Derek Russell Davis argues that mental health professionals working in a hospital or clinic setting can learn much from playwrights about the psychological processes in mental illness. Looking at such diverse characters as Orestes, Hamlet, Lear, Ophelia, Peer Gynt, Oswald Alving and Blanche Dubois, Dr Davis shows how madness in plays is put into the context of the crucial experiences in an individual's history and current relationships, and demonstrates that these stories can be a new and exciting source of insight into mental illness.

Game of Thrones superstar EMILIA CLARKE debuts an EXTRA-LENGTH, THREE-ISSUE MINISERIES! The mayhem begins with Maya, under-the-weather scientist by day, over-the-top superhero by night, and badass single mom 24/7. Deadpool action and Fleabag comedy collide when Maya activates her freakish superpowers to take on a secret sect of human traffickers. Mature readers only! Comedy and chaos await in the first of three 40-page issues by the glamorous artist of Horde, LEILA LEIZ!

New Foreword by Irvine Welsh. In Before We Was We Madness tell us how they became them. A story of seven originals, whose collective graft, energy and talent took them from the sweaty depths of the Hope and Anchor's basement to the Top of the Pops studio. In their own words they each look back on shared adventures. Playing music together, riding freight trains, spraying graffiti and stealing records. Walking in one another's footsteps by day and rising up through the city's exploding pub music scene by night. Before We Was We is irreverent, funny and full of character. Just like them.

Parallel to An Unquiet Mind and The Glass Castle, a deeply personal memoir calling for the destigmatization of mental illness

"Between 1995 and 1999, Patton Oswalt lived with an unshakable addiction. It wasn't drugs, alcohol or sex: it was film. After moving to L.A., Oswalt became a huge film buff (or as he calls it, a sprocket fiend), absorbing classics, cult hits, and new releases at the New Beverly Cinema. Silver screen celluloid became Patton's life schoolbook, informing his notion of acting, writing, comedy, and relationships. Set in the nascent days of L.A.'s alternative comedy scene, Oswalt's memoir chronicles his journey from fledgling stand-up comedian to self-assured sitcom actor, with the colorful New Beverly collective and a cast of now-notable young comedians supporting him all along the way"--

"The Unfinished Manner examines the fragments produced by European writers and artists in the eighteenth century and earlier, fragments that were not the result of an inability to finish either texts or buildings but rather deliberate refusals to make the traditional gestures of conclusion. Most books published in the past few years on the fragment and the unfinished see it as a peculiarly "Romantic" early nineteenth-century exclusively poetic form. Elizabeth Wanning Harries argues, instead, that the fragment not only had a long history beginning with Petrarch but also played an important part in the history of the novel and other kinds of prose." "Conceptualizing the fragment as a genre, Harries sheds a new light on the practice of reading fiction and "reading" ruins in the eighteenth century, complex practices that often require oscillation between two perspectives or ways of reading. She also explores the gendering of forms in eighteenth-century aesthetics - the perception of fragments as feminine (beautiful) rather than masculine (sublime) - and speculates on the fragment's meaning within the context of eighteenth-century social mythologies as well as those of later eras. Finally, she rereads Coleridge's "Kubla Khan" to show its roots in eighteenth-century fragmentary textual practices." "The Unfinished Manner takes up the questions that arise when writers and artists treat apparently unfinished forms - fragments, ruins, torsos, sketches - as finished, both in the eighteenth century and, implicitly, today. Harries's treatments of Petrarch as the initiator of the fragment tradition, of Sterne in relation to biblical criticism, of Coleridge's "Kubla Khan" in relation to Sterne's Tristram Shandy, and of fragments in their relation to the feminine are original and revisionary contributions that seriously challenge some critical assumptions about Romanticism and its relationship to eighteenth-century texts."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

An engaging and provocative re-evaluation of ballet's development from the 1880s to the middle of the twentieth century.

Covering a broad range of styles, this comprehensive volume includes entries for more than 450 operas that have been performed over the last four centuries. Organized from A to Z for easy reference, it's a complete guide that's certain to inform and entertain any opera buff. 500 photos.