A BEST NEW BOOK from *Vanity Fair *The Root *Vulture *People *The Washington Post *Christian Science Monitor *Los Angeles Times *Essence A New York Times Book Review Editor's Choice Pick! A New Yorker Best Book of the Year! A lyrical, moving novel in the spirit of Transcendent Kingdom and A Burning—and the most awarded debut title in South Africa—that tells the story of a multiracial family when the Immorality Act is passed, revealing the story of one family’s scattered souls in the wake of history. In 1927, South Africa passes the Immorality Act, prohibiting sexual intercourse between “Europeans” (white people) and “natives” (Black people). Those who break the draconian new law face imprisonment—for men of up to five years; for women, four years. Abram and his wife Alisa have their share of marital problems, but they also have a comfortable life in South Africa with their two young girls. But then the Act is passed. Alisa is black, and their two children are now evidence of their involvement in a union that has been criminalized by the state. At first, Alisa and Abram question how they’ll be affected by the Act, but then officials start asking questions at the girls’ school, and their estate is catalogued for potential disbursement. Abram is at a loss as to how to protect his young family from the grinding machinery of the law, whose worst discriminations have until now been kept at bay by the family’s economic privilege. And with this, his hesitation, the couple’s bond is tattered. Alisa, who is Jamaican and the descendant of slaves, was adopted by a wealthy white British couple, who raised her as their child. But as she grew older and realized that the prejudices of British society made no allowance for her, she journeyed to South Africa where she met Abram. In the aftermath of the Immorality Act, she comes to a heartbreaking conclusion based on her past and collective history – and she commits her own devastating act, one that will reverberate through their entire family’s lives. Intertwining her storytelling with ritual, myth, and the heart-wrenching question of who stays and who leaves, Scatterlings marks the debut of a gifted storyteller who has become a sensation in her native South Africa—and promises to take the Western literary world by storm as well.

Moving country remains the hugest thing weve ever experienced/ accomplished/ drowned in. Its an act of seemingly utter insanity, which negates all ones most primal connections to the cosmos. I find myself quoting Keats more often, Happiness is sharpened by its antithetical elements. Experiencing a new chapter of life is life-altering and isnt given enough credence. Each day we are grateful to taste a figuratively different menu, yet simultaneously we miss the staple diet stemming from our roots. I recall emailing a psychologist colleague of mine a few months after my arrival here, Am I experiencing a schism of the self? I asked. She replied, No, just re-inventing the self. I kept that pinned on my notice board at work for the first year to reflect on. _______________________________________________________________ Scatterlings Synopsis The book kicks off with the author's innocent and carefree childhood growing up on a farm in South Africa, my awakening (conscientising into an awareness that all is not right, being born into an apartheid era), life in SA and the epiphany to immigrate to NZ. The chapter Bouncing off Planet Africa' encompasses the grieving and healing process of migration. This section should be extremely beneficial to all migrants as part of the adaptation and acculturisaton process. The Scatterling tapestry chapters follow with migrants stories of their passion, pain, love - and hate - of Africa. For this section a remarkable cross section of stories; people of various cultural backgrounds and groups from Southern Africa including: cross cultural marriages; gay marriages; the lobola story between a Zulu woman and an American man; people who were marginalised and affected by apartheid, or survived the war in Zimbabwe, etc., plus Afri-expat tales from places such as Peru, USA, Canada, Saudi Arabia, Qatar, Kenya, Zimbabwe, UK, Oz and NZ have been gathered and incorporated. There is a section with contributions, including a Somali Refugee, a rootless African American (due to slavery) and people of colour uprooted in South Africa due to the apartheid areas act. Expats talk about hurdles and obstacles regarding migration, and about the wonderful sense of freedom from the shackles of apartheid and from fear, violence and criminality. They also offer some tips and advice to wannabes, while others hanker for home so much and return to face the challenges of a violent land. The contributors echo the same parallel threads, yet different and unique, each through their own personal lens. A short chapter offers children the opportunity to share their stories in Out the Mouths of Babes, which is both insightful and humorous. An historical/political time line follows from Khoi Khoi to current with articles and information, demographics and some statistics covering the establishment of humanity in the ancient continent; the conflicts, the horrors of apartheid and current exasperation due to ongoing heinous crime, stress, corruption and structural disintegration, juxtaposed against optimism and hope. Articles (all with the authors blessings) are included by well know South African writers, politicians, projectionists and figure heads, the likes of Helen Zille, Clem Sunter, Max du Preez and several young emerging African columnists the likes of Mabaso, Mtimkulu and Shuudi.) There is a section on migrants poetry, followed by Southern African recipes and food tales as immigrants identify with food as part of the cultural adaptation and period of grieving. A short existential epilogue concludes the book.

