Scottish Music And Drama
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Author |
: |
Publisher |
: |
Total Pages |
: 276 |
Release |
: 1946 |
ISBN-10 |
: UCAL:$B796623 |
ISBN-13 |
: |
Rating |
: 4/5 (23 Downloads) |
Synopsis Scottish Music and Drama by :
Author |
: Stuart A. Harris-Logan |
Publisher |
: |
Total Pages |
: 0 |
Release |
: 2021-12 |
ISBN-10 |
: 1910022772 |
ISBN-13 |
: 9781910022771 |
Rating |
: 4/5 (72 Downloads) |
Synopsis Royal Conservatoire of Scotland by : Stuart A. Harris-Logan
Author |
: Ian Brown |
Publisher |
: Edinburgh University Press |
Total Pages |
: 256 |
Release |
: 2011-05-16 |
ISBN-10 |
: 9780748688371 |
ISBN-13 |
: 0748688374 |
Rating |
: 4/5 (71 Downloads) |
Synopsis Edinburgh Companion to Scottish Drama by : Ian Brown
The ideal guide for students and theatre-lovers alike, the Companion explores the longstanding and vibrant Scottish dramatic tradition and the important developments in Scottish dramatic writing and theatre over the last hundred years.
Author |
: Scottish Arts Council |
Publisher |
: |
Total Pages |
: 47 |
Release |
: 1983 |
ISBN-10 |
: OCLC:80536382 |
ISBN-13 |
: |
Rating |
: 4/5 (82 Downloads) |
Synopsis Music, Dance and Drama Promoters in Scotland by : Scottish Arts Council
Author |
: |
Publisher |
: |
Total Pages |
: 296 |
Release |
: 1929 |
ISBN-10 |
: NYPL:33433085621583 |
ISBN-13 |
: |
Rating |
: 4/5 (83 Downloads) |
Synopsis The Scottish Musical Magazine and Scottish Drama by :
Author |
: Edinburgh (Scotland). International Festival |
Publisher |
: |
Total Pages |
: |
Release |
: 1951 |
ISBN-10 |
: OCLC:55615287 |
ISBN-13 |
: |
Rating |
: 4/5 (87 Downloads) |
Synopsis Scottish Music and Drama 1951 by : Edinburgh (Scotland). International Festival
Author |
: Karen E. McAulay |
Publisher |
: Taylor & Francis |
Total Pages |
: 243 |
Release |
: 2024-10-30 |
ISBN-10 |
: 9781040216538 |
ISBN-13 |
: 1040216536 |
Rating |
: 4/5 (38 Downloads) |
Synopsis A Social History of Amateur Music-Making and Scottish National Identity: Scotland’s Printed Music, 1880–1951 by : Karen E. McAulay
Late Victorian Scotland had a flourishing music publishing trade, evidenced by the survival of a plethora of vocal scores and dance tune books; and whether informing us what people actually sang and played at home, danced to, or enjoyed in choirs, or reminding us of the impact of emigration from Britain for both emigrants and their families left behind, examining this neglected repertoire provides an insight into Scottish musical culture and is a valuable addition to the broader social history of Scotland. The decline of the music trade by the mid-twentieth century is attributable to various factors, some external, but others due to the conservative and perhaps somewhat parochial nature of the publishers’ output. What survives bears witness to the importance of domestic and amateur music-making in ordinary lives between 1880 and 1950. Much of the music is now little more than a historical artefact. Nonetheless, Karen E. McAulay shows that the nature of the music, the song and fiddle tune books’ contents, the paratext around the collections, its packaging, marketing and dissemination all document the social history of an era whose everyday music has often been dismissed as not significant or, indeed, properly ‘old’ enough to merit consideration. The book will be valuable for academics as well as folk musicians and those interested in the social and musical history of Scotland and the British Isles.
Author |
: Michael John LaChiusa |
Publisher |
: Dramatists Play Service Inc |
Total Pages |
: 92 |
Release |
: 1995 |
ISBN-10 |
: 0822214075 |
ISBN-13 |
: 9780822214076 |
Rating |
: 4/5 (75 Downloads) |
Synopsis Hello Again by : Michael John LaChiusa
THE STORY: Ten nameless characters pair up in ten different scenes of sexual pleasure and/or despair. One character from each scene moves on to the next, seemingly dumping his old partner in favor of new prey. The play begins in 1900 with a Prostit
Author |
: Ian Brown |
Publisher |
: Edinburgh University Press |
Total Pages |
: 256 |
Release |
: 2011-05-16 |
ISBN-10 |
: 9780748646340 |
ISBN-13 |
: 0748646345 |
Rating |
: 4/5 (40 Downloads) |
Synopsis Edinburgh Companion to Scottish Drama by : Ian Brown
Combines historical rigour with an analysis of dramatic contexts, themes and formsThe 17 contributors explore the longstanding and vibrant Scottish dramatic tradition and the important developments in Scottish dramatic writing and theatre, with particular attention to the last 100 years.The first part of the volume covers Scottish drama from the earliest records to the late twentieth-century literary revival, as well as translation in Scottish theatre and non-theatrical drama. The second part focuses on the work of influential Scottish playwrights, from J. M. Barrie and James Bridie to Ena Lamont Stewart, Liz Lochhead and Edwin Morgan and right up to contemporary playwrights Anthony Neilson, Gregory Burke, Henry Adams and Douglas Maxwell.
Author |
: Dr Joshua Dickson |
Publisher |
: Ashgate Publishing, Ltd. |
Total Pages |
: 408 |
Release |
: 2013-02-28 |
ISBN-10 |
: 9781409493945 |
ISBN-13 |
: 1409493946 |
Rating |
: 4/5 (45 Downloads) |
Synopsis The Highland Bagpipe by : Dr Joshua Dickson
The Highland bagpipe, widely considered 'Scotland's national instrument', is one of the most recognized icons of traditional music in the world. It is also among the least understood. But Scottish bagpipe music and tradition - particularly, but not exclusively, the Highland bagpipe - has enjoyed an unprecedented surge in public visibility and scholarly attention since the 1990s. A greater interest in the emic led to a diverse picture of the meaning and musical iconicism of the bagpipe in communities in Scotland and throughout the Scottish diaspora. This interest has led to the consideration of both the globalization of Highland piping and piping as rooted in local culture. It has given rise to a reappraisal of sources which have hitherto formed the backbone of long-standing historical and performative assumptions. And revivalist research which reassesses Highland piping's cultural position relative to other Scottish piping traditions, such as that of the Lowlands and Borders, today effectively challenges the notion of the Highland bagpipe as Scotland's 'national' instrument. The Highland Bagpipe provides an unprecedented insight into the current state of Scottish piping studies. The contributors – from Scotland, England, Canada and the United States – discuss the bagpipe in oral and written history, anthropology, ethnography, musicology, material culture and modal aesthetics. The book will appeal to ethnomusicologists, anthropologists, as well as those interested in international bagpipe studies and traditions.