A haunting collection from one of Norway's most celebrated writers.

The author tells of her first illness, first love, and the deaths of loved ones.

In the course of her brilliant career Sylvia Townsend Warner wrote superbly in many and diverse forms but never penned a memoir, properly speaking. However, from the 1930s to the 1970s she did contribute a series of short reminiscences to the New Yorker. Scenes of Childhood collects and orders those reminiscences, thus forming a volume that reads as a joyous, wry and moving testament to the experience of being alive. The collection evokes a recognisably English world of nannies, butlers, pet podles, public schools, 'good works' and country churches, but the resonances of these stories are universal - funny and touching by turns.

In the first new Stella book in four years — in a series that has sold two million copies in ten languages — Stella introduces little brother Sam to the pleasures of reading. Sam is as busy and worried as ever, and Stella almost always has her nose in a book these days, but she finds time to help him out, while sharing her new pastime with contagious enthusiasm. Sam has gathered a wagonload of branches to build a doghouse for Fred, and he wonders if the book Stella is reading tells you how to make one. It doesn't (although it is very funny), but Stella is more than willing to give Sam a hand. As soon as the doghouse is built though, Sam worries that a wolf might come along and blow it down. Stella breezily banishes his fears, suggesting a picnic at Lily Pond. Stella cools her feet in the water, reading a story, while Sam tries to catch a frog. Are there frogs in Stella's book, he wonders. No, Stella tells him, but there is a toad wearing a velvet jacket... With her characteristically light touch, Marie-Louise Gay imparts the pleasures and importance of reading to her young audience, whether it be humor, fiction, nonfiction or poetry. Her detailed, beautifully rendered and often-amusing watercolor illustrations (spot the tiny bunny reading a book!) show yet again that Marie-Louise Gay is one of the very best artists creating picture books today.

A selection from over fifty sources including published and unpublished plays, blockbuster movie hits, independent films, foreign films, teleplays, poetry, and diaries.

From the Man Booker–short-listed author of The Northern Clemency, a family and a nation—Bangladesh—are forged through storytelling, conversation, jokes, feuds, blood, songs, bravery, and sacrifice In late 1970 a boy named Saadi is born into a large, defiantly Bengali family in eastern Pakistan. Months later the country splits in two, in what will become one of the most ferocious twentieth-century civil wars. Saadi tells the story of his childhood and of the ingenious ways his family survived the violence and conflicts: from his aunts stuffing him endlessly with sweets to stop marauding soldiers from hearing him cry, to street games based on American television shows; from the basement compartment his grandfather built to hide his treasured books, pictures, and music until after the war, to the daily gossip about each and every one of the relatives, servants, and neighbors. Scenes from Early Life is a beautifully detailed novel of profound empathy—an attempt to capture the collective memory of a family and a country. At once heartbreaking and surprisingly funny, Scenes from Early Life is based on the life of Philip Hensher's husband, and as such it is at once a memoir, a novel, and a history. As this remarkable writer brings the past to life, we come to feel, vividly and viscerally, that Saadi's family—and its struggles and triumphs—are our own. Scenes form Early Life is the winner of the 2013 Royal Society of Literature Ondaatje Prize for a distinguished work of fiction, non-fiction or poetry, evoking the spirit of a place.

A collection of piano solos composed by Robert Schumann.

A biography concentrating on the childhood experiences of the great eighteenth-century composer.

Nonfiction. Latino/Latina Studies. Photography. MAGIC EYES is a collaboration that grew out of Wendy Ewald's experiences in the village of Raquira in the Colombian Andes between 1982 and 1984. The book combines photographs taken by Ewald and her students with stories told by two local women, Maria Vasquez and her daughter, Alicia. Together, Ewald's students and the Vasquezes present the images and experiences of what Barbara Majuica has called "the rich Andean folk culture, in which magic and nature are inseparable components of equal value." The magic eyes belong to Alicia, who recounts her story of the evil eye, which she associates with the camera lens. Alicia and her mother powerfully convey the difficult life in the squatter settlements outside of Bogata. Great poverty and violence are seen through eyes taught from early in life to notice the magical; the results are deeply poetical. The New York Times has called MAGIC EYES "moving, intimate, and unsparing."