In Scatterlings Martin Shaw walks the myth-lines of seven stories based in and around his homeland of Dartmoor, England. Rather than the commentaries on such tales being primarily balanced against other literary sources, Shaw uses what actually occurs on these walks as the main source of information on the tales. The swoop of raven, the swamp, the thinking that moves through him, all form a knot of relationship between the land and the story. As he walks he tells the story of the place back to itself. This is a highly unusual move for a mythologist, an aspiration to use speech as form of animistic relationship, of binding, of praise to a place. In a time of rapid migrations and climatic movement, Shaw asks: how could we be not just from a place but of a place? When did we trade shelter for comfort? what was the cost of that trade? What are the stories the west tells itself in private? Scatterlings also takes us on a wonder through the wild edges of British culture, a story of secret histories: from the ancient storytelling of the bardic schools to medieval dream poetry, from the cunning man to animal call words, to Arabian and steppe Iranian influence on English dialect. Through its astonishing journey, Shaw reveals to us that when you gaze deep enough into the local you find the nomad, and when you look deep enough into the nomad you find the local. Scatterlings is a rebel keen, a rising up, to bend your head to the stories and place that claim you.

‘There are moments in life that are pure, and which seem to hang in the air, unhitched from the everyday world as we know it. Suspended for a few seconds, they float in their own space and time with their own hidden prospects. For want of a better term, we call these moments “magical” and when we remember them they are cloaked in a halo of special meaning.’ For 14-year-old Johnny Clegg, hearing Zulu street music as plucked on the strings of a guitar by Charlie Mzila one evening outside a corner café in Bellevue, Johannesburg, was one such ‘magical’ moment. The success story of Juluka and later Savuka, and the cross-cultural celebration of music, language, story, dance and song that stirred the hearts of millions across the world, is well documented. Their music was the soundtrack to many South Africans’ lives during the turbulent 70s and 80s as the country moved from legislated oppression to democratic freedom. It crossed borders, boundaries and generations, resonating around the world and back again. Less known is the story of how it all began and developed. Scatterling of Africa is that origin story, as Johnny Clegg wrote it and wanted it told. It is the story of how the son of an unconventional mother, grandson of Jewish immigrants, came to realise that identity can be a choice, and home is a place you leave and return to as surely as the seasons change.

Merlin wakes to a world that is utterly changed. She has no memory aside from a name whispered to her by one of the strange voices in her mind, and the knowledge that she is being hunted. She is determined to learn what happened to her and is swept up by the renegade Scatterlings, drawn into their rebellion against the all-powerful Citizen Gods.

Master mythologist Martin Shaw uses timeless story-wisdom to examine our broken relationship with the world There is an old legend that says we each have a wild, curious twin that was thrown out the window the night we were born, taking much of our vitality with them. If there was something we were meant to do with our few, brief years on Earth, we can be sure that the wild twin is holding the key. In Courting the Wild Twin, Dr. Martin Shaw invites us to seek out our wild twin--a metaphor for the part of ourselves that we generally shun or ignore to conform to societal norms--to invite them back into our consciousness, for they have something important to tell us. He challenges us to examine our broken relationship with the world, to think boldly, wildly, and in new ways about ourselves--as individuals and as a collective. Through the use of scholarship, storytelling, and personal reflection, Shaw unpacks two ancient European fairy tales that concern the mysterious wild twin. By reading these tales and becoming storytellers ourselves, he suggests we can restore our agency and confront modern challenges with purpose, courage, and creativity. Courting the Wild Twin is a declaration of literary activism and an antidote to the shallow thinking that typifies our age. Shaw asks us to recognize mythology as a secret weapon--a radical, beautiful, heart-shuddering agent of deep, lasting change.

