The widely published and award-winning poetry and prose in this book was inspired by a year spent working as Writer in Residence at HMP Nottingham Prison. The jail was built on the vestiges of a low moor, itself once part of Sherwood Forest. The former haunt of legendary outlaws, it was left with just a handful of trees, one of which was rumoured to be rooted in the bodies of executed criminals. Taxi drivers rarely knew how to find the jail. Foxes came and went through the grounds. Rain fell every Thursday. During the year, two new wings were built, and remand prisoners shipped into the old Victorian wing. As the jail groaned under the expansion programme, routines were transformed, and tensions increased. The Privilege of Rain reflects on the writer's role in the rehabilitation of offenders, and finds poetry in a lonely place, where ordinary objects like flasks and rain become charged with new meaning, and where language is pressured into fresh shapes:

Here he is, husband and father, scruffy romantic, a shambolic scholar--a man adrift in the wake of his wife's sudden, accidental death. And there are his two sons who like him struggle in their London apartment to face the unbearable sadness that has engulfed them. The father imagines a future of well-meaning visitors and emptiness, while the boys wander, savage and unsupervised. In this moment of violent despair they are visited by Crow--antagonist, trickster, goad, protector, therapist, and babysitter. This self-described "sentimental bird," at once wild and tender, who "finds humans dull except in grief," threatens to stay with the wounded family until they no longer need him. As weeks turn to months and the pain of loss lessens with the balm of memories, Crow's efforts are rewarded and the little unit of three begins to recover: Dad resumes his book about the poet Ted Hughes; the boys get on with it, grow up. Part novella, part polyphonic fable, part essay on grief, Max Porter's extraordinary debut combines compassion and bravura style to dazzling effect. Full of angular wit and profound truths, Grief Is the Thing with Feathers is a startlingly original and haunting debut by a significant new talent.

'In Pratibha Castle's sensual, sacramental debut pamphlet, words hum like insects in high summer, tempt the tongue like the last sweet smear of cake batter, and fly like feathers after a lifelong mother-daughter catfight. From lonely childhood Wimpy Bars to lecherous confessionals, Portobello Market in the Swinging Sixties to a garrulous Friday night down the pub in Kells, remote family homes to mourning walks in the South Downs, all the vivid spirit and pain of an Anglo-Irish girlhood coming-of-age is resurrected in these pages and released like petals on the wind. Castle's poems have a heady perfume and courageous way with a secret reminiscent of Edna O'Brien and Medbh McGuckian - and a subtle incantatory magic all their own.' Naomi Foyle 'Pratibha Castle has matched the flow of these poems to the yearning souls they describe. Her light-footed words often slip free in surprising fashion, nimbly breaking the lines and creating unexpected angles onto a fund of timeless material in which souls yearn for release from the grip of bullying belief-systems, and where nature offers its ancient consolations.' David Swann, author of 'The Privilege of Rain' 'How I have enjoyed reading this collection by emerging poet Pratibha Castle as she guides the reader into the liminal spaces that rest between love, loss and the spiritual world... Her use of imagery, language and metaphor both informs and empowers her work. There is a strong elegiac quality to the poems which adds depth and richness, a delightful tapestry of light, shade and gravity. 'A Triptych of Birds and a Few Loose Feathers is a beautiful work of art.' Raine Geoghegan, Forward Prize, Pushcart Prize and Best of the Net nominee 'The poems in this collection are full of nature and memory, love and loss. They speak movingly of the hinterland of self, of how we are shaped by people and places - and how, no matter where we go or who we become, the landscape of the past still lies within us. Pratibha Castle sustains a clear, lyrical voice, but is also not afraid to speak directly to the heart. A great debut collection.' Moyra Donaldson From you and her smiling at me as I curl in bed, puzzling why you never smile that way at one another (Riddles) 'A Catholic adolescence infused with abuse and magical thinking...flaunts(ing) sexual awakening in the Mary Quant generation to follow Edna O'Brien...even 'nasturtiums writhe/with promiscuous/lithe ache.' With a language recalling Medbh McGuckian, Castle crosses a South of England Catholic upbringing with a rich, difficult knot of inheritance 'flashed crazy/like a Kildare mare' as she signs the death of her mother with a circling of bird-calls. A superb debut.' Simon Jenner

Historical thriller set in Ancient Rome. Lucius, the attractive fiance of a high-society girl is poisoned at the pre-wedding banquet. In the trial that follows, Roman society is shocked when the girl's mother, Helvia, is accused of incest as well as murder. Cicero comes to Helvia's defence, but the killer's identity remains a mystery ...

In Search of Ivy uncovers the story of the Lai family's immigration from China to Australia in a series of vignettes linking Canton (now Guangzhou) and Hong Kong with Cooktown and Thursday Island in Far North Queensland, bringing to life the colourful atmosphere of China and the famous Palmer River Gold Rush in the late nineteenth century.

Ian Tregillis's Something More Than Night is a Dashiell Hammett and Raymond Chandler inspired murder mystery set in Thomas Aquinas's vision of Heaven. It's a noir detective story starring fallen angels, the heavenly choir, nightclub stigmatics, a priest with a dirty secret, a femme fatale, and the Voice of God. Somebody has murdered the angel Gabriel. Worse, the Jericho Trumpet has gone missing, putting Heaven on the brink of a truly cosmic crisis. But the twisty plot that unfolds from the murder investigation leads to something much bigger: a con job one billion years in the making. Because this is no mere murder. A small band of angels has decided to break out of heaven, but they need a human patsy to make their plan work. Much of the story is told from the point of view of Bayliss, a cynical fallen angel who has modeled himself on Philip Marlowe. The yarn he spins follows the progression of a Marlowe novel—the mysterious dame who needs his help, getting grilled by the bulls, finding a stiff, getting slipped a mickey. Angels and gunsels, dames with eyes like fire, and a grand maguffin, Something More Than Night is a murder mystery for the cosmos. A Kirkus Reviews Best Fiction Book of 2013 At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

"In a pamphlet saturated in colour, Damien Donnelly takes us on an immersive journey through a landscape of pigments. Written with great lyricism and emotional intensity, these poems contrast darker hues with lighter tones to create a sequence of poems that will linger in the memory."