In its broadest sense, this book is concerned with the attempt by workers in Britain during the period 1760–1871 to engage in collective action in circumstances of conflict with their employers during a time when the nation and many of its traditional economic structures and customary modes of working were undergoing rapid and unsettling change. More specifically, the book principally focuses on the attempt by those workers favouring a collective approach to struggle to overcome what they felt to be one of the main obstacles to collective action, the uncooperative worker. At times during these decades, the sanctions directed by collectively inclined workmen at those workers deemed to have engaged in acts contrary to the interests of the trade and customary codes of behaviour in the context of strikes and other instances of friction in the workplace were severe and uncompromising. Stern and unforgiving, too, was the struggle between the collectively inclined worker and the uncooperative worker in a more general sense, a contest that occasionally took a violent and bloody form. In exploring the fractious and hostile relationship between these two conflicting parties, this book draws on concepts and insights from a range of scholarly disciplines in an effort to shift the perception and study of this relationship beyond many of the conventional paradigms and explanatory frameworks associated with mainstream trade union studies.

The 1984–5 Miners’ Strike was one of the most important political events in British history. It was a bitter dispute that polarised public opinion, divided nation and families alike, and the results in terms of the destruction of centuries of industrial and cultural tradition are still keenly felt. The social and political consequences of this dispute, which have resonated for the past quarter century, have been subject to detailed analysis and reflection. The consequences for the arts and popular culture are less clearly mapped. This book attempts to begin to redress this imbalance and signal the importance of popular cultural activity both during and after the strike. The essays that appear in this book represent diverse and multidisciplinary responses to the questions raised by the strike and its relationships to a broad range of cultural forms which include literature, film, photography, music, theatre, television drama and documentary, painting, public art and heritage interventions. These responses are organised around four themes that map the interrelatedness between cultural representation, cultural intervention and historical memory. The first deals with the idea of mining culture and pre-strike representations in popular sentiment, film and literature. The second examines the role cultural forms played directly in the context of the strike, as a means of political commentary, activism and fund raising. The third looks at subsequent cultural renderings or reconstructions of the strike and the final section looks at the current process of memorialisation and commemoration. The book draws together a range of voices from academia, heritage, cultural and mining backgrounds, and offers both a historical perspective on the range of cultural activities in the course of the dispute and subsequent readings and re-readings. It aims both to provide a record of cultural intervention and stimulate new dialogues and perspectives.