In his landmark provocative style, Stephen Jenkinson makes the case that we must birth a new generation of elders, one poised and willing to be true stewards of the planet and its species. Come of Age does not offer tips on how to be a better senior citizen or how to be kinder to our elders. Rather, with lyrical prose and incisive insight, Stephen Jenkinson explores the great paradox of elderhood in North America: how we are awash in the aged and yet somehow lacking in wisdom; how we relegate senior citizens to the corner of the house while simultaneously heralding them as sage elders simply by virtue of their age. Our own unreconciled relationship with what it means to be an elder has yielded a culture nearly bereft of them. Meanwhile, the planet boils, and the younger generation boils with anger over being left an environment and sociopolitical landscape deeply scarred and broken. Taking on the sacred cow of the family, Jenkinson argues that elderhood is a function rather than an identity—it is not a position earned simply by the number of years on the planet or the title “parent” or “grandparent.” As with his seminal book Die Wise, Jenkinson interweaves rich personal stories with iconoclastic observations that will leave readers radically rethinking their concept of what it takes to be an elder and the risks of doing otherwise. Part critique, part call to action, Come of Age is a love song inviting us—imploring us—to elderhood in this time of trouble. That time is now. We’re an hour before dawn, and first light will show the carnage, or the courage, we bequeath to the generations to come.

Our modern patterns of thinking and learning are all based on observing a world of 'things', which we think of as separate building blocks. This worldview allows us to count and measure objects without their having any innate value; it provides neat definitions and a sense of control over life. However, this approach also sets humans apart from each other, and from nature.In reality, in nature, everything is connected in a fluid, dynamic way. 'Separateness' is an illusion we have created -- and is fast becoming a dangerous delusion infecting how we relate to business, politi, and other key areas of our daily reality.Giles Hutchins argues that the source of our current social, economic and environmental issues springs from the misguided way we see and construct our world. With its roots in ancient wisdom, this insightful book sets out an accesssible, easy to follow exploration of the causes of our current crises, offering ways to rectify these issues at source and then pointing to a way ahead.

Rage Winnoway’s closest friends have always been her four dogs: Bear, Billy Thunder, Elle, and Mr. Walker. When Rage sets off for the hospital where her mother lies in a coma, the dogs and the neighbor’s goat tag along. On the way, they run into the firecat, who talks them into going through a magical gate. And something wonderful happens! Each of Rage’s friends is transformed. Bear becomes a real bear; Billy Thunder, a teenage boy; Elle, a warrior woman; Mr. Walker, a small, large-eared gentleman; and the goat, a satyr with an inferiority complex. Together, Rage and her companions embark on a quest to save the world of Valley, a journey that is somehow tied to Rage’s family. In this brilliant tale of courage and transformation, Isobelle Carmody captures the magic of Narnia and the whimsy of Wonderland without losing sight of the real world and all its difficulties.

In a world struggling back from the brink of apocalypse, life is harsh. But for Elspeth Gordie, born with enhanced mental abilities, it is also dangerous. Survival is only by secrecy and so she determines never to use her forbidden powers. But it is as if they have their own imperative and she is brought to the attention of the totalitarian Council that rules the Land. Banished to the remote mountain institution of Obernewtyn, she must throw off her cloak of concealment and pit herself against those that would resurrect the terrible forces of the apocalypse. Only then will she learn most truly who and what she is . . . Elspeth is determined to uncover the plot and so, accompanied only by her cat, Maruman, embarks on a terrible adventure full of danger, the conclusion to which promises not just uncertainty about her safety but also that of many around her.