldn't do it on their own.As a registered charity it needed trustees. Jack assumed that all trustees were good honest people but if they're not! What do you do? When someone steals what you've created. When someone poisons the mind of your best friend.What do you do?

In a lyrical memoir and meditation on the nature of time and place, Elizabeth Dodd explores a variety of landscapes, reading the records left by inhabitants and by time itself. In spring in the Yucatán peninsula, she marks the equinox among the ruins of the Maya. In summer in the Orkney Islands, she considers linguistic and historic connections with Icelandic sagas. In tallgrass country in the fall, she observes bison and black-footed ferrets returning to their ancestral landscape. In winter in the canyons of the Ancestral Puebloans, she notes the standstill positions of the sun and the moon. Ranging across continents and millennia, Dodd examines how people have inscribed the concept of time into their physical environments, through rock art, standing stones, and the alignment of buildings on the landscape. She follows the etymological trail of various languages, blending research with travel narrative and aesthetic meditation. From musings on the origin of the sandhill cranes’ transcontinental journey to reflections on the dimming light of shortening days as the winter solstice approaches, from depictions of exploding stars in ancient petroglyphs to meditations on the Great North Road, whose purpose scientists have yet to discover, Dodd captures the interstices of the natural world.

Scratching River braids the voices of mother, brother, sister, ancestor, and river to create a story about environmental, personal, and collective healing. This memoir revolves around a search for home for the author’s older brother, who is both autistic and schizophrenic, and an unexpected emotional journey that led to acceptance, understanding and, ultimately, reconciliation. Michelle Porter brings together the oral history of a Métis ancestor, studies of river morphology, and news clippings about abuse her older brother endured at a rural Alberta group home to tell a tale about love, survival, and hope. This book is a voice in your ear, urging you to explore your own braided histories and relationships.

NEW YORK TIMES BESTSELLER • A searing, deeply moving memoir of illness and recovery that traces one young woman’s journey from diagnosis to remission to re-entry into “normal” life—from the author of the Life, Interrupted column in The New York Times ONE OF THE BEST BOOKS OF THE YEAR: The New York Times Book Review, The Washington Post, Bloomberg, The Rumpus, She Reads, Library Journal, Booklist • “I was immersed for the whole ride and would follow Jaouad anywhere. . . . Her writing restores the moon, lights the way as we learn to endure the unknown.”—Chanel Miller, The New York Times Book Review “Beautifully crafted . . . affecting . . . a transformative read . . . Jaouad’s insights about the self, connectedness, uncertainty and time speak to all of us.”—The Washington Post In the summer after graduating from college, Suleika Jaouad was preparing, as they say in commencement speeches, to enter “the real world.” She had fallen in love and moved to Paris to pursue her dream of becoming a war correspondent. The real world she found, however, would take her into a very different kind of conflict zone. It started with an itch—first on her feet, then up her legs, like a thousand invisible mosquito bites. Next came the exhaustion, and the six-hour naps that only deepened her fatigue. Then a trip to the doctor and, a few weeks shy of her twenty-third birthday, a diagnosis: leukemia, with a 35 percent chance of survival. Just like that, the life she had imagined for herself had gone up in flames. By the time Jaouad flew home to New York, she had lost her job, her apartment, and her independence. She would spend much of the next four years in a hospital bed, fighting for her life and chronicling the saga in a column for The New York Times. When Jaouad finally walked out of the cancer ward—after countless rounds of chemo, a clinical trial, and a bone marrow transplant—she was, according to the doctors, cured. But as she would soon learn, a cure is not where the work of healing ends; it’s where it begins. She had spent the past 1,500 days in desperate pursuit of one goal—to survive. And now that she’d done so, she realized that she had no idea how to live. How would she reenter the world and live again? How could she reclaim what had been lost? Jaouad embarked—with her new best friend, Oscar, a scruffy terrier mutt—on a 100-day, 15,000-mile road trip across the country. She set out to meet some of the strangers who had written to her during her years in the hospital: a teenage girl in Florida also recovering from cancer; a teacher in California grieving the death of her son; a death-row inmate in Texas who’d spent his own years confined to a room. What she learned on this trip is that the divide between sick and well is porous, that the vast majority of us will travel back and forth between these realms throughout our lives. Between Two Kingdoms is a profound chronicle of survivorship and a fierce, tender, and inspiring exploration of what it means to begin again.