The most wide-ranging anthology of twentieth-century poetry in English and Scots available.

It's surprising what you can find by simply stepping out to look. Award-winning poet Kathleen Jamie has an eye and an ease with the nature and landscapes of Scotland as well as an incisive sense of our domestic realities. In Findings she draws together these themes to describe travels like no other contemporary writer. Whether she is following the call of a peregrine in the hills above her home in Fife, sailing into a dark winter solstice on the Orkney islands, or pacing around the carcass of a whale on a rain-swept Hebridean beach, she creates a subtle and modern narrative, peculiarly alive to her connections and surroundings.

My Heart’s In the Highlands: Classic Scottish Poems is a glorious celebration of poetry and verse by the greatest classic Scottish poets, and introduced by the acclaimed poet John Glenday. Part of the Macmillan Collector’s Library; a series of stunning, clothbound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. The poems in this collection are selected by editor, Gaby Morgan. With poems from famous Scottish writers such as Robert Burns, Sir Walter Scott and Mary Queen of Scots herself there is plenty here to enjoy and inspire. The collection roams across so many aspects of Scottish life and culture; its landscape and its history, its people and its celebrations. It’s a country that has always inspired poets to write about love, nature and heritage, and to reflect on the important things of life.

Full-time philosopher and occasional sleuth Isabel Dalhousie, now the mother of a baby boy, is getting used to the new rhythms of her life, caring for little Charlie with the sometimes unsettling aid of her forthright housekeeper, Grace, having dinners with Charlie’s father, Jamie, and tending as usual to submissions to the Review of Applied Ethics. But Isabel is deeply unsettled when she receives a letter telling her that she is soon to be replaced as editor of the Review by Christopher Dove, an ambitious academic at a London university, and she considers a variety of ways of dealing with this unwelcome news. And her niece, Cat, who a couple of years before had rejected Jamie and broken his heart, is now furious at Isabel for having stolen him away. Isabel’s insatiable curiosity—or what Jamie sees as her tendency toward meddling—is peaked when she learns some odd details regarding two paintings by a Scottish artist that have come onto the auction market, and she begins to think that the paintings might be forgeries. Her investigation takes her to the beautiful Isle of Jura, where she finds some recent traces of the painter and learns of his apparent suicide in the fabled whirlpool called the Corryvreckan. A visit to the painter’s widow brings a surprising realization, one that contributes to her musings throughout the story on mothers, fathers, and sons.

Singers, politicians, a fish-gutter, queens, a dancer, a marine engineer, a salt seller, sportswomen, scientists and many more – Quines celebrates and explores the richly diverse contribution women have made to Scottish history and society.

'In Pratibha Castle's sensual, sacramental debut pamphlet, words hum like insects in high summer, tempt the tongue like the last sweet smear of cake batter, and fly like feathers after a lifelong mother-daughter catfight. From lonely childhood Wimpy Bars to lecherous confessionals, Portobello Market in the Swinging Sixties to a garrulous Friday night down the pub in Kells, remote family homes to mourning walks in the South Downs, all the vivid spirit and pain of an Anglo-Irish girlhood coming-of-age is resurrected in these pages and released like petals on the wind. Castle's poems have a heady perfume and courageous way with a secret reminiscent of Edna O'Brien and Medbh McGuckian - and a subtle incantatory magic all their own.' Naomi Foyle 'Pratibha Castle has matched the flow of these poems to the yearning souls they describe. Her light-footed words often slip free in surprising fashion, nimbly breaking the lines and creating unexpected angles onto a fund of timeless material in which souls yearn for release from the grip of bullying belief-systems, and where nature offers its ancient consolations.' David Swann, author of 'The Privilege of Rain' 'How I have enjoyed reading this collection by emerging poet Pratibha Castle as she guides the reader into the liminal spaces that rest between love, loss and the spiritual world... Her use of imagery, language and metaphor both informs and empowers her work. There is a strong elegiac quality to the poems which adds depth and richness, a delightful tapestry of light, shade and gravity. 'A Triptych of Birds and a Few Loose Feathers is a beautiful work of art.' Raine Geoghegan, Forward Prize, Pushcart Prize and Best of the Net nominee 'The poems in this collection are full of nature and memory, love and loss. They speak movingly of the hinterland of self, of how we are shaped by people and places - and how, no matter where we go or who we become, the landscape of the past still lies within us. Pratibha Castle sustains a clear, lyrical voice, but is also not afraid to speak directly to the heart. A great debut collection.' Moyra Donaldson From you and her smiling at me as I curl in bed, puzzling why you never smile that way at one another (Riddles) 'A Catholic adolescence infused with abuse and magical thinking...flaunts(ing) sexual awakening in the Mary Quant generation to follow Edna O'Brien...even 'nasturtiums writhe/with promiscuous/lithe ache.' With a language recalling Medbh McGuckian, Castle crosses a South of England Catholic upbringing with a rich, difficult knot of inheritance 'flashed crazy/like a Kildare mare' as she signs the death of her mother with a circling of bird-calls. A superb debut.' Simon Jenner