A history of the art, illustrated with photographs and music examples - giving over 100 complete reels, strathspeys, laments and slow airs. Mary Anne Alburger's admirable study documents the development of the tradition for more than half a millennium from the fiddlers on James IV's payroll, through the manuscript and published collections of the 17th century to the traditional players and composers of the 20th century. Extended treatment is given to such outstanding composers as Niel and Nathaniel Gow, William Marshall, Simon Fraser and James Scott Skinner. The new public for this music, both inside and outside Scotland, will find this book especially informative. Hardback edition available by special request.

(Music Sales America). This collection is a reflection of the current repertoire of "sessions" in Scotland. Included are the popular tunes of today which stand the test of time. Some of the material is fairly tricky and should offer a challenge to the increasing numbers of excellent fiddlers. Songs include: Fairy Dance * Sleepy Maggie * Ships Are Sailing * The Duke and Duchess of Edinburgh * The Wind That Shakes the Barley * Loch Leven Castle * The Apple Tree * Lynne's Reel * The Old Grey Cat * Lord MacDonald * Miss Lyall * Captain Campbell * The Left Handed Fiddler * The North Shore * I Wish You Would Marry Me Now * Gladstone * Itchy Fingers * John Spence of Uyeasound * Jack Broke da Prison Door * The Shetland Fiddler * Da Ferry Reel * The Sally Gardens * The High Reel * The Boys of Malin * The Silver Spire * Sligo Maid * The Earl's Chair * Paddy's Trip to Scotland * King of the Fairies * The Firefly * Fisher's Hornpipe * The Golden Eagle * Lark in the Morning * Trip to Sligo * Traditional Jig * The Rocky Road to Dublin * Kennedy Street March * The Sweetness of Mary * Ashokan Farewell * Mitton's Breakdown * Trip to Windsor * Rory MacLeod * Ally Bally * and more.

As part of the Mel Bay Encyclopedia Series, the purpose of this book is to offer fiddlers direct access to the gems of the genre. Composers represented in this volume span a three hundred year period including works by: Patrick MacDonald, Adam Craig, Capt. Charles Duff, Simon Fraser, Robert and Joseph Lowe, Robert MacIntosh, William Marshall, and J. Scott Skinner. Ms. Rideout's original compositions are also included. the tunes are listed in order by key signature to enable the fiddler to put sets together for performance, competition or session playing. This book contains extra marches and strathspeys unique to Scottish fiddling. the end of the book is dedicated to solo numbers consisting of piobaireachd (pibroch) and slow airs. the Scottish Fiddle Encyclopedia is an essential tune book for musicians interested in developing a deeper appreciation for genuine traditional Scottish fiddle music.

The forty-five tunes in this collection represent the vast repertoire of traditional Scottish fiddle music dating back to the 1700s.There is a long history of music shared between fiddle, bagpipe and song. Included are laments, airs, marches, strathspeys, reels and jigs. the music has been edited and arranged for viola along with guitar chords if desired for accompaniment. the tunes are presented in sets of three or four for solo performance.

A comprehensive annotated collection of 365 tunes with a historical introduction. Much more than a definitive collection of tunes, James Hunter's introduction traces the history of the fiddle and music through the centuries.

This collection includes many favourite Irish fiddle tunes. Some are easy to play, others more challenging. the bowing techniques, ornamentation and other aspects of playing style summarized in the introduction will be familiar to readers of Pete's earlier book, the Complete Irish Fiddle Player, as will source musicians like Julia Clifford, Tommy Peoples, Lucy Farr, John Doherty and Padraig O'Keeffe. Here though, instead of proceeding in 'fiddle method' style from simpler to more complex tunes, regional repertoire and styles are explored. Grouped in sets for performance, the tunes from any one tradition can be of varying levels of difficulty. Less experienced players may find sets 5, 6 and 29, for example, quite approachable, as well as the first reel in set 14 and the second single jig in set 15. All tunes included on companion CD.